Null MIGUEL ACQUARONI ( Sanlúcar de Barrameda, Cádiz, 1925-Madrid, 1988)
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MIGUEL ACQUARONI ( Sanlúcar de Barrameda, Cádiz, 1925-Madrid, 1988) Portrait of a young woman . Painting S.XX . Oil on canvas signed. Size: 116 x 89 cm

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MIGUEL ACQUARONI ( Sanlúcar de Barrameda, Cádiz, 1925-Madrid, 1988) Portrait of a young woman . Painting S.XX . Oil on canvas signed. Size: 116 x 89 cm

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估价 4 000 - 5 000 EUR

Attributed to ANTONIO MARIA ESQUIVEL Y SUÁREZ DE URBINA (Seville, 1806 - Madrid, 1857). "Academic study". Oil on canvas. Relined. Provenance: Private collection in Belgium. With export permit. Size: 103 x 82 cm; 126 x 104 cm (frame). The portrait shows a physiognomy of the gentleman characterised with verism and detailed brushstrokes, with a miniaturist's pulse. A fig leaf covers his private parts. The moving posture breathes life into the body, which is aided by the pronounced musculature and the concentrated face, as each element is resolved with extreme precision. Esquivel was the most representative and prolific painter of Sevillian Romanticism and one of the most outstanding of his time in Spain. His life was a true Romantic plea; he lost his fortune after his father's death, was orphaned and left poor, and at the age of seventeen he enlisted against the absolutist cause of the Duke of Angoulême, and did not live comfortably until he moved to Madrid in 1831. However, in 1838 he returned to Seville, where he lost his sight shortly afterwards. Cured in 1840 he returned to Madrid, where he worked until his death. Trained at the Seville Academy of Fine Arts, he was appointed chamber painter in 1843 and a member of the San Fernando Royal Academy in 1847, contributed to the publications "El siglo XIX" and "El Panorama" and was a member of the Artistic and Literary Lyceum. He taught at the San Fernando Academy in Madrid, which led him to publish the monographs of José Elbo y Herrera el Viejo (1847) and his "Tratado de anatomía práctica" (1848). He was also an art critic and wrote on history painting and the German Nazarenes. As a painter he fully identified with Romanticism, which he expressed through the sentiment and aesthetic correctness of his work. His style, which is partly eclectic, is characterised by a great technical mastery that manages to harmoniously balance the correctness of the drawing and the quality of the colours. Although he dealt with a wide range of subjects, portraiture is an essential part of his career. In addition to his artistic merit, his portraits illustrate the society of his time with historical rigour, without neglecting affective values. He received many commissions for portraits in various formats, and also produced several self-portraits, one of which is in the Museo del Prado. He also executed group portraits, which reflect his fascination with the Dutch Baroque and his corporate portraits. With regard to religious themes, he was a follower of Murillo, in connection with his own status as a Sevillian. His history paintings had a very personal, literary and theatrical character, the result of the Romantic atmosphere in which he lived. His official awards include the plaque of the Siege of Cadiz and the Cross of Commander of the Order of Isabella the Catholic. In 2006, in commemoration of his second centenary, the Seville Academy of Fine Arts, in collaboration with the El Monte Foundation, held a retrospective exhibition dedicated to his work. He is represented in the Prado Museum, the Huesca Town Hall, the Lázaro Galdiano Museum, the Fine Arts Museum in Seville, the Romantic and Naval Museums in Madrid, the National Library and the Santa Cruz Museum in Toledo, among many others.

估价 5 500 - 6 000 EUR

JUAN ANTONIO FRÍAS Y ESCALANTE Córdoba, 1633 - Madrid, 1669). "St. Michael the Archangel subduing the devil". Oil on canvas. Relined. We thank Dr. Alvaro Pascual Chenel, for his help confirming the authorship of the master. Frame of the early twentieth century. Measurements: 82 x 56 cm; 95 x 69 cm (frame). Álvaro Pascual Chenel has a PhD in Art History from the University of Bologna, and in History from the University of Alcalá de Henares. His main line of research focuses on the image of power in Spanish art of the Modern Age. He has published numerous studies, such as the article on Juan Antonio Frías y Escalante. In this canvas we see the representation of St. Michael subduing the devil, standing on his body, holding up a sword, in a little undefined scenario, but that is guessed earthly by the clouds that are glimpsed and the orography of the lower area. The composition is dynamic and scenographic, and follows a very frequent model in the Baroque, with the saint with Roman soldier's attire, full body, occupying most of the pictorial surface. According to tradition, St. Michael is the head of the heavenly militia and defender of the Church. Precisely for this reason he fights against the rebellious angels and the dragon of the Apocalypse. He is also psychopomp, that is to say, he leads the dead and weighs the souls on the day of the Last Judgment. Scholars have linked his cult to that of several gods of antiquity: Anubis in Egyptian mythology, Hermes and Mercury in classical mythology, and Wotan in Norse mythology. In the West, the cult of St. Michael began to develop from the 5th and 6th centuries, first in Italy and France, and then spreading to Germany and the rest of Christendom. The churches and chapels dedicated to him are innumerable around the year 1000, in connection with the belief that on that date the Apocalypse would arrive. His temples are often located on high places, since he is a celestial saint. The kings of France gave him a particular veneration from the 14th century, and the Counter-Reformation made him the head of the church against the Protestant heresy, giving a new impulse to his cult. St. Michael the Archangel is a military saint, and therefore patron saint of knights and of all trades related to weapons, as well as to the scales, for his role as apocalyptic judge. His iconography is of considerable richness, but relatively stable. As a general rule, he appears in the attire of a soldier or knight, holding a spear or sword and a shield, generally decorated with a cross, although here he bears the legend "QVDOS". When he fights the dragon, he fights on foot or in the air, which distinguishes him from St. George, who is almost always on horseback. However, the great difference between the two saints is St. Michael's wings. A member of what is known as the "truncated generation", Antonio Frías y Escalante was a disciple of Francisco Rizzi, with whom he worked from a very young age. The brevity of his life prevented him from developing an artistic maturity that augured great achievements, as his contemporaries expected, but from the beginning his works show his admiration for Venice, especially for Tintoretto and Veronese. Thus, his followers would take from him his characteristic and personal chromatic range, centered on cold colors, a very refined palette of pinks, blues, grays and mauves, which we see in part in this canvas, especially in the cloths and flowers that surround the composition, although here the cold tones are offset by the warmth of the golds and carmines. Also typical of Escalante will be the light, delicate, almost transparent brushstroke, in which the example of Titian is manifested.

