Null PRIM Y PRATS, Juan.- Handwritten and signed autograph letter: "...Shortly a…

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PRIM Y PRATS, Juan.- Handwritten and signed autograph letter: "...Shortly after giving you the letter for the Minister of Overseas...". On paper with letterhead "Presidency of the Council of Ministers. Private.".

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PRIM Y PRATS, Juan.- Handwritten and signed autograph letter: "...Shortly after giving you the letter for the Minister of Overseas...". On paper with letterhead "Presidency of the Council of Ministers. Private.".

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Schätzw. 900 - 1 200 EUR

Flemish school; 17th century. "Saint John the Baptist". Oil on copper. It presents faults on the pictorial surface. It has a Spanish frame of the XVIIIth century with faults. Measurements: 20 x 15 cm; 43 x 28 cm (frame). The Gospels say about John the Baptist that he was the son of the priest Zechariah and Elizabeth, cousin of the Virgin Mary. He retired at a very young age to the Judean desert to lead an ascetic life and preach penance, and recognised in Jesus, who was baptised by him, the Messiah foretold by the prophets. A year after Christ's baptism, in the year 29, John was arrested and imprisoned by the tetrarch of Galilee Herod Antipas, whose marriage to Herodias, his niece and sister-in-law, he had dared to censure. Finally, St. John was beheaded, and his head given to Salome as a reward for his beautiful dances. This saint appears in Christian art in two different guises: as a child, a playmate of Jesus, and as an adult, an ascetic preacher. The adult Saint John depicted here is dressed in Eastern art in a camel-skin sackcloth, which in the West was replaced by a sheepskin, leaving his arms, legs and part of his torso bare. The red cloak he wears at times, as well as in the scene of his intercession at the Last Judgement, alludes to his martyrdom. In Byzantine art he is depicted as a large-winged angel, with his severed head on a tray which he holds in his hands. However, his attributes in Western art are very different. The most frequent is a lamb, alluding to Jesus Christ, and he often carries a cross of reeds with a phylactery with the inscription "Ecce Agnus Dei".

Schätzw. 300 - 350 EUR

CARLO MORETTI (active from 1958). Vase, 1960s. Glass. Measurements: 31 x 15 x 15 cm. Carlo Moretti is a "factory of originals" founded in 1958 by Carlo and Giovanni Moretti, combining innovation and continuous research. The company itself defines its work as "Unique pieces, numbered and signed with its recognizable style, in stylistic key in constant search of new, clean and essential lines, supported by technical innovation. The exploration of new styles and their continuous experimentation with shapes and materials over the centuries confirms the ancient "know-how" of the Murano master glassmakers combining two contradictory cores, solid and liquid. A highly qualified know-how without forgetting their concrete responsibility to express contemporaneity while respecting the Venice Lagoon thanks to their sustainable behavior towards the environment".

Schätzw. 12 000 - 16 000 EUR

CARTIER, AN ART DECO AQUAMARINE AND DIAMOND BROOCH set with an octagonal mixed cut aquamarine of 31.00 carats, accented on each side by single and baguette cut diamonds, signed Cartier London, no assay marks, 4.7cm, 14.8g.

Schätzw. 15 000 - 25 000 EUR

MARCHAK, AN EMERALD, RUBY AND DIAMOND CLIP BROOCH in 18ct yellow gold, set with a spray of pear cut emeralds accented by pear-shaped cabochon rubies and round brilliant cut diamonds, signed Marchak Paris and numbered, French assay marks, 6.5cm, 42.5g. Accompanied by a Marchak jewellery box.

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