Null A Junghans Ceramic Wall Clock
ca. 1950's
23 x 23 cm.

Beschreibung

A Junghans Ceramic Wall Clock ca. 1950's 23 x 23 cm.

877

A Junghans Ceramic Wall Clock ca. 1950's 23 x 23 cm.

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Schätzw. 800 - 1 000 EUR

Jean Michel FOLON (1934-2005). Carpaccio is dead. From a series of three works in three different techniques. Ink and watercolor signed "A Pompette et Francis" Burey. Dimensions: 39 x 53 cm. The paper is rippled and wrinkled, mainly at the edges. This declination of works «Carpaccio is dead», which we offer for sale, has the same source of inspiration as the ink of colors presented in the museum of the Folon Foundation, realized by Folon in 1970 for Paola Ghiringhelli, A nod to their stay in Venice and inspired by Vittore Carpaccio’s famous painting «The Dream of Saint Ursula» exhibited at the Accademia in Venice. This one – dated and signed in 1495 – is the sixth of the Renaissance painter’s episodes on the legend of Saint Ursula. The colour ink «Carpaccio is dead» presented at the Foundation’s museum includes a collage, Folon having taken a piece of Carpaccio’s painting depicting Saint Ursula dreaming in her bed. Folon was inspired by this subject for the declination of other works. We thank the Folon Foundation who kindly informed us about the origin of the subject

Schätzw. 600 - 800 EUR

Jean Michel FOLON (1934-2005). From a series of three works in three different techniques. Carpaccio is dead. Ink drawing dedicated to "Pompette et Francis". Burey, July 6, 1977. Size : 44 x 63 cm. This declination of works «Carpaccio is dead», which we offer for sale, has the same source of inspiration as the ink of colors presented in the museum of the Folon Foundation, realized by Folon in 1970 for Paola Ghiringhelli, A nod to their stay in Venice and inspired by Vittore Carpaccio’s famous painting «The Dream of Saint Ursula» exhibited at the Accademia in Venice. This one – dated and signed in 1495 – is the sixth of the Renaissance painter’s episodes on the legend of Saint Ursula. The colour ink «Carpaccio is dead» presented at the Foundation’s museum includes a collage, Folon having taken a piece of Carpaccio’s painting depicting Saint Ursula dreaming in her bed. Folon was inspired by this subject for the declination of other works. We thank the Folon Foundation who kindly informed us about the origin of the subject.

Schätzw. 2 000 - 2 500 EUR

Sunset in the Park, Francisco Torrescassana (Barcelona, 1845-ibidem, 1918), 19th century Catalan school Signed and dated 1875, canvas measurements: 46 x 35 cm, framed measurements: 52 x 40 cm. Spanish painter, disciple of Ramón Martí Alsina. Works by Torrescassana are preserved, among others, in the National Museum of Art of Catalonia, the Víctor Balaguer Library Museum, or the Museum of Art of Gerona, and the collection of Banco Sabadell, with a painting dedicated to the vintage in which the traditional realism that characterized much of his painting, closely linked to the teachings received from Martí Alsina, opens up to new studies of light. As for portraits, also abundant in his artistic production, the University of Barcelona keeps the portrait of Pablo González Huebra in the rectoral gallery, as well as in the dining room of Antoni Gaudí's Casa Vicens. Bibliography: Alcolea, Santiago, Paintings of the University of Barcelona. Catalog, University of Barcelona, 1980, ISBN 84-852-5721-9

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