Null Aly BEN SALEM (1910-2001)
Evening Return, circa 1935/1940
Gouache over grap…

描述

Aly BEN SALEM (1910-2001) Evening Return, circa 1935/1940 Gouache over graphite, signed lower left. H. 73.5 cm - L. 53 cm (as seen) Slightly sun-blinded leaf

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Aly BEN SALEM (1910-2001) Evening Return, circa 1935/1940 Gouache over graphite, signed lower left. H. 73.5 cm - L. 53 cm (as seen) Slightly sun-blinded leaf

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估价 120 - 180 EUR

Franz Jung-Isenheim, "Höhlenbär" Scarcely clad prehistoric man encountering a brown bear in front of his cave, mixed media (gouache and watercolour over pencil preparatory drawing) on card, c. 1940, titled "Höhlenbär" (cave bear) lower right and partly signed in ligature "FR Jung-Ilsenheim", tiny losses of colour in places, unframed, dimensions approx. 25 x 31 cm. Artist information: actually Franz Xaver Jung, Austrian hunting and landscape painter, theatre painter, steel cutter, illustrator and postcard designer (1883 Vienna-Hietzing to 1963 Salzburg), initially trained as a hairdresser, early interest in painting, finally studied at the Vienna Academy under Heinrich Streblow, first exhibition of his works in 1910 at the international hunting exhibition in Vienna, active in Seitenstetten in Lower Austria around 1913, worked as a theatre painter in one of the largest theatre painter workshops in Vienna, in the 1st World War as a war painter for illustration. During the First World War, he worked as a war painter illustrating the multi-volume work "Ehrenhalle der k.k. Landwehr, the k.k. Landsturm and the k.k. In 1919 he moved to Steyr, where he learnt the art of steel cutting and spent a year as an assistant in the master studio for steel cutting under Prof. Michael Blümelhuber. Michael Blümelhuber, then professor and drawing teacher at the Steyr Girls' Lyceum and freelance artist, moved to Salzburg in 1924 and worked at Schloss Elsenheim, henceforth called himself "Franz Jung-Elsenheim", which he soon changed to "Jung-Ilsenheim", temporarily worked with the "Wia" artists' card publisher Teplitz-Schönau, member of the Salzburg Artists' Association and the Salzburg association Schlaraffia Juvavia (as a member of which he was nicknamed: "Lug to the Land of the Colourful" and "Knight of the Blue Flower", which is why he signed some of his works "Luginsland-Juvavia" and "Lugland" respectively). "Lugland"), moved to Berlin in 1937 and participated as a painter and artistic designer in the "Great International Hunting Exhibition", returned to Salzburg in 1941, source: Saur "Bio-Bibliographisches Künstlerlexikon", Fuchs, Info der Stadt Salzburg and Wikipedia.

估价 900 - 1 350 EUR

Willy Müller-Lückendorf, Alte Mühle in Lückendorf View of the old mill on the Prescherberg in Lückendorf near Oybin in Saxony, in the light of the waning day, on a spring evening with the moon rising, the foothills of the Brandberg on the right, the high forest in the background on the left, with this intimate landscape portrait, Müller-Lückendorf shows his attachment to his Saxon homeland - his studio house is 100 metres away from the old mill house depicted, predominantly glazed painting in restrained colours in the style of the romantic landscape painting of Caspar David Friedrich, oil on canvas, incised signature "W. Müller-Lückendorf" and dated "1933", according to the author of the catalogue raisonné and son of the artist, Knut Müller, the painting was created in 1935, on the reverse signed, dated and titled "Vorfrühlingsabend mit altem Mühlhaus in Lückendorf" in pencil by the artist, on old label probably old auction or gallery label with numbering and information on the work, also in the upper left corner annotated by another hand as a gift from 1945, minor pressure marks on the left and right edge of the picture due to the stretcher, somewhat in need of cleaning, we would like to thank Mr Knut Müller for kind written information, framed, folded dimensions approx. 33 x 46,5 cm. Artist information: actually Willy Müller, called himself "Müller-Lückendorf" after his place of residence, German pattern draughtsman, landscape painter and painter. Pattern draughtsman, landscape painter and draughtsman (1905 Olbersdorf to 1969 Lückendorf), resident in Lückendorf from 1911, artistically supported by the Russian stage painter Pjotr Andrejew, Paul Otto Croeber and the Zittau art teacher Adolf Schorisch, 1919-22 apprenticeship as a weaver and pattern draughtsman at the Higher Weaving School in Zittau, then worked as a weaver in the mechanical weaving mill, 1924-32 pattern draughtsman for the Vereinigte Deutsche Textilwerke Wagner und Moras in Ebersbach, with the support of the textile industrialist Otto Moras 1925-27 studied at the Dresden School of Arts and Crafts under Alexander Baranowsky, influenced by Caspar David Friedrich, Franz Lenk and Otto Dix, from 1932 freelance landscape painter, 1940-48 military service and captivity, exhibited in Neusalza-Spremberg, Zittau, Dresden, Leipzig, Berlin, Karlsruhe, Darmstadt, Frankfurt a. M. and 1937-43 participation in the Great German Art Exhibition at the Haus der Kunst in Munich, active in Lückendorf near Oybin, source: Vollmer, homepage of the artist, Saur and Internet.

