Null A Mwana Pwo mask of the Chokwe in Mozambique, 20th century
Carved wooden m…

描述

A Mwana Pwo mask of the Chokwe in Mozambique, 20th century Carved wooden mask of the Chokwe with beautiful wood patina, very decorative example. Expressive face with forehead scarification typical of the tribe. The prominently raised hairstyle merging into a woven hood with thick strands of hair. Perforations along the rim. Minor restorations. Length 22 cm. Condition: II +

8393

A Mwana Pwo mask of the Chokwe in Mozambique, 20th century Carved wooden mask of the Chokwe with beautiful wood patina, very decorative example. Expressive face with forehead scarification typical of the tribe. The prominently raised hairstyle merging into a woven hood with thick strands of hair. Perforations along the rim. Minor restorations. Length 22 cm. Condition: II +

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起始价格 200 CHF

Original-Zeichnung mit Darstellung einer Pekinger Opernmaske für die Figur Zhang Fei. Spätes 19. Jh. Gouache auf Seide. In doppelter floraler Seidenbordüre eingefasst. Maße Zeichnung: 10 x 10 cm, mit Bordüre 29 x 27 cm. Unter Passepartout. China Original-Zeichnung mit Darstellung einer Pekinger Opernmaske für die Figur Zhang Fei. Spätes 19. Jh. Gouache auf Seide. In doppelter floraler Seidenbordüre eingefasst. Maße Zeichnung: 10 x 10 cm, mit Bordüre 29 x 27 cm. Unter Passepartout. Das Aufkommen der Peking-Oper geht auf das Ende des 18. Jahrhunderts zurück und beinhaltete Tanz, Akrobatik und Musik für die Darstellung chinesischer historischer Geschichten und Folklore. Ursprünglich trugen die Darsteller echte Masken, die später durch eine Art Schminke ersetzt wurden, die speziell für jede Figur entworfen wurde. - Zhang Fei (gest. 221 n. Chr.), Rufname Yide, war ein chinesischer Militärgeneral und Politiker, der unter dem Kriegsherrn Liu Bei in der späten Östlichen Han-Dynastie und der frühen Zeit der Drei Reiche in China diente. - Sehr gut erhalten. China - Original drawing depicting a Beijing opera mask for the figure Zhang Fei. Late 19th c. Gouache on silk. Framed in a double floral silk border. Dimensions of drawing: 10 x 10 cm, with border 29 x 27 cm. Under passepartout. - The emergence of Peking opera dates back to the end of the 18th century and included dance, acrobatics and music for the depiction of Chinese historical stories and folklore. Originally, the performers wore real masks, which were later replaced by a type of make-up specially designed for each character. - Zhang Fei (d. 221 AD), surnamed Yide, was a Chinese military general and politician who served under the warlord Liu Bei in the late Eastern Han Dynasty and the early Three Kingdoms period in China. - Very well preserved.

起始价格 5 CHF

[LITERATURE] CHAMPNEY - LENOTRE - MILLER - D'ESTE. Romance of the Bourbon Chateaux (1910) - The Dauphin (Louis XVII) the Riddle of the Temple (1922) - Rasputin the Holy Devil (1928) - A Study of the Renaissance (1904). In-8 format, publisher's boards / dust jacket, gilt-edged head boards. Numerous black illustrations in / out of text. Good condition.

