Null Andreas Achenbach (Kassel 1815 - 1910 Düsseldorf), ,Die Rückkehr des Lotsen…

Description

Andreas Achenbach (Kassel 1815 - 1910 Düsseldorf), ,Die Rückkehr des Lotsenbootes, 1880, oil on wood panel, signed lower left, on the reverse on an old exhibition label of the famous Galerie Eduard Schulte with artist's name, title and year as well as a label of the Lempertz auction house, two vertical crossbars on the reverse to stabilize the support, 49.5 x 61 cm, isolated old retouches, especially in the margins, in a wide panel frame with mezzotint overlay, overall size: 62 x 73.5 cm. Limit 3000,- >> Studied at the Düsseldorf academy of art, 1832-1836 pupil of J.W. Schirmer; 1836 after a short stay in Munich he moved to Frankfurt a.M.; 1838 return to Düsseldorf; numerous awards; was the most successful Düsseldorf landscape painter of the 2nd half of the 19th century, ref.: Lexikon der Düsseldorfer Malerschule.

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Andreas Achenbach (Kassel 1815 - 1910 Düsseldorf), ,Die Rückkehr des Lotsenbootes, 1880, oil on wood panel, signed lower left, on the reverse on an old exhibition label of the famous Galerie Eduard Schulte with artist's name, title and year as well as a label of the Lempertz auction house, two vertical crossbars on the reverse to stabilize the support, 49.5 x 61 cm, isolated old retouches, especially in the margins, in a wide panel frame with mezzotint overlay, overall size: 62 x 73.5 cm. Limit 3000,- >> Studied at the Düsseldorf academy of art, 1832-1836 pupil of J.W. Schirmer; 1836 after a short stay in Munich he moved to Frankfurt a.M.; 1838 return to Düsseldorf; numerous awards; was the most successful Düsseldorf landscape painter of the 2nd half of the 19th century, ref.: Lexikon der Düsseldorfer Malerschule.

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Estim. 3 700 - 5 000 EUR

Andreas Achenbach, 1815 Kassel-1910 DüsseldorfView of Worms with the #'mountain church#' St.Petri in Hochheim in the foreground, a thunderstorm with lightning and dark clouds ismoving over the city, oil/canvas, doubled, signed lower left and dated. 1830, approx. 41x48cm, frame approx. 47x54cm; Achenbach studied at the age of 12 at the Düsseldorf Academy with Schadow and Schirmer, the presentpainting was exhibited in 2014/15 in the Museum for Childhood and Youth Works by Important Artists in Halle/Westphalia, Lit. Yearbook Westphalia 2015, vol. 69, ill . p. 151

Estim. 650 - 975 EUR

Axel Nordgren, Coast in the Moonlight atmospheric nocturnal coastal landscape with a lonely rowing boat on the water in front of fishermen's cottages on the beach, atmospheric, glazed, partially impasto painting in almost monochrome colours, Brita Linde comments "... Together with his younger colleague Gustaf Rydberg, Nordgren discovered the beaches of Arild and Skälderviken in the 1870s. From here he mainly painted moonlight pieces. The dark, stony beach usually forms an ellipse ... and contrasts with the wide expanse that glistens on the slightly undulating water surface. The horizon is low, so that the sky with the full moon between clouds dominates the scenery. ...", c. 1870, signed "A. Nordgren" on the reverse of the canvas, framed in gilt stucco moulding, folded dimensions approx. 49 x 84.5 cm. Artist information: actually Axel Wilhelm Nordgren, Swedish portrait and landscape painter (1828 Stockholm - 1888 Düsseldorf), first instructed by his father, the painter Carl Vilhelm Nordgren (1804-1857), studied at the Stockholm Academy from 1845-48, travelled with a scholarship from the Swedish crown prince Karl Ludvig Eugen Bernadotte, later King Charles XV (1826-1872). (1826-1872) travelled to Düsseldorf, from 1851 further training in Düsseldorf, among others with Hans Fredrik Gude and Andreas Achenbach, then freelanced in Düsseldorf, maintained friendship with Morten Müller, undertook annual summer study trips with Gude and Müller to Småland, Norway and Finland, in the 1860s to Trollhättan, Huskvarna, Bohuslän, Arild and Skälderviken and in the 1870s trips to southern Sweden (Skåne), was appointed Swedish court painter in 1869 and became a member of the Stockholm Academy, travelled to the Netherlands in 1871, suffered a stroke in 1883 and gave up travelling, exhibited in Berlin, Stockholm, Gotenburg, Königsberg, Düsseldorf, Bergen/Norway, Dresden, London, Lyon, Mainz, Munich, Bremen, Hamburg, Hanover and Vienna, member of the Düsseldorf artists' association "Malkasten" from 1857-88, active in Düsseldorf-Pempelfort, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Swedish biographical lexicon, Boetticher, Müller-Singer, Baumgärtel/Schroyen "Die Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819-1918", Bruckmann "Lexikon der Düsseldorfer Malerschule", Seubert, Müller-Klunzinger and Wikipedia.

Estim. 480 - 720 EUR

Josef Willroider, Ländliche Studie View of a country road leading past a farmstead, chickens grazing in the meadow in front of the main house with washing fluttering on a line in the wind, in the centre of the picture a group of people in front of trees with partly autumnal wilted leaves, a briskly captured study with a brushstroke full of character, oil on linen mounted on cardboard, around 1900, signed lower left "J. Willroider.", on the reverse of the frame with illegible annotations in lead, numbered "989" probably by the artist on the painting card as well as with illegible annotation, probably reading "Auveray" or "Auvery", the painting support slightly wavy in the area of the sky due to partially detached lamination, attractively framed behind glass in contemporary shellac moulding with small bumps, dimensions approx. 25 x 34.5 cm. Artist information: Austrian landscape painter, draughtsman and graphic artist (1838 Villach/Carinthia to 1915 Munich, eldest brother of Ludwig Willroider, apprenticeship as a carpenter in his father's business, first painting lessons with the painter Ludwig Canziani, resident in Munich from 1860 and acquaintance with Eduard Schleich the Elder, from 1866 in Düsseldorf and acquaintance with Oswald and Andreas Achenbach, from 1870 member of the Malkasten artists' association, followed by study trips to Holland and the North Sea, 1882 appointed honorary member of the Academy of Arts in Munich, 1889 returned to Munich and moved into a studio here with his younger brother, at the end of the 19th century Josef Willroth was one of the most important artists in the world. At the end of the 19th century, Josef Willroider and his brother were among the most important landscape painters of their time, works in numerous museums and collections, source: Thieme-Becker, Wurzbach and Internet.

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