Null Gwennan JOLIVET, born in 2000
O tebriñ er maez, 2024
Oil on canvas, signed …

描述

Gwennan JOLIVET, born in 2000 O tebriñ er maez, 2024 Oil on canvas, signed on back. 100 x 70 cm --- Gwennan JOLIVET, born in 2000 After graduating in Breton at Rennes 2 and taking a DNA at EESAB Lorient, Gwennan Jolivet entered the Beaux-Arts in Nîmes, where Brittany followed. Her research revolves around the heritage and transmission of the Breton language, which she has spoken since childhood. Intimacy is also at the heart of her work, through memory and the body's relationship with its environment and language. In the past, she has studied the work of the Seiz Breur, particularly that of the women Jeanne Malivel, a native of this movement, and Suzanne Creston. The Seiz Breur aesthetic motivates her in her attempt to renew Breton art. Now at art school, she is inspired by contemporary art and works on installations, paintings, videos and soundtracks. Gwennan Jolivet is now turning her attention to questions of heritage, with the healing rituals present in her family.

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Gwennan JOLIVET, born in 2000 O tebriñ er maez, 2024 Oil on canvas, signed on back. 100 x 70 cm --- Gwennan JOLIVET, born in 2000 After graduating in Breton at Rennes 2 and taking a DNA at EESAB Lorient, Gwennan Jolivet entered the Beaux-Arts in Nîmes, where Brittany followed. Her research revolves around the heritage and transmission of the Breton language, which she has spoken since childhood. Intimacy is also at the heart of her work, through memory and the body's relationship with its environment and language. In the past, she has studied the work of the Seiz Breur, particularly that of the women Jeanne Malivel, a native of this movement, and Suzanne Creston. The Seiz Breur aesthetic motivates her in her attempt to renew Breton art. Now at art school, she is inspired by contemporary art and works on installations, paintings, videos and soundtracks. Gwennan Jolivet is now turning her attention to questions of heritage, with the healing rituals present in her family.

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HISTORICAL DOCUMENTS and miscellaneous. -Approximately 60 letters and documents, preserved in a burgundy morocco portfolio bearing the arms of the Counts of Antioch, and about 160 photographs. -Adenauer (Konrad). Signed letter, in German, to Baron Bruno de Leusse. Bürgenstock, August 4, 1952. "Von meinem Sohn Georg höre ich von der guten Aufnahme, die er bei ihrer Gattin und Ihnen gefunden hat. Ich danke Ihnen vielmals dafür. ich hoffe sehr, dass er Ihnen nicht zur Last fallen wird. Wenn ich eine Bitte äussern darf, dann ist es die folgende. Sorgen Sie bitte dafür, dass er abends um 10Uhr spätestens zu Bett geht. Er braucht viel Schlaf, denn er hat einen schweren Winter vor sich..." Translation: "My son Georg tells me of the warm welcome he received from you and your wife. I would like to thank you for this. I do hope that his presence will not be a burden to you. If I can express one wish, it is this. Please see to it that he goes to bed no later than 10 o'clock in the evening. He needs plenty of sleep, for he has a hard winter ahead of him..." -Bismarck (Otto von). 4 autograph letters signed, in French, [to Baron Charles de Talleyrand-Périgord]. Berlin, 1862-1864 and n.d. "I would be very grateful to you, my dear Baron, if you would do me the pleasure of dropping by my house tomorrow at noon. I have a Council meeting at my house at one o'clock, and in the morning my advisors won't allow me to go out, lest the reel should stop in my absence. So please excuse me, if I disturb you on time at lunchtime..." Etc. -Eugenie (Empress). 2 autograph letters signed to Baron Charles de Talleyrand-Périgord. Arenenberg [in the Swiss canton of Thurgau, 1884], to congratulate him on the marriage of his daughter Marie-Marguerite to Count Adhémar de Brotty d'Antioche, and Farnborough [in Hampshire, 1886 or 1890], to express her condolences on the death of one of his daughters. -Order of the Visitation]. -Fusina (Marie-Emmanuel). Signed as Mother Superior of the Visitation monastery in Annecy, countersigned by four other sisters from the same monastery. Annecy, 1922. "...We declare that we have received... from Baron Chaulin, the missionary cross of Saint François de Sales, our Father and Founder, which he himself passed around the neck of Maurice de Brotty d'Antioche at the time of his conversion [the latter had until then been a Protestant]..." -Paley (Olga Valerianovna Karnovitch, Princess). Autograph letter signed. Tsarskoye Selo [imperial residence near St. Petersburg], August 30, 1915. "...I have received the title of Princess Paley (o i: ) which is the name of the Cossack hetman under Peter the Great and sung by Pushkin in "Poltava". She is one of my maternal ancestors, and her name died out with my grandmother. We are very happy to leave the German name of Hohenfelsen, given to us by the Regent of Bavaria. Everything German is hated, abhorred and despised in Russia, and they deserve it! We won't make peace here for anything in the world until we've brought them down completely..." Born Olga Karnovitch, daughter of the tsar's chamberlain, divorced, she morganatically married Grand Duke Paul Romanov (son of tsar Alexander II): she was then titled first Countess of Hohenfelsen, then, in 1915, Princess Paley. -Paris (Henri d'Orléans, comte de)]. Photographic portrait, cliché Pierre Ligey in Paris, with autograph signed letter (1934, ink faded), and signed letter (Rabat, 1942), both addressed to Baron Robert Chaulin. -Édouard de Cazenove de Pradines (as secretary to the Comte de Chambord, to Comte Adhémar de Brotty d'Antioche, 1882), Robert d'Orléans, Duc de Chartres (to Comte Adhémar de Brotty d'Antioche, 1901), Dorothée de Courlande, duchesse de Dino (2lettres au général Simon Bernard, 1837), Édouard Drouyn de Lhuys (to comte Alphonse de Brotty d'Antioche, 1864), Gaston Alexandre Auguste de Galliffet (8lettres, 1890-1901 et s.d., on famous people, Charles Haas, Madame Standish, the Duchesse d'Uzès, etc.), Alexandre Mikhaïlovitch Gortchakov (9lettres in his capacity as Russian Foreign Minister to Baron Charles de Talleyrand-Périgord, s.d.), Isabella II of Spain (1882, twelve years after her abdication), Victor Bonaparte, Prince Napoleon (1914, concerning the birth of his son Louis Bonaparte), Sophie de Wurtemberg, Queen of Holland (to Rose-Amour de Roisin, Baroness Falck, 1846), Marie Clémentine Anne de Rochechouart-Mortemart, Duchesse d'Uzès (3letters, s.d.), Henriette de Belgique, duchesse de Vendôme (1911), Victoria d'Angleterre, impératrice douairière d'Allemagne (to Marie-Marguerite de Talleyrand-Périgord, comtesse d'Antioche, 1896), and more. -Approx. 160 photographs, mostly portraits, preserved.

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Gabriella PEETERS dite GABAR (born 1936): Woman's face oil, signed lower left and dated 2000. 41 x 34.5 cm

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