Null Collection of approximately six hundred and twenty plaster casts of neoclas…

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Collection of approximately six hundred and twenty plaster casts of neoclassical, portrait, and medallic subjects. Manufacture of the 19th-20th century

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Collection of approximately six hundred and twenty plaster casts of neoclassical, portrait, and medallic subjects. Manufacture of the 19th-20th century

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Valorac. 180 - 220 EUR

A RARE .22 BRITISH DIANA G55 UNDER-LEVER AIR-RIFLE, serial no. 550018, circa 1959-60, with 17 1/2in. blued barrel, tunnel fore-sight, plastic rear-sight of similar form to the Model 4 air-pistol, automatic loading tap, blued air-chamber with diminutive applied rail for a telescopic sight, beech three-quarter stock with five narrow grooves to each side of the fore-end, alloy trigger and concealed push-button release underlever, much finish remaining and generally collector's external condition (stock cross-bolt nut replaced).

Valorac. 60 - 80 EUR

SAINT JOSEPH in plaster, c. 1920. H: 62 cm. Virgin and Child in plaster. Height: 66 cm

Valorac. 4 000 - 4 500 EUR

PIETRO PAOLETTI (Belluno, 1801-1847). Didactic souvenir of the Grand Tour. Book with plaster casts. Measurements: 27 x 17 x 5 cm. Collection of "Grand Tour" plaster medallions housed in three volumes of fake book boxes. Each volume includes two compartments with a variety of plaster casts of cameos, sculptures and engraved monuments. With catalog of contents hand inscribed on the inside of the front and back covers. The Paoletti firm was advertised in Count Hawks' guidebook Le Grice Walks Through the Studii of the Sculptors at Rome (1841) as follows: Paoletti begs to inform the public that he has prepared a collection of prints (Impronte in Scajola) of many of the works in sculpture executed by illustrious artists .... Although the Impronte are no more than miniature copies; nevertheless, they exhibit all the fidelity and beauty of the original and convey to the eye a better idea of the sculpted works of art than the more finished engravings. The Paoletti's, whose studio was located in Rome's Piazza di Spagna until 1847, enjoyed a stellar reputation and counted among their clients Catherine the Great of Russia and Ferdinand III, grand duke of Tuscany. The firm continued to operate after Pietro's death until at least 1865. Examples of Paoletti molds are preserved in the Victoria & Albert Museum in London and the Yale Center for British Art in New Haven, Connecticut.

Valorac. 800 - 1 200 EUR

Polychrome terracotta group, Austria, Secession period. molded to depict a merry family of cats; glass eyes; oval plaster-filled base, ca. 44x48x30 cm.

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