Null Piero Vignozzi
DEAD NATURE.
Etching, 17.5x20.5 cm, on 30x40 cm sheet; exh. …

Description

Piero Vignozzi DEAD NATURE. Etching, 17.5x20.5 cm, on 30x40 cm sheet; exh. 2/50 signature and print run

110

Piero Vignozzi DEAD NATURE. Etching, 17.5x20.5 cm, on 30x40 cm sheet; exh. 2/50 signature and print run

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Estim. 2 500 - 3 000 EUR

17th century French school "Still life". Oil on canvas. Re-drawn. It presents restorations. Measurements: 67 x 57 cm; 79 x 69 cm (frame). The disposition on a horizontal plane of the elements that form part of the composition, the own abundance of these elements, which creates a variegated set, as well as the presence of the fabrics and the curtain, have their roots in the still life or Central European still life, from the XVIIth and XVIIIth century, from the Baroque period. The still life was at the bottom of the hierarchy of genres in the history of art, but it became increasingly popular with buyers. In addition to the independent subject of the still life, it addressed other types of painting by using prominent, usually symbolic elements and images that drew on a multitude of elements from nature in an apparent attempt to reproduce a part of life. It should be noted that, within the still life, the depiction of flowers, or vases, established itself as a highly prized sub-genre among collectors, who saw in these paintings the perfect element for the decoration of their extensive estates.

Estim. 150 - 250 EUR

Piero Guccione (1935 - 2018) MACELLERIA, 1996 acquaforte-acquatinta, cm 25x16,5, su foglio cm 50x34,5; es. P.A. firma, titolo, data e tiratura

Estim. 50 - 100 EUR

Still lifes Suite of six framed pieces 21x26 cm to 32x45 cm

Estim. 150 - 300 EUR

Piero Dorazio, Composition Piero Dorazio, Composition 1976 etching, aquatint 24x32 cm (46x60 cm sheet size), within frame copy 20/70 lower left signature and date in pencil lower right Bibliography: G. Simongini ed, Piero Dorazio l'Opera incisa (1962-1993), p. 120 n. 171

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