Null UNDER FIRE

1983, French poster

Producer: Jonathan T. Taplin

Director: Ro…

Description

UNDER FIRE 1983, French poster Producer: Jonathan T. taplin Director: Roger Spottiswoode Cast: Nick Nolte, Ed Harris Studio : Orion Printer: Lalande Courbet Fold 120 cm x 160 cm

458

UNDER FIRE 1983, French poster Producer: Jonathan T. taplin Director: Roger Spottiswoode Cast: Nick Nolte, Ed Harris Studio : Orion Printer: Lalande Courbet Fold 120 cm x 160 cm

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Estim. 12 000 - 14 000 EUR

HELMUT NEWTON (Germany, 1920- California, 2004). "Shoe, Monte Carlo, 1983. Gelatin silver. Later print. Signed, titled, dated in pencil and copyright credit stamp on verso. No edition number. Provenance: McCord Collection, New York. Measurements: 36 x 24.6 cm (image); 40 x 31 cm (paper). An ankle subtly cocked and shod in a high heeled shoe occupies the entire photographic plane in this iconic image by Helmut Newton. As a place associated with glamour and luxury, Monte Carlo provides a perfect backdrop for Newton's exploration of fashion and eroticism. The fetishism of high heels and female ankles are explored by the artist in different contexts. In all of them, through daring and carefully crafted compositions, he redefines the parameters of fashion photography and eroticism, the role of women and power relations. Provocation, anti-voyeurism and female empowerment are often attributes of her photos. Newton was born in Berlin, attended the Heinrich-von-Treitschke-Realgymnasium and the American School in Berlin. Interested in photography from the age of 12 when he bought his first camera, he worked for German photographer Yva (Elsie Neuländer Simon) from 1936.The increasingly oppressive restrictions imposed on Jews by the Nuremberg laws caused his father to lose control of the factory; he was briefly interned in a concentration camp on Kristallnacht, , which eventually forced the family to leave Germany. Newton's parents fled to Argentina. Finally, arriving in Singapore, he found he could remain there, first briefly as a photographer for the Straits Times and then as a portrait photographer. Newton was interned by British authorities while in Singapore and was sent to Australia aboard the Queen Mary, arriving in Sydney on September 27, 1940. He was released from internment in 1942 and worked briefly as a fruit picker in northern Victoria. In April 1942, he enlisted in the Australian Army and worked as a truck driver. After the war in 1945, he became a British subject and changed his name to Newton in 1946. That same year, Newton set up a studio on Flinders Lane in Melbourne and worked in fashion, theater and industrial photography during the postwar period. He shared his first joint exhibition in May 1953 with Wolfgang Sievers,The 'New Visions in Photography' exhibition was shown at the Federal Hotel in Collins Street and was probably the first glimpse of New Objectivity photography in Australia. Newton became associated with Henry Talbot, a German Jew who had also interned at Tatura, and his association with the studio continued even after 1957, when he left Australia for London. The studio was renamed 'Helmut Newton and Henry Talbot'. Newton's growing reputation as a fashion photographer was rewarded when he secured a commission to illustrate fashions in a special Australian supplement for Vogue magazine, published in January 1956. He won a 12-month contract with British Vogue and left for London in February 1957, leaving Talbot to manage the business. Newton left the magazine before the end of his contract and went to Paris, where he worked for French and German magazines. He returned to Melbourne in March 1959 to work with Australian Vogue. Newton and his wife finally settled in Paris in 1961. His images appeared in magazines such as the French edition of Vogue and Harper's Bazaar. He established a particular style marked by erotic and stylized scenes, often with fetishistic subtexts. In 1980 he created the "Big Nudes" series. His "Nude and Clothed" portfolio followed, and in 1992 "Domestic Nudes," which marked the pinnacle of his erotic-urban style, all of these series supported the dexterity of his technical skills. Newton also worked on more fantastical portraits and studies. He did a series of illustrations for Playboy, including illustrations of Nastassja Kinski and Kristine DeBell.

