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EX - FRENCH COLONIES - in two large 64-page deluxe binders, Leuchtturm, collection of several thousand stamps and souvenir sheets. Strong catalog.

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EX - FRENCH COLONIES - in two large 64-page deluxe binders, Leuchtturm, collection of several thousand stamps and souvenir sheets. Strong catalog.

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[Balzac et ses amis] Lot of 8 books: A Augustin-Thierry, La princesse Belgiojoso. Paris, Plon, 1926. Fair condition. Mme Surville, Le compagnon du foyer. Stuttgart, Hallberger, 1855. Half basane, spines split. Ruxton, La dilecta de Balzac. Paris, Plon, 1909. Half-chagrin. Boschot, La jeunesse d'Hector Berlioz. Paris, Plon, 1906. Half-maroquin with corners, gilt head. Pizzagalli, L'Amica Clara Maffei e il suo salotto nel Risorgimento. Milan, BUR, 2004. Hommage à George Sand, revue de l'Académie du Centre, 1975. Echinard et Jessula, Léon Gozlan. Collection IMMAJ, 2003. Arrigon, Balzac et la "contessa". Paris, Les portiques, sd. [Balzac et ses amis] Set of 4 books: Bondy, une femme d'esprit en 1830 - madame de Girardin. Lafitte, 1928. EO one of 17 hollande, second paper. Turquan, La duchesse d'Abrantès. Montgredien, 1901. Séché, Delphine Gay. Mercure, 1910. Longhi, L'educazione esemplare - Zulma Carraud un'amica di Balzac scrive per l'infanzia. Schena, 1984. We enclose 6 books. A Hertor Berge, Le commis banquier. Bordeaux, 1856. Rare curiosity. Biré, Houvelles causeries historiques et littéraires, 1927. Excerpt from the volume, only the article on Lovenjoul. Dore Ashton, A fable of Modern Art, Thames and Hudson, 1980. The author quotes Balzac as much as Picasso or Cézanne. Wages and the cost of living in various periods up to 1910. Photocopy of 1911 edition. Guide du voyageur du chemin de fer de Paris à Tours. Photocopy of 1846 edition. Considérations sur l'histoire médicale et statistique du Choléra-Morbus. Photocopy of the 1832 edition. Balzac et son temps, Set of 12 volumes: Burnand, La vie quotidienne en France en 1830. Hachette, 1947. Paperback. Pelletan, De 1815 à nos jours. Charavay-Mantoux-Martin, 1891. Publisher's hardback. La Gorce, Louis Philippe 1830-1848. Plon, 1931. paperback, one of 30 copies on pur fil lafuma. Charassin, Dictionnaire des racines et dérivés de la langue française. Héois, 1842. Half-basane, lacking on spine. Toledano, La vie de famille sous la restauration et la monarchie de juillet. Albin-Michel, 1943. Paperback. Henriot, Les romantiques. Albin-Michel, 1953. Linda Kelly, The young romantics Paris 1827-1837. London, Sidney, Toronto, The Bodley Head, 1976. d'Ariste, La vie et le monde du Boulevard. 1830 - 1870. A dandy: Nestor Roqueplan. Tallandier, 1930. Bory, La Révolution de juillet - 29 juillet 1830. Gallimard, 1972. Paperback. Anquetil, Histoire de France. Jubin, 1829-1831. Volumes 12 to 15, 4 volumes. A.-F. Teulet and Urbain Loiseau, Les Codes. Preceded by Memento de l'étudiant en Droit. Paris, Videcocq, 1840 - In -12 of XXXVI + 815 p. 2-column printing. Bookplate from the library of H. Hottinguer. Half-bound in green calf, smooth spine decorated with gilt fleurons. A good copy. F. Raymond, Dictionnaire Français augmenté d'environ 15000 mots relatifs aux sciences, aux arts, aux métiers, a la médecine, a la chirurgie, pharmacie, chimie etc.. de plus qu'aucun dictionnaire de ce format. Paris, Ladrange, 1837. In-16, 438 p, printed on 2 columns. Armorial bookplate of Louis François Bertrand du Pont d'Aubevoye, comte de Lauberdière, with his motto: "Virtute et Labore". Full tan basane binding, smooth spine with 5 faux-nerfs, spidering on the first cover.

Jacques-Ignace HITTORF (Cologne 1792 - Paris 1867) and Jean-Baptiste LEPERE (Paris 1761-1844) Restoration projects for the Vendôme Column in Paris: view of the Column with projected new restorations and project for the sculpture surmounting the Column. Pen and black ink, watercolor over black pencil lines. Signed, dated "MDCCCXXX", located and captioned at bottom: "This column, erected in 1805 and dedicated to the Grande Armée by Napoleon in memory of the German War ended in III months under his command, was built with bronzes taken from the enemy. Mutilated in 1814, Louis Philippe I, after Paris had regained its freedom in III days on July 27, 28 and 29, 1830, restored and rededicated this monument to the military and civic heroism of the French. This project consists I) In surmounting this monument with a radiant, winged victory holding a palm in one hand and two wreaths in the other, one of laurel leaves offered to the warriors to whom Napoleon dedicated this column, and the other of oak leaves offered to the heroic citizens who made its restoration possible. II) To replace the old Latin inscription "Neapolio - Imp - Aug - Monumentum - Belli - Germanici - Anno - MDCCCV - Trimestri - Spatio - Ductu - Suo - Profligati - Ex - Aere - Captu - Gloriae - Exercitus - Maximi - Dicavit" with an inscription in French, adding the date of the monument's mutilation, the date of the heroism of the citizens of Paris and the date of the new consecration of this glorious trophy. " Restored drawings, restored missing parts and accidents, small stains, horizontal central fold and small tears at edges. 72.5 x 49 cm Best known for his redesign of the Place de la Concorde under Louis-Philippe and the construction of the Gare du Nord, Jacques Hittorf was appointed architect to the City of Paris in 1830. He was the son-in-law of Jean-Baptiste Lepère, with whom he collaborated on several projects, including the Saint-Vincent-de-Paul church and the restoration of the Vendôme column. Erected by Lepère and Gondouin to celebrate the victory of Austerlitz, the sculpture on top of the column, Napoleon as Caesar by Chaudet, was removed in 1814 in favor of the white flag with fleurdelys. On July 8, 1831, Louis-Philippe issued an order for the reinstatement of a sculpture bearing the effigy of Napoleon. The work Napoléon en petit caporal by Charles Émile Seurre was selected in 1833. Our drawing shows that, as early as 1830, Lepère and Hittorff proposed "a radiant, winged Victory" after David, which "once again dedicates this monument to the military and civic heroism of the French", in the context of the Trois Glorieuses of 1830. This is a particularly interesting piece of documentary evidence, highlighting the political stakes involved in the development of Paris. The project was clearly not to be retained, and a few decades later, in 1863, Napoleon III had a copy of the original statue by Chaudet erected in place of Seurre's sculpture, which can still be seen today despite the destruction of the Column under the Paris Commune in 1871. See Alfred Normand and Charles Normand, "La colonne Vendôme", Bulletin de la Société des amis des monuments parisiens, t. 11,? 1897, p. 128-149.