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SET in thick viscose and stretch polyamide with ivory velvet e…

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SONIA RYKIEL SET in thick viscose and stretch polyamide with ivory velvet effect printed with black roses, pink and white knit back: cardigan (S 40) and skirt with two large pockets (S 36).

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SONIA RYKIEL SET in thick viscose and stretch polyamide with ivory velvet effect printed with black roses, pink and white knit back: cardigan (S 40) and skirt with two large pockets (S 36).

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Base d'asta 150 EUR

Pablo PICASSO (1881-1973) Jacqueline au regard d'oiseau, 1962 Original phototype and stencil (Atelier Jacomet) Unsigned Limited to 1000 unnumbered copies On heavy paper 40 x 30 cm REFERENCE : Cramer catalog raisonné #115 INFORMATION : Taking up a technique used as early as 1943, Picasso had made cut-outs of heads and silhouettes. Villers mounted the cut-outs on different photographs, 30 in all, thus varying their effect and value. The set of phototypes was published in 1962 by Berggruen in the "Diurnes" portfolio, printed in an edition of 1,000 copies. Excellent condition We can arrange shipment of your purchases at the following negotiated rates: - From 1 to 5 lithographs: €18 incl. VAT for France (€20 incl. VAT for Europe / €30 for international) - From 6 to 10 lithographs: €24 / €28 / €40 - Works not shipped in tubes: on quotation This description has been translated automatically: Pablo PICASSO (1881-1973) Jacqueline with a bird's eye view, 1962 Collotype and original stencil (Atelier Jacomet) Unsigned Limited to 1000 unnumbered copies On thick paper 40 x 30 cm REFERENCE: Cramer catalog raisonné #115 INFORMATION: Using a technique used since 1943, Picasso made cutouts of heads and silhouettes. Villers mounted the cutouts on different photographs, 30 in all, thus varying their effect and their value. All of the collotypes were published in 1962 by Berggruen in the "Diurnes" portfolio, printed in 1000 copies. Excellent condition We can provide shipping service under demand - For 1 to 5 lithographs : 18 € TTC for France (20 € TTC for Europe / 30 € for international) - For 6 to 10 lithographs : 24 € / 28 € / 40 € TTC - Products that can't be sent in a tube : price under request

Base d'asta 200 EUR

[20th century]. Edited by Guillermo di San Lazzaro. Set of 6 in-4 volumes illustrated with black and color reproductions including: - Hommage à Georges Rouault. Special non-subscription issue. Paris, 1971. Illustrated with a color lithograph after a work by Rouault. Publisher's full hardback in illustrated dust jacket. - Construction de l'espace. XXIVe année - n°18. Paris, 1962. Illustrated with an original color lithograph by Vieira da Silva. Paperback in illustrated publisher's cover. - Panorama 71 - XXXIIIrd year - n°36. Paris, 1971. Illustrated with an original color lithograph by Henry Moore. Full illustrated publisher's boards. (slight wear and restoration to boards). - Panorama 72 - XXXIVth year - n°39. Paris, 1972. Illustrated with 2 original color lithographs, one by Sonia Delaunay and one by Maurice Estève. Full illustrated publisher's boards. - Panorama 75* - Le réel imaginaire: du corps à l'objet - XXXVIIe année - n°44. Paris, 1975. Illustrated with 2 original color lithographs, one by Man Ray and one by Roberto Matta. Full illustrated publisher's boards. - Panorama 75** - Le réel imaginaire: de la rue à l'espace - XXXVIIe année - n°45. Paris, 1975. Illustrated with 2 original color lithographs, one by Enrico Baj and one by James Rosenquist, and a color silkscreen by Velickovic. Full illustrated publisher's boards. Also included: Hommage à Tériade. Grand Palais from May 16 to September 3, 1973. Paris, Centre National d'Art Contemporain - Ministère des Affaires Culturelles, 1973. In-4 paperback, illustrated with a color lithograph after Miro as frontispiece. Expert : Monsieur Nicolas Asvisio.

Stima 40 000 - 60 000 EUR

RARE COMPOSITION: GOUACHE "LA FLAMME D'AMOUR" by Robert DELAUNAY (1885-1941) Gouache on paper, framed, signed and dated lower left "1917". Certificate of authenticity enclosed. Provenance: Private collection. Size: 34 x 28.5 cm Very good condition Delaunay Robert, famous French artist, fashion designer, book illustrator and great master of Art Deco. One of the founders of the new artistic style "Orphism". Delaunay began his creative career under the influence of the Post-Impressionists, principally Cézanne. He had a keen sense of the movement, rhythm and dynamism of the events depicted. In 1912, with his wife Sonia Turk-Delaunay, he switched from Cubism to a unique style of abstract painting, which Guillaume Apollinaire called Orphism. This style of painting, closely associated with music, was called Orphisme, a term coined by the poet Guillaume Apollinaire, designating musical harmony in painting through the mythical figure of Orpheus. A new artistic style is Orphism, which is an abstract composition based on concentric circles of color designed to represent the dynamics of light, movement and rhythm. The combination of colors on canvases creates the effect of rhythmic pulsation, the musicality of colors. He was close to the "Blue Rider" creative association, and corresponded with Kandinsky and Marche. Robert Delaunay was one of the founders of simultaneism, the originator of abstract art, and for many years an active promoter, participating in the Abstraction-Création association and the Nouvelles Réalités salon. She was friends and collaborators with Vassily Kandinsky, Guillaume Apollinaire, Blaise Cendrars, Tristan Tzara, Philippe Soupault, Sergei Diaghilev, Igor Stravinsky, Ilya Zdanevich, Vladimir Mayakovsky, Vladimir Baranov-Rossinet, Alexandra Exter, Constantin Brancusi, Herwarth Walden, August Macke, Jean and Sophie Arp and others. His works are memorable at first glance and instantly recognizable. In 1937, Robert and Sonia Delaunay worked together on the design of the Paris Universal Exhibition. Delaunay broke with form with jets of light that deconstructed the image and almost became the painting's main characters. He used to say, "I love color above all, everyone loves light above all. They invented fire". The master captured this fire and its opposition in each of his compositions. In Robert Delaunay's composition "Flamme d'amour", which at first glance seems abstract, rotating disks of color form a kind of lyrical pattern on the surface of a sheet of paper. A closer look reveals a fiery, amorous couple and tongues of flame. These elements, combined with the floating shapes, are intended to celebrate love.

Stima 30 - 50 EUR

SONIA RYKIEL, Paris GILET manches longues en coton polychrome à motifs rayés. Taille 38.

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