Estim. 15 000 - 18 000 EUR

GEORGES ROUSSE (Paris, 1947). "Luxembourg: Fers à Bétons", 2004. Print on aluminum, copy 1/5. Signed and titled on verso. Label with stamp on the back. Measurements: 160 x 125 cm; 165 x 132 cm (frame). Georges Rousse's work is characterized, since the beginning of the eighties, by the relationships he establishes between photography, painting, sculpture and architecture. His interest in abandoned, dismantled and ruined places, as well as in what these spaces reveal about the culture that has generated them, led him, in 1986, to settle for a time in the former Van Gogh psychiatric hospital in the French town of Arles. The result of this stay was the Arles series, which was the starting point of the MACBA exhibition. His work is a very significant example of the importance that photography achieved throughout the eighties and further proof of the value of the photographic device as a tool for contemporary creation. Collapsing the usual restrictions among artistic media, his unique work quickly made its mark on the contemporary art world. Since his first exhibition in Paris, at the Galerie de France in 1981, Georges Rousse has continued to create his installations and show his photographs all over the world, in Europe, in Asia (Japan, Korea, China, Nepal), in the United States, in Quebec and in Latin America. He has participated in numerous biennials (Paris, Venice, Sydney) and received many prestigious awards: 1983: Villa Medicis hors les murs, New York City 1985 -1987: Villa Medicis, Rome 1988: International Center of Photography Award, New York 1989: Drawing Prize Salon de Montrouge 1992: Romain Roland Fellowship, Calcutta 1993: Grand Prix National de Photographie 2008: Succeeded Sol LeWitt as associate member of the Royal Belgian Academy. He is represented by several European galleries and his works are included in many important collections around the world.

Estim. 4 000 - 6 000 EUR

PANHARD DYNA Z 16, 1959 1st registration: 19/06/1959 Type : VP Body : CI Serial number : 1203874 Fiscal power : Energy: ES Displayed mileage : 54 287 km (not guaranteed) With its "dolphin-nosed face", the Dyna Panhard is a concentrate of innovations. With a body made of Duralinox (a blend of aluminum, copper and manganese), it weighs no more than 650 kg, and its curvaceous shape, designed by Louis Bionier, favors aerodynamics. It features a curved windscreen (a feat of engineering by Saint-Gobain), and a unique fog lamp is fitted to the air-intake cover that doubles as the front grille. Nearly 155,000 examples were produced, all front-wheel drive, powered by an 850 cm3 air-cooled flat-twin. Our 1959 model features a steel body, the Duralinox alloy having been abandoned for economic reasons. This 1959 Panhard Dyna Z is not just a car, it's a piece of French automotive history. It embodies the craftsmanship and technical innovation for which the brand is renowned. Every line, every component transports you back to a time when driving was an art and cars were handcrafted with meticulous attention to detail. Technical specifications Engine : - Type: flat-twin, air-cooled - Displacement: 851 cm³ - Power: approx. 42 hp Performance : - Top speed: approx. 130 km/h - Acceleration: 0 to 100 km/h in around 27 seconds - Fuel consumption: approx. 5 to 6 liters per 100 km Drivetrain : - Type: front-wheel drive - Gearbox: 4-speed manual Dimensions : - Length: approx. 3.90 m - Width: approx. 1.55 m - Height: approx. 1.40 m - Wheelbase: approx. 2.35 m The engine could not be restarted, but is not blocked. Immobilized for several years in the dry, the car will need to be completely overhauled, including a check of its safety features. The paintwork has a few flaws, but is in perfect condition. Structural elements show little visible corrosion. The chromes show some pitting. The upholstery is in good condition. Belgian registration document, FFVE file to be completed. With technical inspection.

Mise à prix 30 EUR

Lot de près de deux cent affiches d'expositions des années 1994-1995 comprenant notamment : Leonor FINI, 1995, Galerie DIONNE, quatre affiches Pierre ROUX, 1995 Galerie Vendôme, deux affiches Louis TOFFOLI, 1995 Art mural, deux affiches Louis TOFFOLI, 1994-1995 Galerie Art cadre Colette PRIVAT Marc CENAC TERECHKOVITCH Gérard T. LERIS Jean Claude SUBRENAT Lisseta VASSILIADI Tylek TYLECEK Jeffery STRIDE Les Frères BONNEC Jacques HUET AMICH DARIUSH MESSAGER VAILLANT Jan ORSET Fernand BECK LAFFILLE Albert BRABO Yukio SAOTOME VIGUD MARCHIONNI J. PATHE LANCRY Aharon APRIL Rolland TANGUY MAUGERY KING KRIVY Manzana PISSARRO TRAN-VAN TAY Gaston THIERRY Philippe GIRARDOT Jean RIGAUD Anne BACHELIER Charles LEVYSTONE TAYLOR BEDARRIDES Jephan DE VILLIERS Robert TANCREDE Cara COSTEA HANOTEAU Max FOURNIER GENIS CHAURAY DI-MACCIO UGARTE Maurice EMPI DELARUE 49ème Salon de Mai Jonathan WALL (certaines déchirées en bordure, usures)

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