Null LIMOGES. SANDOZ Edouard-Marcel (1881-1971) / HAVILAND (1894-1957). 
Rare wa…
描述

LIMOGES. SANDOZ Edouard-Marcel (1881-1971) / HAVILAND (1894-1957). Rare wartime milk-bottle infant, hard porcelain, two colors blue and yellow, marks of the Théodore Haviland factory and the artist, 1916, H. 29 cm. Bibliography. - Félix Marcilhac, Sandoz,1993. - Jean-Claude Segonds, Les créations en porcelaine d'Edouard-Marcel Sandoz, 1995. - Jean-Claude Segonds, Porcelaines d'Haviland, 2015.

153 

LIMOGES. SANDOZ Edouard-Marcel (1881-1971) / HAVILAND (1894-1957). Rare wartime milk-bottle infant, hard porcelain, two colors blue and yellow, marks of the Théodore Haviland factory and the artist, 1916, H. 29 cm. Bibliography. - Félix Marcilhac, Sandoz,1993. - Jean-Claude Segonds, Les créations en porcelaine d'Edouard-Marcel Sandoz, 1995. - Jean-Claude Segonds, Porcelaines d'Haviland, 2015.

该拍品的拍卖已经结束 查看结果

您可能同样喜欢

Pierre-Antoine Perrod, L'Affaire Peytel. Paris, Hachette, 1958. In-8, 606p. First edition, press copy, preface by Marcel Bouteron. Paperback. Important work on this affair. Edgar Everston Saltus, Balzac. Boston, Houghton, Mifflin and Company, 1884. In-12, 199-16p. First edition, on laid paper. Frontispiece portrait of Balzac, bibliography from p.165. Bookplate of C.F. Libbie in Boston. Full percaline, title page. Vicomte de Spoelberch de Lovenjoul, Un roman d'amour [on Balzac and mme Hanska]. Paris, Calmann-Lévy, 1896. In-12, 248p. First edition of this work on Balzac and Madame Hanska. Half-percaline, title page. A good copy. Vicomte de Spoelberch de Lovenjoul, Un roman d'amour [on Balzac and mme Hanska]. Paris, Calmann-Lévy, 1899. In-12, uncropped. Les lundis d'un chercheur. 1894, paperback, without covers. Not about Balzac, but about all his friends. Louis de Royaumont, Pro Domo (La Maison de Balzac) - Histoire et description - museum catalog. Paris, Figuière, 1914. In-12 square, 140p. Paperback, in half-chagrin folder and half-chagrin slipcase. Defects to cover. Marcel Bouteron, Le culte de Balzac. Paris, Les amis d'Edouard, 1924. In-12 square, 57p. First edition printed in an edition of 200, one of 6 copies on Madagascar paper. Paperback, filled cover, half-chagrin cardboard folder, half-chagrin slipcase (spine faded). A fine copy. Paul Bourget, Aux maisons de Barbey d'Aurevilly et de Balzac. Paris, Les amis d'Edouard, 1924. One of 190 on arches with a dispatch from Edouard to Jacques Boulenger. Léon Gozlan, Balzac en pantoufles. Paris, Lemercier, 1926. In-8, XX-[11-237]p. One of 500 copies on vellum, illustrated with color woodcuts by Maximilien Vox. Paperback, covers lined. A fine copy, uncommon despite the print run.

Georges-Lucien GUYOT (1885-1973) "Lioness Rare bronze sculpture with brown patina Signed "Guyot", founder's stamp Susse Frères Éditeurs Paris and annotated "Cire perdue". Cire perdue" (lost wax) Circa 1930 H: 29 cm - W: 54 cm - D: 12.5 cm Bibliography: "Mobilier et Décoration", year 1930, model reproduced on page 17. GEORGES-LUCIEN GUYOT Georges-Lucien Guyot was a French sculptor born in Paris on December 10, 1885. Paris. Despite his modest background, Guyot showed an obvious talent for art, but his financial situation prevented him from pursuing artistic studies. financial situation. He was apprenticed to a wood sculptor, but his passion for art for art led him to study nature on his own, drawing the animals animals at the Jardin des Plantes. At the age of 17, his father gave him the option of training for a year before joining the army. Guyot spent this year studying at the d'Histoire Naturelle, where he closely observed wild animals and their anatomical details. In 1904, he joined the army while attending evening classes evening classes at the École des Beaux-Arts in Rouen. In 1906, when a ceramic kiln was installed at the École des Beaux-Arts, Guyot creates a clay bear that attracts the attention of a teacher. This sculpture is exhibited at the Salon des Artistes Français and marks the beginning of artistic career. After the war, Guyot settled in Montmartre and enjoyed creative period, exhibiting his sculptures, Cubist-influenced paintings Cubist-influenced paintings and animal drawings in numerous galleries. In 1931, he joined the Douze Animaliers Français group and regularly and regularly exhibited his work at art fairs. He received numerous commissions for monumental sculptures from the French state and municipalities. At the same time, Guyot worked for the Manufacture nationale de Sèvres from 1929 to 1950. In 1950, he was named Chevalier, then Officier de la Légion d'Honneur, and in 1972, he became the first sculptor to receive the Prix Edouard Marcel Sandoz Prize. The end of his life was marked by the fire in his studio at the Bateau Lavoir in 1970, destroying much of his work. Guyot died three years later, on December 31, 1972. Furniture and decoration January 1930