Null Tableau aborigène
FIRE DREAMING, Adam Reid 2012
Contemporary Aboriginal pai…

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Tableau aborigène FIRE DREAMING, Adam Reid 2012 Contemporary Aboriginal painting Acrylic on Canvas Certificate 118x72cm

167

Tableau aborigène FIRE DREAMING, Adam Reid 2012 Contemporary Aboriginal painting Acrylic on Canvas Certificate 118x72cm

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Estim. 180 - 270 EUR

Charles Jones, Glen Etive in the Scottish Highlands The motif is typical for Jones, a qualitatively appealing nuanced study of the rough, rocky landscape of the Highlands, here the painter gives an impression of the valley Glen Etive, from which James Bond looked at the place "Skyfall" in the film of the same name, partly glazed oil painting on canvas with dominant earth and green tones, 2nd half 19th century, with the typical ligatured artist's monogram "CJ" lower right and indistinctly dated, signed again in lead on the reverse and also inscribed "Glen Etive" in a barely legible manner by the artist, label with annotations on the artist and work as well as label of the company for painting and drawing utensils "Charles Robertson London", small loss of colour in the upper left area of the painting, in a contemporary magnificent frame with bumping, folded dimensions approx. 29.5 x 38.5 cm. Artist information: also known as "Sheep Jones", English animal and landscape painter of Welsh origin (1836 Cardiff to 1892 ?) active in Barnham (Sussex) and London, frequently exhibited at the Royal Academy in London in 1861-91, among others, won a gold medal at an annual exhibition at the Crystal Palace Gallery in 1890, member of the Royal Cambrian Academy and the Society of British Artists, among others, source: Thieme-Becker.

Estim. 600 - 800 EUR

Michel Potage (1949-2020) 4 Oil and sand on canvas (mixed technique) monogrammed and dated on back 38 x 46 cm Michel Potage is a painter through and through: he paints in the solitude of the sacred place that is his studio, having waited a long time for inspiration... and, when it comes, he becomes frenetic, relentless, virtuoso. He paints the subject to the point of exhaustion, hence his serial work: the Aborigines, the correspondence between Van Gogh and his brother Theo, the Gypsies, the mythical Trees series... In the late 1990s, Michel Potage began a cycle of writing and signage. This was accompanied by texts, giving his work an increasingly poetic dimension that draws its inspiration directly from the street.

Estim. 35 000 - 40 000 EUR

JOSEPH MARIONI (Cincinnati, Ohio, 1943). "Yellow painting. 2001. Acrylic on canvas. Signed, titled and dated on the back. Size: 107 x 102 cm. From the seventies onwards, Joseph Marioni began an aesthetic exploration of the limits of painting. In monochrome paintings such as this one, there is a special tension between colour, light and support: Marioni repeatedly applies layers of satin colour on the painting in such a way that, depending on the incidence of light and the viewer's position, they reveal the underlying layers of colour. The painting of the American painter Joseph Marioni falls within the sphere of influence of the New York Radical Painting group, with which he shares above all the research into the parameters of painting. Joseph Marioni's works, created in a characteristic manner since 1970, combine to form a conceptual oeuvre with a resounding aesthetic that allows us to ask fundamental questions about the genre of painting. Marioni has participated in numerous solo and group exhibitions in the United States and Europe. His works are represented in major private and public collections, including the Whitney Museum of American Art in New York, the San Francisco Museum of Art, the Kolumba (Museum) in Cologne, the Kunstmuseum Wolfsburg, the Kunstmuseum Basel and the Kunstmuseum St. Joseph Marioni lives and works in New York. Solo exhibitions (selection): 2006: Peter Blum Chelsea, New York, USA 2007: Liquid Light, Wade Wilson Art, Houston, USA 2007: University Art Gallery, University of Massachusetts, New Bedford, USA 2008: Liquid Light, McNay Art Museum, San Antonio, USA. 2008: Drawing Color - between Black and White, Mark Müller Gallery, Zurich, Switzerland 2009: Beneath the Seen, Wade Wilson Art, Houston, USA 2010: Baronian-Francey, Brussels, Belgium 2011: 90 Years of New: Joseph Marioni, The Phillips Collection, Washington, USA 2012: Painting, Hengesbach Gallery, Berlin, Germany 2013: Marioni/MacPherson, UQ Art Museum, St Lucia, Queensland, Australia

Starting price 1200 EUR

TJAMITJINPA Ronnie (1943-2023) Tingari cycles acrylic on canvas prepared in black signed lower center 92 x 122 cm PROVENANCE: Number 1 Company Ply Ltd - African Muse Gallery - Private collection This lot is presented by Stéphane Jacob-Langevin Ronnie Tjampitjimpa (c.1940-2023) is one of the great names in Aboriginal desert painting. Originally from Kintore, west of Papunya in the central desert, he has been painting since 1971, in other words, since the beginnings of "contemporary" Aboriginal painting, when under the impetus of Geoffrey Bardon - an art teacher based in the region - Aborigines began to reproduce on their school walls, then on plywood sheets and finally on canvas, the paintings they had previously produced for ritual purposes. Ronnie draws his inspiration from the myths associated with the Tingari Men, the great ancestors of the Dreamtime that the Pintupi still celebrate today. These mythical men roamed the Australian territory accompanied by their wives and young apprentices. They would initiate them as they went along. The initiations took place at sites they created, which still exist today: it is here that the Aborigines commemorate their memory during ceremonies in which they paint motifs on the ground evoking the Dreamtime. More often than not - and this is the case here - the works inspired by the Tingari ancestors retrace in stylized form the paths they once followed in the desert. Highly geometric in inspiration, these "tracks" often have the appearance of more or less complex labyrinths that structure the clan territories of central desert communities. They are depicted as if seen from the sky, but there is no particular way of reading such canvases: neither right nor left, neither up nor down. Collections:- Musée du Quai Branly, Paris- Aboriginal Art Museum, Utrecht, Holland- National Gallery of Australia, Canberra - National Gallery of Victoria, Melbourne - Museum & Art Gallery of the Northern Territory, Darwin - Art Gallery of Western Australia, Perth, etc.

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