Null in the portrait salon,
after Elisabeth VIGÉE-LEBRUN (1755-1842)
Self-port…

Descrizione

in the portrait salon, after Elisabeth VIGÉE-LEBRUN (1755-1842) Self-portrait Oil on canvas 61 x 49 cm This is a repeat of the self-portrait by Elisabeth Vigée-Lebrun painted in 1790 for her reception at the Uffizi Palace in Florence. The painting is currently still in Florence, in Vasari's Corridor, which enabled the Medici to pass from the Pitti Palace to the Palazzo Vecchio. Provenance - Nantes sale, Couton Veyrac Jamault, December 4, 2018, n°66 Sold by appointment to be collected on site before Friday, July 19, 2024

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in the portrait salon, after Elisabeth VIGÉE-LEBRUN (1755-1842) Self-portrait Oil on canvas 61 x 49 cm This is a repeat of the self-portrait by Elisabeth Vigée-Lebrun painted in 1790 for her reception at the Uffizi Palace in Florence. The painting is currently still in Florence, in Vasari's Corridor, which enabled the Medici to pass from the Pitti Palace to the Palazzo Vecchio. Provenance - Nantes sale, Couton Veyrac Jamault, December 4, 2018, n°66 Sold by appointment to be collected on site before Friday, July 19, 2024

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Base d'asta 80 EUR

19th century French school, follower of Louise-Elisabeth Vigée Lebrun (1755-1842) Portrait of a Lady of Quality with a Large Hat Pastel on paper 46 x 38 cm. (Rubbing, pitting)

Stima 3 500 - 4 000 EUR

French school; first third of the eighteenth century. "Portrait of a lady". Oil on canvas. Relined. It presents faults and losses in the pictorial surface and in the frame. Needs consolidation. Measurements: 116 x 95.5 cm; 134 x 113 cm (frame). Female portrait in which the author portrays a middle-aged lady, who wears a sumptuous dress with a wide neckline adorned with white lace in the upper part of the corset. The smooth qualities of the skin and the slight flush of the cheeks harmonize with the rest, leaving no room for detail with precise pictorial touches. The dark background enhances the figure and the elegance of her attire, the large drapery usual in this type of compositions adds sumptuousness to the scene while adding depth and three-dimensionality to the space in which the protagonist stands. The lady looks directly at the viewer with a faint smile, but without losing a regal and haughty attitude, even though she is smiling slightly. In an apparently spontaneous gesture, she flirtatiously holds one of the gold ornaments of her dress. This attitude shows the artist's interest in capturing the personality of the sitter. The portrait genre was especially popular during the Rococo period. French painters such as Fragonard, Vigée Lebrun, Boucher, Watteau? gave the genre refined cadences with their iridescent touches of color. This female portrait is ascribed to the rococo taste for extracting the right qualities from the garments and endowing the flesh tones with an ivory delicacy. The lady rests her right arm on a velvet cushion. The painter skillfully captures the materials and the garments: the navy blue velvet of the dress, the pink of the satin, the lace and trimmings, the powdered headdress in the aristocratic fashion of the time and the pearl and gold appliqués hanging from her dress. It presents faults and losses in the pictorial surface and in the frame. Needs consolidation.

Base d'asta 10 EUR

Manufacture de Scheibe-Alsbach, after Elizabeth VIGÉE-LEBRUN (1755-1842) "Madame Lebrun and her daughter Porcelain bisque group Debossed mark under the base Height: 22 cm

Stima 80 - 100 EUR

Miniature ovale "Portrait de Madame Elisabeth de France". De style Louis XVI. Madame Elisabeth est représentée de trois-quart gauche, les cheveux en boucles grises, son corsage rose et jaune complété d'un foulard de voile retenu par un bouquet de roses et myosotis. Cadre en bois noirci souligné d'un filet de laiton ciselé. Dim. : 18 x 15,7 cm

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