Null Liebermann, Max (Berlin 1847 - 1935 Berlin), "Eislauf", etching 1923, paper…
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Liebermann, Max (Berlin 1847 - 1935 Berlin), "Eislauf", etching 1923, paper slightly browned a. minimally foxed, 15,5 x 20,5 cm (mat opening), matted on bottom. Glass slightly framed, overall size: 27 x 35 cm, 4270 - 0014

460096 

Liebermann, Max (Berlin 1847 - 1935 Berlin), "Eislauf", etching 1923, paper slightly browned a. minimally foxed, 15,5 x 20,5 cm (mat opening), matted on bottom. Glass slightly framed, overall size: 27 x 35 cm, 4270 - 0014

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Max Liebermann, "Park in Wannsee" View over a meadow with trees, to the white bench in his garden, which often appears in Liebermann's work, with a lady resting, see catalogue raisonné Schifler 271, probably from the special edition of the booklet "Kunst und Künstler", published by Paul Cassirer, volume XV, issue X. Monatsschrift für Bildende Kunst und Kunstgewerbe, published on the occasion of the artist's 70th birthday, drypoint on wove paper with trimmed watermark "Zonen Holland", signed "M Liebermann" in pencil below the image on the right, graded, partly deep black print, minimal traces of age, stitched under passepartout, image dimensions approx. 17 x 24.4 cm, sheet dimensions approx. 24.2 x 32.5 cm. Artist information: GermanJewish painter, graphic artist and illustrator (1847 Berlin - 1935 Berlin), initially studied chemistry at the Friedrich Wilhelm University in Berlin at his father's request from 1866, at the same time a painting pupil of Carl Constantin Heinrich Steffeck from 1866-68, exmatriculated in 1868, studied at the Weimar Academy under Paul Thumann and Ferdinand Wilhelm Pauwels from 1868-72, travelled to Düsseldorf with Theodor Hagen in 1871, influenced by Mihály Munkácsy, then studied in Amsterdam and Scheveningen, 1873-78 studio in Montmartre in Paris and stays in Barbizon, 1875 travelled to Zandvoort and Haarlem in Holland, 1876 to Amsterdam, 1878 trip to Italy with a stay in Venice, where he met Franz von Lenbach, then worked in Munich, from 1879 regular stays in Dachauer Moos, Rosenheim and the Inn Valley, 1880 in Dongen in Brabant and another stay in Amsterdam, subsequently created his famous painting "Old Man's House in Amsterdam" in light painting, which established his artistic success and showed Liebermann's "sunspots" for the first time, 1884 return to Berlin, 1884 marriage to Martha Marckwald and honeymoon via Brunswick and Wiesbaden to Scheveningen, Laren, Delden, Haarlem and Amsterdam, 1885 member of the Berlin Artists' Association, from 1886 he participated in the Berlin Academy exhibitions, 1889 appointment to the jury of the Paris World Exhibition, here medal of honour and admission to the Société des Beaux-Arts, 1892 member of the artists' group "Vereinigung der XI", 1892 founding member of the "Freie Künstlervereinigung", 1896 stay in Paris and honoured as Knight of the Legion of Honour, 1897 personal exhibition at the Academy of Arts and honoured with the Great Golden Medal and the title of professor, 1898 admission to the Academy of Arts, 1898 founding member and later president until 1911, then honorary president of the Berlin Secession, 1909 construction of the country residence on Wannsee, 1912 honoured with the House Order of Orange, member of the Senate of the Academy of Arts, honorary doctorate from Berlin University and appointed honorary member of the art academies in Munich, Weimar, Dresden, Vienna, Brussels, Milan and Stockholm, 1914 resigned from the Berlin Secession and founded the "Freie Sezession", contributed to the magazine "Kriegszeitung" during the First World War. Contributed to Paul Cassirer's magazine "Kriegszeit - Künstlerflugblätter" during the First World War, first illustrations from 1916, honoured with the Order of the Red Eagle III Class by Kaiser Wilhelm II in 1917, 1920-33 President and Honorary President of the Academy of Arts, 1927 honorary citizenship of Berlin, honoured with the "Eagle Shield of the German Reich" by Paul von Hindenburg, 1933 resigned from all offices, source: Thieme-Becker, Vollmer, Dressler, Wikipedia and Internet.

Heinrich Zille, Tanzendes Paar junges, sich küssendes Paar beim Tanz, black chalk on paper, c. 1910-15, signed lower right "H. Zille", a comparable, but coloured drawing is dated 1913 was auctioned 5/1994 at Auktionshaus Villa Grisebach, stamp on the reverse "Sammlung Prof. A. Klein Berlin", stamp slightly worn through, somewhat blurred, framed behind glass, sheet dimensions c. 22.5 x 15.4 cm. Artist info: called "Pinselheinrich", important German painter, draughtsman, lithographer. Painter, draughtsman, lithographer, photographer and graphic artist (1858 Radeburg - 1929 Berlin), first years of life in Radeburg, 1861-67 childhood in Dresden and Potschappel, from 1867 in Berlin, initially apprenticeship as a lithographer with Fritz Hecht, parallel drawing lessons with Theodor Hosemann at the royal art school, from 1875 mainly as a commercial artist, among others in the lithography institute "Winckelmann & Söhne", worked 1877-1907 for the "Photographische Gesellschaft Berlin", parallel artistically active, 1907 dismissed because of his socially critical art, subsequently worked as a freelancer, created drawings for the magazines "Simplicissimus", "Jugend" and "Die Lustigen Blätter" as well as the Berlin satirical magazine "Ulk", sponsored by his friend Max Liebermann, 1903-13 member of the Berlin Secession and increasing success, 1913 honoured with the Menzel Prize of the "Berliner Illustrierte Zeitung", 1913 founding member and board member of the Freie Secession, at Max Liebermann's suggestion 1924 appointed prof. and member of the Prussian Academy of Arts, 1928 major retrospective "Zille's Career" at the Märkisches Museum Berlin, active in Berlin, source: Thieme-Becker and Internet.