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Beschreibung

DELAFOSSE (Jean-Charles): Nouvelle iconologie historique ou attributs hiérogliphyques qui ont pour objets les quatre élémens, les quatre saisons, les quatre parties du monde et les différentes complexions de l'homme. These same attributes also depict the various nations, their religions and the chronological periods of history. (...) These hieroglyphics are composed and arranged in such a way that they can be used for all kinds of decorations, fountains, frontispieces, pyramids, cartouches, door tops, borders, medallions, trophies, vases, friezes, lecterns, tombs, clocks, etc. Paris, chez l'auteur, rue Poissonnières, en la maison de m. menan, paveur, entre la rue de la lune et celle de beauregard et chez de Lalain, libraire, rue saint-jacques, 1768. One volume. 32 by 49.5 cm. (44) pages, and 109 intaglio engraved figures (for 108 announced. Numbering with duplicates replacing missing numbers). Complete. Muted contemporary half vellum. 4 leaves of text formerly restored in margins. An ink stain on almost the entire work, in the margins and without affecting the plates. Some scattered freckling, light wetness on the last ten plates, including 5 in the margins. Plate 75 has been cut from its page, but is present and complete. First edition of this celebrated collection by Jean-Charles Delafosse (1734-1789), a French architect, ornamentalist and painter. He was an important theorist of the Louis XVI "square" style and the beginnings of neo-classicism. His decorative style, described in this book, inspired many Parisian homes at the end of the 18th century. A rare book, as it is often cut up.

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DELAFOSSE (Jean-Charles): Nouvelle iconologie historique ou attributs hiérogliphyques qui ont pour objets les quatre élémens, les quatre saisons, les quatre parties du monde et les différentes complexions de l'homme. These same attributes also depict the various nations, their religions and the chronological periods of history. (...) These hieroglyphics are composed and arranged in such a way that they can be used for all kinds of decorations, fountains, frontispieces, pyramids, cartouches, door tops, borders, medallions, trophies, vases, friezes, lecterns, tombs, clocks, etc. Paris, chez l'auteur, rue Poissonnières, en la maison de m. menan, paveur, entre la rue de la lune et celle de beauregard et chez de Lalain, libraire, rue saint-jacques, 1768. One volume. 32 by 49.5 cm. (44) pages, and 109 intaglio engraved figures (for 108 announced. Numbering with duplicates replacing missing numbers). Complete. Muted contemporary half vellum. 4 leaves of text formerly restored in margins. An ink stain on almost the entire work, in the margins and without affecting the plates. Some scattered freckling, light wetness on the last ten plates, including 5 in the margins. Plate 75 has been cut from its page, but is present and complete. First edition of this celebrated collection by Jean-Charles Delafosse (1734-1789), a French architect, ornamentalist and painter. He was an important theorist of the Louis XVI "square" style and the beginnings of neo-classicism. His decorative style, described in this book, inspired many Parisian homes at the end of the 18th century. A rare book, as it is often cut up.

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CARINA LINGE (Cuxhaven, Germany, 1976). From the series "Single n. III". 2011. Five photographs on aluminum board. Signed on the back by hand. Measurements: 80 x 120 cm; 60 x 45 cm; 46,5 x 35 cm; 28,3 x 24,3 cm. In her photographic series "Single", Carina Linge explores themes that have always interested her, related to identity, femininity and the interaction between reality and fiction, between dream and wakefulness. She develops a visually captivating and sensual work, but without ceasing to delve into the conceptual. This is more than evident in these images: she plays with the classic genres of the baroque still life and vanitas painting (exploring the erotic symbolism of fruits), as well as with the female nude and the tradition of odalisques, dressing these genres with new meanings, where the woman speaks from the center of her being and her desire, of her sexual fantasies fulfilled or dreamed, of the ephemeral nature of passions and of life. In 2000 she began studying fine arts at the Bauhaus University in Weimar, where she graduated with a diploma in 2006 from Norbert W. Hinterberger. In 2007 she received her first teaching position at the Bauhaus University Weimar, followed by another in 2014. Carina Linge has one son and lives in Leipzig. Since 2009 she has been represented by the Berlin gallery Jarmuschek + Partner. Carina Linge works in photography and installation. In complex image paintings, she relates photographs, objects and text sheets to each other. Carina Linge's photographs are staged interiors, still lifes and multi-layered body images loaded with associative, symbolic and art historical references. Evanescence and death, love and loneliness, longings and desires are thematized with selected references to people, myths and historical images. In her series of works "Einsamer Eros", Carina Linge has been dealing with an expanded concept of portraiture since 2008 and portrayed singles and couples in image compositions arranged as psychograms. The image series "About Desire", created between 2011 and 2013, deals with the past, the vanished and the desired and the related development of human longings and desires. With "Theatrum Mundi" a new series of works was created in 2014, which shows the external representation and the inner world of emotions behind it of selected people and makes them visible. His work can be found in important collections such as: Testimony Collection, La Caixa Foundation, Barcelona; Vila Casas Foundation, Torroella de Montgrí, Girona; Barcelona Bar Association; Agbar Foundation; La Sardana Foundation, Barcelona.