Null Mod. 1908 Brazil, DWM
Cal. 7x57, SN. 8657, matching numbers except for loc…

Descripción

Mod. 1908 Brazil, DWM Cal. 7x57, SN. 8657, matching numbers except for lock. Bright bore. Manufactured by DWM Berlin. Proof 1980. On receiver Brazilian coat of arms with inscription, on the right "Mod. 1908". Complete, original finish. Lock and receiver polished white. Small parts blued. Matching-numbered walnut stock with cleaning rod. Rifle partially with minor storage marks. Length 125 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II +

12228

Mod. 1908 Brazil, DWM Cal. 7x57, SN. 8657, matching numbers except for lock. Bright bore. Manufactured by DWM Berlin. Proof 1980. On receiver Brazilian coat of arms with inscription, on the right "Mod. 1908". Complete, original finish. Lock and receiver polished white. Small parts blued. Matching-numbered walnut stock with cleaning rod. Rifle partially with minor storage marks. Length 125 cm. WBK: Attention - For this gun we will need to obtain an export license for you, based on your import permit (if needed in your country) or through your firearms dealer - more info here Condition: II +

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HENRI CARTIER-BRESSON ( Chanteloup-en-Brie, France, 1908- Céreste, France, 2004). "Farmer", 1950-1959. Gelatin silver. Later print. "To Madame Bardinet en hommage" and blind copyright credit stamp (in margin). Signed in ink. Provenance: Alona Kagan Gallery NY. Measurements: 16 x 23, 5 cm. In this work of great expressiveness we see how a farmer reaches out his hand to someone who is outside the viewer's plane. The scene seems to represent a traditional image, but the artist goes further, not only because it captures a completely ephemeral moment, usual in the artist's production, but also because of the mystery of a character who is part of the scene, but whose identity is not revealed. Henri Cartier-Bresson was a French artist and humanist photographer considered a master of photography and one of the first users of 35 mm film. He pioneered the genre of street photography and considered photography as capturing a decisive moment. His first major reportage trip took him to the Ivory Coast in 1931.Photographs from his many travels quickly found a forum in magazines and exhibitions. He also gained experience in New York with Paul Strand. In the late summer of 1937, before the battle of Belchite, he traveled to Spain with Herbert Kline, former editor of New Theater magazine, and cameraman Jacques Lemare to shoot a documentary on the American Medical Bureau during the Spanish Civil War. They filmed at Villa Paz, the International Brigades hospital in Saelices, not far from Madrid, and on the coast of Valencia to document the recovery of wounded volunteers in the villas of Benicàssim. They also visited the Abraham Lincoln Brigade in Quinto, near Zaragoza, and shot the film With the Abraham Lincoln Brigade in Spain. From 1937 to 1939, Cartier-Bresson was assistant director on three films by Jean Renoir, including The Rules of the Game. In 1940, he spent nearly three years as a prisoner of war in Germany. After it was erroneously assumed that he had died in the war, the Museum of Modern Art in New York dedicated a major "posthumous" retrospective to Cartier-Bresson in 1947. That same year, together with Robert Capa, David Seymour and George Rodger, he founded the Magnum Photos agency in New York with the aim of preserving the rights to the photographers' work.Cartier-Bresson was the first photographer allowed to exhibit at the Louvre in Paris in 1955. His photographs were collected and published in Images à la sauvette (1952, Images in passing), D'une Chine à l'autre (1968, China yesterday and today) and Moscou (1955, Moscow), among others. Cartier-Bresson stopped taking professional photographs in 1972 and devoted himself intensely to the art of drawing. In 1974 he was elected a member of the American Academy of Arts and Sciences. His work is in the collections of the Art Institute of Chicago, the Museum of Modern Art, the International Center of Photography, the Victoria and Albert Museum and the J. Paul Getty Museum.

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Tschudi, Johann Jakob vonReisen durch Südamerika. 5 Bde. Mit 5 (ident.) Holzstich-Titeln, 23 (1 gefalt.) Holzstichtafeln, 10 tls. gefalt. lithogr. Karten u. Plänen, 4 lithogr. Tafeln sowie zahlr. Textholzstichen. Leipzig, Brockhaus, 1866-69. Moderne Lwd. mit goldgepr. RTitel (minimal angestaubt). Amerika Tschudi, Johann Jakob von Reisen durch Südamerika. 5 Bde. Mit 5 (ident.) Holzstich-Titeln, 23 (1 gefalt.) Holzstichtafeln, 10 tls. gefalt. lithogr. Karten u. Plänen, 4 lithogr. Tafeln sowie zahlr. Textholzstichen. Leipzig, Brockhaus, 1866-69. Moderne Lwd. mit goldgepr. RTitel (minimal angestaubt). Erste Ausgabe. - Embacher 288. - Borba de Moreas II.316. - Tschudi (1818-1889), Naturforscher und Reisender, beschreibt die exotische Tierwelt, Begegungen mit Ureinwohnern und Schweizer Auswanderern sowie Diamanten in Brasilien. - Papierbedingt im Blattrand tls. zart gebräunt, tls. etw. braun- u. stockfleckig, Bd. 4 u. 5 etw. wasserrandig bzw. mit schwächer werdendem Feuchtigkeitsfleck im Blattrand u. Innensteg. Insgesamt wohlerhaltene Exemplare mit durchweg filigranen Holzstich Tafeln u. Illustrationen. First edition. 5 vols. With 5 wood engraving titles, 23 wood engr. plates, 10 partly fold. lithogr. maps, 4 lithogr. plates and numerous text wood engravings. Mod. cloth with gilt stamped title to spine (minimally dusted). - Tschudi describes the exotic fauna, encounters with Indians and Suisse immigrants, and Brazil's diamonds. - Due to paper partly delicately browned in margins, partly somewhat brownspotted and foxed, vols. 4 and 5 somewhat waterstained and with fading dampstain in margins and inner margin. Overall well-preserved copies with filigree wood engraved plates and illustrations throughout. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Valorac. 5 - 7 EUR

K.H.Hosaeus /1875-1958) "Burgunderin", Schwarzburger Werkstätten, H-46 cm, 1908, Fuchs blindstamp and mod. No. U7, , left hand finger damaged, otherwise good,

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