Null JOAN MIRÓ (Barcelona, 1893-1983)
"HOMAGE TO GAUDÍ" WITH ENGRAVINGS BY JOAN…

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JOAN MIRÓ (Barcelona, 1893-1983) "HOMAGE TO GAUDÍ" WITH ENGRAVINGS BY JOAN MIRÓ AND TEXTS BY PERE GIMFERRER. BARCELONA, 2012. Printed at The work "Homage to Gaudí" is a collaboration between the artist Joan Miró and the poet Pere Gimferrer. A limited edition consisting of a large facsimile of 21 numbered and signed prints of engravings, together showing the works of these artists in tribute to the architect and sculptor Antoni Gaudí. Accompanied by its large wooden case, it also contains a study book in which the inscriptions of Gimferrer's comments and the explanation of each plate are contemplated, as well as the life of Miró and Gaudí and their common elements. The plates and printing processes of the engravings have also been added, courtesy of the Fundació Joan Miró. Each print has been made on Fedrigoni Stucco Tintoretto 220 gr. paper adhered to Tintoretto Ceylon Black Pepper 200 gr. cardboard. Facsimile dimensions: 70x51 cm. Case measures: 80x 56,5cm. Copy number 750 Publisher Grupo Planeta Published in Barcelona in January 2012.

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JOAN MIRÓ (Barcelona, 1893-1983) "HOMAGE TO GAUDÍ" WITH ENGRAVINGS BY JOAN MIRÓ AND TEXTS BY PERE GIMFERRER. BARCELONA, 2012. Printed at The work "Homage to Gaudí" is a collaboration between the artist Joan Miró and the poet Pere Gimferrer. A limited edition consisting of a large facsimile of 21 numbered and signed prints of engravings, together showing the works of these artists in tribute to the architect and sculptor Antoni Gaudí. Accompanied by its large wooden case, it also contains a study book in which the inscriptions of Gimferrer's comments and the explanation of each plate are contemplated, as well as the life of Miró and Gaudí and their common elements. The plates and printing processes of the engravings have also been added, courtesy of the Fundació Joan Miró. Each print has been made on Fedrigoni Stucco Tintoretto 220 gr. paper adhered to Tintoretto Ceylon Black Pepper 200 gr. cardboard. Facsimile dimensions: 70x51 cm. Case measures: 80x 56,5cm. Copy number 750 Publisher Grupo Planeta Published in Barcelona in January 2012.

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Schätzw. 5 000 - 6 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). "Miró, Museum of Modern Art Mexico". 1980. Lithograph on Arches vellum, copy 2/100. Signed, dedicated, dated and numbered in pencil. Publisher: Museo de Arte Moderno de México. Printer: Litografías Artística Damià Caus, Barcelona. Reproduced in Maeght Editeur "Miró Litógrafo VI", p. 148. Measurements: 76 x 56 cm; 97 x 77 x 4 cm (frame). This lithograph by Miró, limited to one hundred copies, was used for the poster announcing Joan Miró's exhibition in the Bosque de Chapultepec in the spring of 1980, at the Museum of Modern Art. Moons, stars, figures reduced to a few strokes in thick black enclosing in their interior primary colors... synthesize some of Joan Miró's soul constellations gathered in this image. Joan Miró was trained in Barcelona, and made his individual debut in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Schätzw. 800 - 1 200 EUR

Joan Miro (1893-1983). Abstraction, color lithograph, lower right signature, num.4/20 C., well framed, on view 18.5/26.5cm.

Schätzw. 2 500 - 2 800 EUR

MIRO Joan (after) (1893 - 1983) "UBU AUX BALEARES" Lithograph. Signed in pencil lower right. Created in 1971, this color lithograph is part of an album of twenty-three lithographs with the same title. Printed by Mourlot, this work was published by Tériade (Paris) and printed on Arches vellum in 120 copies, hand-signed by Joan Miró in pencil in the lower right-hand corner. Joan Miró's Ubu aux Baléares (1971) is fully documented and referenced in the catalog raisonné and texts below: 1. Maeght Éditeur, Lithographies de Joan Miró, Vol. IV : 1969-1972. Listed and illustrated in catalog raisonné no. 770. 770. 2. Cramer, Patrick, Joan Miró, Les livres illustrés : Catalogue Raisonné, 1989. Listed and illustrated in catalog raisonné no. 146. 146. Sight size: 50 x 65cm.

Schätzw. 1 500 - 2 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). "Homage to Gaudí". Attached book of studies and art book with reproductions of the 21 engravings that Joan Miró made in his Homage to Gaudí, with texts created by Pere Gimferrer. Limited edition, copy 981/998. Unique edition Editorial Planeta. In wooden case. Measurements: 50 x 70 cm (art book); 27 x 37,5 cm (study book); 56 x 76 x 8 cm (case) 86 x 69 x 16 cm (box). The reproduction, 80% of the original, has been made from the collection deposited at the Fundació Joan Miró in Barcelona. The reproductions have been printed on Fedrigoni Stucco Tintoretto paper of 220 g, and glued by hand on black cardboard Tintoretto Ceylon Black Pepper of 200 g.Limited edition of 998 copies, numbered from I to X the first ten and from 1 to 988 the remaining ones, according to the notarial deed.Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

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