估价 1 200 - 1 500 EUR

[South America]. The Costume of the inhabitants of Peru. London, Edington, sd [c. 1805]. In-4 with [1] f. engraved title and 19 plates of costumes stippled and carefully watercolored at the time. Contemporary vellum-style ivory paper spine boards, engraved title label glued to front board. A few minor flaws to the boards, a few small freckles. Some plates show a very slight trace of numbering. Indian representation of the costumes of the Ynca and his Queen ; A Lady of Lima in fer full dress ; Male inhabitant of Lima in the middle class of society ; A Female of Lima of the middle class of society ; Indians Male and Female in Costumes of Festivity ; Female Domestic of Lima of the Class of Quarterons ; Two Female Domestics of Lima, Natives,who have adopted the Spanish dress ; Civilized Indian wearing the Poncho ; Virgin of the Sun ; A Mestizo of Quito professing a liberal art accompanied by his pupil ; Mulattoes of Quito ; Female Indian, habited as the Minerva of Peru ; Female warrior of the Yurimagua Tribe ; Indian Warrior belonging to a barbarous Tribe ; Fighter at a Bull Feast ; Bozal, or Raw-Negro, residing in the district of Lima ; Indian woman of a village, near Lima ; Overseer of a Royal Peruvian Mine ; Llamas or Peruvian sheep. Very rare suite of plates of Peruvian costumes, reprinted from Joseph Skinner's "The present state of Peru...", London, Richard Philipps, 1805. An identical suite was published for Wallis and Edington, dated 1816 (6 copies in public collections, mainly in the United States). (Colas 2751.)

估价 2 000 - 4 000 EUR

An Isoko Mask Mask Isoko, Nigeria Mit Sockel / with base Wood, rattan. H 38 cm. Provenance: - Thierry Santos, Paris. - Galerie Alain & Abla Lecomte, Paris. - 2006: Private collection in French-speaking Switzerland. A certificate from the Galerie Lecomte (2006) will be given to the buyer. Unsold at Sotheby's Paris (09.04.2022, "Living Contemporary", lot 14) with an estimate of € 5'000-7'000. An identical (?) mask is described by Philip M. Peek in "For Spirits and Kings - African art from the Paul and Ruth Tishman Collection" as follows: 82. MASK FOR ERESE FESTIVAL Nigeria, Igbo-Isoko, Bendel State, Ase village Wood, raffa, cowrie sbells, brass tacks, H. 11¾ in. (29.8 cm.) 1940-60? This mask is virtually identical to one of three headdresses recorded in Ase, Bendel State, Nigeria, in 1971 (see fig. 30). The three are owned by Odiri, priest of Onye-uku-Ekukeni, the major clan deity for warfare. Fach mask is topped by a joined pair of unidentified animals further honoring the deity. Worn by masqueraders covered with feathers and colorful head scarves, such headdresses are the focus of the Erese festival celebrated each March to cleanse the town before other festivals can be held. This ceremony is properly known as Erese Okpokponso (from the Isoko kpo, "go," and Igbo nso, "forbidden," or "to move/drive away forbidden things"). The combination of Isoko and Igbo terms reflects Ase's complex history. The ancestors of Ase's founders left Benin centuries ago and gradually, over many generations, moved down the Niger River. Reaching the junction of the Niger and Ase rivers, two brothers went up the Ase and settled. The senior brother soon left to find what was to become the Isoko town of Aviara. For years Ase remained "junior" to Aviara, but later became affiliated with the powerful Ndosimili Igbo town of Abo. Ase now considers itself completely Igbo. A further reflection of the difficulty in tracing the origins of Niger delta and riverain communities is that Ekukeni quarter, where the creators of the Erese festival live, was settled by migrants from Erohwa, an ancient clan now linked to the Isoko but predating even the Ijo in the western Niger delta. Further reading: Vogel, Susan / Translations and additional research by Kate EZRA (1981). For Spirits and Kings. African art from the Paul and Ruth Tishman Collection. New York: The Metropolitan Museum of Art. Page 143 CHF 2 000 / 4 000 Weight in grams: 1884 Condition: The condition (wear, eventual cracks, tear, other imperfections and the effects of aging etc. if applicable) of this lot is as visible on the multiple photos we have uploaded for your documentation. Please feel free to contact Hammer Auktionen for all questions you might have regarding this lot ([email protected]). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Hammer Auctions shall have no responsibility for any error or omission. In the rare event that the item did not conform to the lot description in the sale, Hammer Auktionen is here to help. Buyers may return the item for a full refund provided you notify Hammer Auktionen within 5 days of receiving the item. -------------------------------- The condition (possible wear, signs of use, cracks, possible other damage and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

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