Null Two-seater canapé with wooden structure and brown fabric upholstery, with q…

Beschreibung

Two-seater canapé with wooden structure and brown fabric upholstery, with quilted backrest. 60s Measurements 82 x 70 x 125 cm

1246

Two-seater canapé with wooden structure and brown fabric upholstery, with quilted backrest. 60s Measurements 82 x 70 x 125 cm

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Schätzw. 450 - 600 EUR

Canape and two Art Deco armchairs, Spain, c. 1930 Mahogany with fluted front legs. Leather upholstery. Fouls. Measurements: 80 x 134 x 64 cm

Schätzw. 135 - 180 EUR

Men's travel briefcase, early 20th century Made of leather and with a brown fabric cover. Fabric-lined interior with crystal and silver metal vanity set. It has flaws and wear. Measurements: 35 x 51 x 16 cm

Schätzw. 1 900 - 2 000 EUR

Coffee table; Italy, 1970s. Rosewood top. Chromed metal structure joined by curved wooden crossbeams. Measurements: 40 x 179 x 48 cm. Coffee table with chromed metal structure joined by curved wooden crossbeams, rosewood tabletop with light wood insert. The piece presents a design of polished and curved lines, with a tabletop inspired by a surfboard both in shape and in the aesthetic finish. The cylindrical and square legs are joined at the bottom by a wooden structure that forms a polygonal finish that adds dynamism to the rigidity of the legs.

Schätzw. 2 200 - 2 500 EUR

ILLUM WIKKELSO (Denmark, 1919 - 1999) for RYESBERG FURNITURE. 3-seater sofa. Upholstery in brown patinated leather. Manufactured by Ryesberg Furniture. Shows signs of use and age. Measurements: 74 x 240 x 82 cm. Seat height 43 cm. Spacious three-seater armchair designed by Illum Wikkelsø and manufactured by Ryesberg Furniture, characterized by a structure reduced to its essence entirely upholstered in brown patinated leather. It stands on tubular legs with a circular base that add lightness to the structure. Illum Wikkelsø was one of the most renowned Danish designers, despite being one of the least known. It is known that he graduated from the School of Arts and Crafts in Copenhagen, and that he worked for Jacob Kjaer and for the architectural firm of Peter Hvidt and Orla Molgaard-Nielso, where he left his mark on Danish furniture design, which came to spread around the world.

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