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Gospels of Our Lord Jesus Christ Fifth edition of the Synod typography in St. Petersburg, 1863. On the flyleaf, handwritten bookplate in black ink of Danil Andreyevich SOJOLEV (1908-1994) with date and place 5X79 / . Full basane binding. In-8° format, 224 pages. Wear, moisture stains.

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Gospels of Our Lord Jesus Christ Fifth edition of the Synod typography in St. Petersburg, 1863. On the flyleaf, handwritten bookplate in black ink of Danil Andreyevich SOJOLEV (1908-1994) with date and place 5X79 / . Full basane binding. In-8° format, 224 pages. Wear, moisture stains.

Estimate 120 - 150 EUR
Starting price 60 EUR

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For sale on Friday 28 Jun : 14:00 (CEST)
paris, France
Magnin Wedry
+330147704141

Exhibition of lots
vendredi 28 juin - 11:00/12:00, Salle 13 - Hôtel Drouot
jeudi 27 juin - 11:00/18:00, Salle 13 - Hôtel Drouot
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Spanish or Flemish school; 17th century. "The Resurrection of Lazarus". Oil on canvas. Relined. Measurements: 66 x 85 cm. In this work whose aesthetic follows the models of the master Rubens, the theme of the resurrection of Lazarus can be identified iconographically. In the Bible according to John 11: 1-44, Jesus receives a message that Lazarus is sick and his two sisters are looking for his help. Jesus tells his followers: "This sickness will not end in death. No, it is for the glory of God so that the Son of God may be glorified through it. "Jesus then delays his departure for two days. The disciples are afraid to return to Judea, but Jesus says, "Our friend Lazarus is asleep, but I am going to wake him up." When the apostles do not understand, he clarifies, "Lazarus is dead, and for your sake, I am glad I was not there so that you may believe." When they arrive in Bethany, Lazarus has been dead and buried for four days. Before they enter the town, Martha, Lazarus' sister, meets Jesus and says, "If you had been here, my brother would not have died." Jesus assures Martha that her brother will rise again and says, "I am the resurrection and the life. He who believes in me will live, even if he dies; and he who lives and believes in me will never die. Do you believe this?" Martha's affirmation that she really believes: "Yes, Lord. I believe that you are the Messiah, the Son of God, who is to come into the world," is only the second time (after Nathanael) that someone declares Jesus to be the Son of God and the first time that someone compares him as 'Messiah' and 'Son of God' together. The only other time this happens in the whole Gospel is in the explanation the author of the Gospel gives for writing his Gospel at the end. Upon entering the village, Jesus meets Mary and the people who have come to comfort her. Seeing her pain and weeping, Jesus is deeply moved. After asking where he was buried, the shortest verse of the four Gospels is found and the scriptures say, Jesus wept. After that, Jesus asks that the stone be removed from the tomb, but Martha insists that there will be a smell. To which Jesus responds, "Didn't I tell you that if you believe, you will see the glory of God?" Then Jesus looked up and said, "Father, I thank you for listening to me. I knew that you always listen to me, but I said this for the benefit of the people who are here, so that they may believe that you sent me." When he had said this, Jesus cried out in a loud voice, "Lazarus, come out!" Then he came out, Lazarus, with his hands and feet wrapped in strips of linen and a cloth around his face. Jesus said to them, "Take off your bandages and let him go.".

CUZQUEÑA SCHOOL 18th century Our Lord of the Tremors or Taytacha Tremors Oil on canvas Measurements 126.5 x 84 cm In this painting Our Lord of the Tremors or Taytacha Tremors. The nickname derives from the union of two words in Quechua: tayta which means father or lord and cha which is a diminutive. This is a very popular iconographic theme in Cusco painting, in which we find the true effigy of the sculpture of Christ crucified that is housed in the Cathedral of Cusco. Legend tells that the beginning of the cult dates back to 1650. On May 31, an earthquake hit the old capital of the Inca empire and to stop the aftershocks that were devastating the city, they decided to take out the sculpture of Christ in procession, which According to tradition, it was sent by Charles V himself. According to testimonies, the earthquake stopped and the veneration of the Cuzco people to this image began, continuing to the present day. In this painting we find a Crucifixion with three nails reproduced. It is a Christ with the wounds of the Passion, with a dark complexion, a muscular and thin body and long hair that falls over his right shoulder. As usual, he appears dressed in a short skirt with vertical pleats, tight at the waist and made of linen, chiffon, silk and lace. The cross is finished off with silver lobed corners and a short upper beam. The composition is completed by the vases, bows, feather dusters, vases, candelabras and flowers that decorate the scene. Among all of them, the ñucchu stands out, a red flower that was used by the Incas as an offering to the gods and that since the 17th century has been associated with the Taytacha. Bibliography: - Querejazu Leyton, Pedro, "The Lord of the Tremors of the Cusco Cathedral and its representation in painting," in Earthquakes: Miraculous Christs in South Andean viceregal art. Joaquín Gandarillas Infante Collection. American Colonial Art. Pontificia Universidad Católica de Chile, 2019. - Héctor H. Schenone, Iconography Of Colonial Art, Jesus Christ. Argentina: Fundación Tarea, 1998. - Lámbarri Bracesco, Jesús, "Images of greatest veneration in the city of Cuzco: sculpture in El Perú," in El Culto Popular. Treasures of the Cathedral of Cusco, ed. Archbishopric of Cusco: Decentralized Directorate of Culture of Cusco. Lima, Editorial Fábrica de Ideas, 2013.