Null Corporate legislation and taxation. Two documents. 1747-49
Arrest du Consei…
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Corporate legislation and taxation. Two documents. 1747-49 Arrest du Conseil d'Etat du Roi, Portant reglement pour l'enregistrement des brevets d'apprentissage dans le corps des Marchands Merciers. Du 7 Septembre 1747. Paris, Imprimerie Royale, 1716 4to. 254x190 mm. Pages 3, 1 blank. Illustrated headpiece with lilies of France. Good condition. First edition. Important decree that modifies the legislation regarding the apprentices of the merchants' guilds, who had to undergo a three-year apprenticeship: this apprenticeship had to be certified by a patent whose registration had to take place at the time of signing the contract between the operator and the apprentice. The decree establishes the trader's responsibility regarding the correct procedures for registering the patent, to be presented within fifteen days of the start of the apprenticeship. Bound with: Arrest du Conseil d'Etat du Roi, Portant reglement pour l'administration des deniers communs de la Communaute de Chandeliers-Huiliers et pour la reddition des comptes de jurande. Du 15 Mai 1749Paris, Imprimerie Royale, 1749 4to. 244x202mm. 8 pages. Illustrated headpiece with crown and lilies of France. Good condition. First edition. Rules on the taxation of the corporation of candle and lighting oil producers, two independent professions that had joined together in 1745 precisely to deal with taxation.Lespinasse, René de. Les métiers et corporations de la ville de Paris : XIVe-XVIIIe siècles T1.

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Corporate legislation and taxation. Two documents. 1747-49 Arrest du Conseil d'Etat du Roi, Portant reglement pour l'enregistrement des brevets d'apprentissage dans le corps des Marchands Merciers. Du 7 Septembre 1747. Paris, Imprimerie Royale, 1716 4to. 254x190 mm. Pages 3, 1 blank. Illustrated headpiece with lilies of France. Good condition. First edition. Important decree that modifies the legislation regarding the apprentices of the merchants' guilds, who had to undergo a three-year apprenticeship: this apprenticeship had to be certified by a patent whose registration had to take place at the time of signing the contract between the operator and the apprentice. The decree establishes the trader's responsibility regarding the correct procedures for registering the patent, to be presented within fifteen days of the start of the apprenticeship. Bound with: Arrest du Conseil d'Etat du Roi, Portant reglement pour l'administration des deniers communs de la Communaute de Chandeliers-Huiliers et pour la reddition des comptes de jurande. Du 15 Mai 1749Paris, Imprimerie Royale, 1749 4to. 244x202mm. 8 pages. Illustrated headpiece with crown and lilies of France. Good condition. First edition. Rules on the taxation of the corporation of candle and lighting oil producers, two independent professions that had joined together in 1745 precisely to deal with taxation.Lespinasse, René de. Les métiers et corporations de la ville de Paris : XIVe-XVIIIe siècles T1.

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19th century school after Ary Scheffer (1795 - 1858) Full-length portrait of Gilbert du Motier, Marquis de La Fayette (1757-1834) Oil on canvas 51.5 x 40 cm Provenance : - An apartment in Isle Saint Louis - Paris Ary Scheffer's painting is in the Collection of the U.S. House of Representatives on Capitol Hill. Another bust portrait is in the National Portrait Gallery, Washington. "The artist Ary Scheffer offered this portrait to the House of Representatives in honor of General Lafayette's American tour from 1824 to 1825. And it wasn't just a beautiful gift, it was a real surprise. In January 1825, the House of Representatives displayed its new work of art in the Capitol Rotunda. Newspapers described the portrait as "as large as life, and... the best portrait we have ever seen. Its fidelity to the venerable original is, indeed, most admirable". The portrait remained in the rotunda during Lafayette's 13-month stay in the United States. Artists from all over the country wanted to paint his portrait. Those who couldn't get the busy general to sit still made copies of the Chamber portrait instead. Easels and pallets of paint cluttered the rotunda. Kentucky native Matthew Jouett was one of these artists. The Kentucky state legislature asked him to paint Lafayette for the Capitol. Jouett arrived in Washington, but too late. The general had already left town, but had left behind a message saying he had a solution. Jouett could paint a copy of the House portrait, and when Lafayette's tour arrived in Kentucky, he would give the young man an hour's time with him to "correct" his version. Lafayette knew how useful the Chamber portrait was. Its availability, combined with the fact that he knew it was his favorite image, made it extremely popular. Lafayette gave it an even wider audience by distributing engravings of the portrait wherever he went. Local printers made pirated copies for every imaginable souvenir. The portrait was even used on coins. All the engravers who supplied American banks had Lafayette's images available to their customers, and the portrait was used by banks in 27 states. Half a century after his revolutionary fervor brought him to America, Lafayette returned to become the first foreign dignitary to address the country's Congress and appear on the country's currency." (https://history.house.gov/Blog/Detail/15032391921) During this trip to the United States in 1824/1825, La Fayette was welcomed on several occasions by the CINCINNATI Society. Bibliography: - August Levasseur (trans. Alan R. Hoffman), Lafayette in America in 1824 and 1825 (Manchester, NH: Lafayette Press, 2006). - Marc H. Miller, "Lafayette's Farewell Tour and American Art", in Lafayette, Hero of Two Worlds (Hanover, NH: University Press of New England, 1989).