估价 2 000 - 2 500 EUR

Circle of BARTOLOMÉ ESTEBAN MURILLO (Seville, 1617 - Cadiz, 1682). "Saint Francisco de Paula". Oil on canvas. It preserves the original canvas. It has slight flaws and losses in the pictorial surface. Measurements: 118 x 88 cm; 146 x 116 cm (frame). The characterization of the protagonist of this work represented as an old man with a gray beard wearing a habit, leaning on a staff, indicates that it is the representation of St. Francis of Paola. Both the model of the saint and the background in which it is inscribed indicate that the author of this work is based on the model created by Murillo (P000991), currently in the collection of the Prado Museum in Madrid. Saint Francis of Paola (1416-1507) was an Italian hermit, founder of the Order of the Minims. At a very young age he began his life as a hermit on the outskirts of his native town, Paula. Little by little he acquired fame for his prodigies, and around 1450 there was already a group of followers around his figure. His community grew, and in 1470 the Congregation of Hermits (the future Order of Minims) received diocesan approval from the Archbishop of Consenza. Four years later, Pope Sixtus IV granted them pontifical approval. In 1483 Francis of Paola went to France by order of the pope and at the request of King Louis XI. There he developed some diplomatic work in favor of the Holy See, at the same time that he tried to obtain the approval of a Rule for his congregation, which he finally obtained in 1493. Until his death, Francis of Paola would count on the support and protection of the French monarchs, and a few years after his death, processes for his canonization would begin in Calabria, Tourse and Amiens, in which numerous witnesses of his life and miracles testified. He was finally beatified in 1513 and canonized in 1519. It presents slight flaws and losses in the pictorial surface.

估价 1 400 - 1 600 EUR

"PACO PEREGRÍN"; PEREGRÍN, Francisco (Almería, 1976). "Alien Beauty (VI)". Model Naadia Kloet (Delphoss). Exemplar 1/10. Small Edition (limited to 10 copies + 1AP). Digital photography. Lambda print under methacrylate on dibond and aluminium frame. Enclosed certificate issued by the artist. Bibliography: "Otherworldly", Theo Mass Lexileictous and Editorial Gestalten, 2016 (Page 238); "Avenue Illustrated" Magazine, issue 19, Spain, 2009 (page 105); "Ozine Magazine", issue October-November 2009 (Page 199). Work signed and numbered. Size: 50 x 37 cm. In the present work, and inspired by the alien aesthetics, Paco Peregrín has created a beautiful, fashionable and "avant-garde" story between futurism and the extraterrestrial. It shows a personal and striking speculation on the evolution of identity and the transfiguration of human features. Paco Peregrín is an Andalusian photographer, currently considered one of the world's leading talents in artistic, editorial and advertising photography, always highlighting his experimental side in all his work, characterised by its strength and forcefulness. He trained in Seville, adopting a mystical sensibility of compositional schemes and chromaticism inspired by baroque art. It is possible that it was his theatrical experience that gave him the ability to direct his models in front of his camera, to develop his spatial perception and to show the body, presence and time in his work. He currently lives in Madrid, a detail that, together with his time in important cultural capitals (London, New York...) has added contemporaneity and freshness to his work, which is unique. It is also important to highlight his wide experience in design, communication, theatre and painting. He alternates fashion photography for magazines such as Vogue, Harper's Bazaar or L'Officiel with commercial work for brands such as Dior, Chanel, Saint Laurent, L'Oréal Paris, Adidas, Nike, Gant, Toyota, Lancôme, Shiseido... with signature photography, having exhibited his work in galleries in New York, Paris, Barcelona, Beijing, Madrid, Berlin, Seville, San Sebastián, etc., and in museums and galleries such as the Centro de Arte y Creación Industrial in Madrid, Barcelona, Beijing, Madrid, Berlin, Sevilla, San Sebastián, etc. and in museums and galleries such as the Centro Andaluz de Arte Contemporáneo (Seville), Museo de Artes y Costumbres Populares de Sevilla, Museo Cristóbal Balenciaga (Getaria, Gipuzkoa), Centro de Cultura Contemporánea de Barcelona, Foro Sur, Sala de exp. del Canal de Isabel II, Museo Provincial de Cádiz, etc. His striking work has been recognised with awards such as the LUX Gold National Professional Photography Prize in Fashion and Beauty (2008). The publishing house Gestalten (specialised in art and architecture) has included him among the most important and original projects in the book "Otherworldly", and the publishing house Prestel published his work in "New Fashion Photography", where he is one of the most important references worldwide in contemporary fashion photography.

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