估价 600 - 900 EUR

Willy Friedrich Burger, "Alpweg mit Dent Blanche" barren, sunny high mountain landscape of the Valais Alps, with a distant view of the Dent Blanche from the north-west, slightly impasto landscape painting with a flat application of paint in finely coordinated colours, AKL comments: "... As a landscape painter, he mainly painted motifs from Italy, Morocco, England and the Swiss Alps. The feeling of the vastness and grandeur of the mountain world is expressed in the harmonious composition and warm colours, whereby his encounter with Ferdinand Hodler is very significant. ...", oil on canvas, c. 1940, signed "W. F. Burger" lower right, original artist's label on the reverse of the stretcher, here titled, signed and inscribed ""Alpweg mit Dent Blanche" W.F. Burger, Rüschlikon", also old owner's label "Robert Aeschbach, Löwenstr. 11 Zürich", originally framed, folded dimensions approx. 48 x 64.5 cm. Artist information: Wilhelm Friedrich Burger, Swiss painter, draughtsman, graphic artist, illustrator and poster artist (1882 Zurich - 1964 Rüschlikon), initially trained as a lithographer, then a student at the Kunstgewerbeschule Zurich, 1901-02 studied at the Karlsruhe Academy under Ludwig Schmid-Reutte, 1903-05 as a graphic artist in London, at the same time a student at the Royal Academy, 1906 in Switzerland, finally 1906-08 worked as an illustrator and graphic artist in New York, Philadelphia and Boston, from 1909 in Rome and Florence, returned to Switzerland in 1913 and worked in Rüschlikon as a landscape painter, illustrator and poster artist, undertook various study trips such as to Italy in 1921, to Spain in 1925 and 1926, to Morocco in 1934, to Egypt and Palestine (Jerusalem) in 1935, as well as to Algeria and southern France, participated in the world exhibitions in Milan (1906) and Brussels (1910), among others, which honoured him with a silver medal and a gold medal, worked in Rüschlikon/Canton Zurich, citizen of Zurich, source: Vollmer, AKL, Saur "Bio-Bibliographisches Künstlerlexikon", Sikart, Historisches Lexikon der Schweiz, Huber-Frauenfeld and Wikipedia.

估价 80 - 120 EUR

Otto Scheinhammer, Sommerliche Deichlandschaft View along a dyke with trees and a guard's cottage, glazed, partially slightly impasto landscape painting, oil on canvas, c. 1930, signed "Otto Scheinhammer" lower left, in need of cleaning, framed, folded dimensions approx. 64.5 x 74 cm. Artist information: German painter and sculptor (1897 Munich - 1982 Augsburg), initially trained as a carpenter from 1912 and worked in the profession until 1922, 1916-18 military service as an aerial radio operator in WW1, from 1922 self-taught. He studied at the Munich Academy under Karl Johann Becker-Gundahl and Franz Klemmer from 1923-26, travelled to Italy in 1924 with private sponsorship and to Dalmatia in 1925, to Holland in 1926, travelled to Ceylon and Egypt from 1927-29, special exhibition at the International Glass Palace Exhibition in Munich in 1931 and lost 35 works as a result of the Glass Palace fire, after making the acquaintance of a Ceylonese plantation owner, 1927-30 stays in Ceylon and 1932-35 in Egypt with special exhibitions in Colombo and Cairo, 1935 return to Germany, participated in numerous exhibitions in Munich, Cologne, Berlin and Düsseldorf, active in Munich, 1938-44 the Great German Art Exhibition in the House of German Art in Munich, 1940-45 military service in the Second World War, 1944 destruction of the Munich Art Gallery, 1944 destruction of the Munich Art Gallery. World War II, 1944 destruction of the Munich studio in World War 2. World War II, moved to Ammersee in 1946, moved to Augsburg in 1948, travelled to Italy, Spain, Greece and Morocco, member of the Reichsverband Bildender Künstler Deutschlands, the Münchner Künstlergenossenschaft and the Neue Münchner Künstler-Genossenschaft, sources: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Munich Academy register, Bruckmann "Münchner Maler des 19./20. Jh." and Internet.

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