Italian coins GENOA Galeazzo Maria Sforza (1466-1476) Grosso - MIR 117 AG (g 3.4…

Description

Italian coins

GENOA Galeazzo Maria Sforza (1466-1476) Grosso - MIR 117 AG (g 3.48). qBB/BB

186

Italian coins

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CASIMIRO MARTÍNEZ TARRASSÓ (Barcelona, 1898 - 1980). "Mountain landscape". Oil on tablex. Signed in the lower right corner. Measurements: 16 x 20 cm; 43 x 48 cm (frame). In this tablex Tarrassó captures a landscape built in depth with his personal language based on color spots of Fauvist heritage. The vivid chromatism responds to a careful and thoughtful study, based on the juxtaposition of mainly cold tones, some brighter and others darker to reinforce the three-dimensional construction of space. Known simply as Tarrassó, he trained at the Escuela de La Lonja in Barcelona. He completed his studies in Paris, where he had first-hand knowledge of the Fauvist works that were shaking the Parisian artistic scene at the time. He was above all a brilliant landscape painter, with a style characterized by its violent and vivid colors, very luminous. He followed in the footsteps of the great Catalan landscape painters, especially Joaquín Mir, although with a clearly differentiated personality due in part to the impact that Fauvism had on his artistic thinking. He cultivated the still life and the Catalan and Majorcan landscapes. He held his first exhibition in 1928, in the Layetanas Galleries in Barcelona. Since then his exhibitions in Barcelona, Madrid, Palma de Mallorca and Bilbao followed one after the other. In 1935 he visited Mallorca for the first time, and from 1940 he had a studio there, specifically in Palma, where he lived for long periods and developed most of his artistic production. After the Civil War, during the forties, Tarrassó took part in several National Exhibitions of Fine Arts, in their editions of 1942, 1943 and 1950, and held many personal exhibitions in Barcelona, in galleries such as Augusta, Layetanas, Ars, etc., among them the one he held of Pyrenean landscapes in 1948, and the one of large canvases of Mallorcan landscapes that he presented in 1949. Although the landscape was always the center of his production, Tarrassó also made works such as the mural decoration of the church of Santa Maria de Badalona. In Mallorca he also carried out a singular undertaking, planting his easel in the Caves of Campanet to capture the stalactites and stalagmites of its stony cavities, developing a series of works that he presented at the Galerías Costa de Palma in October 1948. Throughout his career Tarrassó was awarded the Pollença Prize at the 1st International Painting Competition in 1962; the Santiago Rusiñol Prize in 1972; and the medals obtained in various editions of the Autumn Salons of Palma de Mallorca: first prize in 1967 and 1973, and honorary prize in 1970. Tarrassó's work is characterized by the great personality of his coloring. His obsession for chromatism determines a deeply sensorial, vitalist and intuitive painting. He is represented in various national and international private collections, as well as in the Museum and Artistic Fund of Porreras (Mallorca) and the Museum of Modern and Contemporary Art of Palma.

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Anton Maria Vassallo 1620 Genova-1654 Milano, attribuito a

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MONTPELLIER - Pierre SABATIER d'ESPEYRAN (1892-1989, a man of the world, he was related to the great families of European Gotha, and was in turn a composer, successful playwright and patron of the arts, notably for the City of Montpellier, of which his family was one of the most notable) / Important personal archive from the 60s and 70s, part of which is preserved in 4 scrapbooks (which Pierre Sabatier has assembled with articles, some photos, including events in Montpellier on the occasion of cultural events, such as the Musée Fabre): over 600 letters, autographed signed or typed cards, 500 greeting cards, 300 visiting cards, plus typed duplicates of replies from Sabatier, his many relations (numerous foreigners, Swiss, Germans, Italians etc..), including aristocrats, Montpellier residents, diplomats, literary figures (publishers, media), politicians, theater, music and entertainment personalities (French and foreign), as well as family correspondence: Amarande, Général Béthouart, Marc Blancpain, Pierre de Boideffre, Jeanne Boitel, Valentino Bompiani (correspondence), Raymond Bousquet, Marcel Brion, Pierre Burlats-Brun, Duc de Castries, Yves Cazaux, René de Chambrun, Jean Chautemps, Simone Cino del Duca, Jean Claparède (correspondence), Egon Corti, Suzanne Crémieux, Bernard Daydé, François Delmas, Maurice Druon, Annie Ducaux, Jean Duhamel, Pierre Duvauchelle, Pierre Emmanuel, Georges Freche, Edouard Frédéric-Dupont, Robert Galimard, George-Day, José Germain, René Huyghe, Général Ingold, Jane Kieffer, Charles Kunstler (correspondence), Pierre Lyautey, Diane de Margery, Général Mast, Pierre Montpellier, Marie-Henriette d'Ormesson, Pierre Racine, Jean Robin, Edmée de La Rochefoucauld, Léon Ruth, Armand Salacrou, Général Sauzey, Prince and Princess Philibert de Savoie, Gaby Sylvia, etc./ Joint: Set of over 80 autograph letters signed by Pierre Sabatier to his wife, 50s, from Switzerland and Belgium, excerpts from typescripts of Sabatier texts, some with corrections (loose), several lists of names and addresses drawn up by Sabatier of personalities for greetings (authenticates certain correspondence) and miscellaneous documents (invitations, articles, Syndicat de la Presse cards, entries to the Institut de France) / Joint: album compiled by Pierre Sabatier of the hundred or so telegrams received on the death of his wife in 1968 (in a terrible tragedy, she was stabbed to death in Montpellier by her lady-in-waiting), including those from Queen Victoria Eugenia of Spain, Queen Marie Jose of Italy, King Umberto of Italy, Duke and Duchess of Genoa, Natalie Barney and Janine Lahovary, Edmonde Charles-Roux, Roland Dorgeles, Mary Marquet, Paul Morand,

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