Null MARIANO ALONSO-PEREZ VILLAGROSA Zaragoza (1857) / Madrid (1930) "Elegant fi…

Description

MARIANO ALONSO-PEREZ VILLAGROSA Zaragoza (1857) / Madrid (1930) "Elegant figures seated in a park", 1891 Oil on panel Signed, dated and located in Paris in the lower right corner. Measurements: 27 x 21.5

716

MARIANO ALONSO-PEREZ VILLAGROSA Zaragoza (1857) / Madrid (1930) "Elegant figures seated in a park", 1891 Oil on panel Signed, dated and located in Paris in the lower right corner. Measurements: 27 x 21.5

Auction is over for this lot. See the results

You may also like

Estim. 700 - 800 EUR

America - PENA Y MONTENEGRO (Alonso de la). Itinerario para parrocos de Indios, en que se tratan las materias mas particulares tocantes a ellos para su buena administracion (...). Nueva edicion, purgada de muchisimos hierros. Madrid, Pedro Marin, 1771. Fort vol. in-folio, [16] ff. n. ch. (title, exhortation, table of chapters, letters from popes and Catholic monarchs), 612 pp. text on two columns, speckled tan basane, ornate ribbed spine, red title page, red edges (period binding). Boards very rubbed, one corner missing, traces of moisture at the end of the volume. The first edition of this comprehensive apostolic manual, specific to the Amerindian populations, was published in 1668. This is the seventh and final edition. It is the fruit of the pastoral experience of Alonso de La Pena Rivas y Montenegro (1596-1687), born in Galicia, but bishop of Quito from 1653 to his death. The work was written at the express request of the cabildos of Quito, Popayan and Guayaquil. (Palau, 217 534-III. Sabin 59 624. Leclerc, 1145. The CCF has only one copy of this edition (Quai Branly).

Estim. 700 - 800 EUR

CASTILLO SOLORZANO (Alonso de). La Fouyne de Séville, ou L'Hameçon des bourses. Translated from the Spanish [by Boisrobert]. Paris, Louis Bilaine, 1661. In-8, [2] ff, 592 pp, [1] f. privilege, (page skip without missing pages 384-387). Red morocco, ornate ribbed spine, triple gilt fillet on covers, gilt on marbling, wide inner garland on counterpanes (Brany). Uncommon first French translation of La Garduna de Sevilla, y anzuelo de las bolsas (Madrid, 1642; supposedly earlier editions are bibliographic phantoms). This is the best-known and most popular novel by Alonso Castillo de Solorzano (1584-1648 or 1647). It is unusual in that it combines the two genres of the picaresque novel and the novela cortesana, which are generally quite distinct (Brunet I, 1634; Palau, 48 415). A fine copy in a signed binding by Brany, active in Paris from 1850. Bookplate "In libris curvatus consciens in libris" (sometimes found, but not attributed). Label of Librairie Rouquette, passage Choiseul.

Estim. 4 000 - 4 500 EUR

VICTOR MIRA (Zaragoza, 1949 - Munich, 2003). "Still life". 1986 Oil on canvas Signed in the lower right corner. Titled and dated on the back. Certificate of authenticity issued by Esther Romero Fajardo enclosed. Measurements: 100 x 81 cm. Painter, sculptor, engraver and writer, his training was basically self-taught. When he was eighteen years old he had his first individual exhibition in the gallery N'Art in Zaragoza, which was also the first open-air sculpture exhibition held in that city. Shortly afterwards he moved to Madrid, where he exhibited in 1973 at the Pol Verdié gallery. During his years in the capital he attended the Encuentros de Pamplona, where he met John Cage. Two years later, in 1974, Ana María Canales published her book "Víctor Mira, eres mi pintor preferido" (Victor Mira, you are my favourite painter). In 1975 she travelled to Heidelberg, where she lived for five months, and that same year she published "El libro de las dos hojas". In 1976 he began to work in Germany on his series "Spanische Haltung" and "Manos". After spending some time between Madrid and Germany, in 1977 he settled in Barcelona. There he began his cycle of paintings "Interiores catalanes con tomate", and in 1979 he published his first book of poems, "El bienestar de los demonios". That same year he had his first solo exhibition in Munich, at the Tanit gallery, and the following year he showed his work in the United States, at the George Staempfli gallery in New York. From then on his international career took off, with exhibitions in Germany, the United States, Holland, Switzerland, Sweden, Norway, Colombia, France, Belgium and Austria, while he continued to exhibit regularly in Spain. In 1983 he travelled to the United States for the first time, invited by the Meadows Museum in Dallas, and that same year he worked in the printmaking workshops of the Southern Methodist University in Dallas and spent five months in New York. Also in 1983, in Barcelona, he produced his first series of iron sculptures, "Cultura del arco" and "Mediodías". In 1997 he was invited to participate in the Art Biennale in New York by Amy Chaiklin, and six years later, shortly before his death, he was awarded the prize for the best living Spanish artist at the ARCO Fair. The most recent retrospective exhibition devoted to this artist was held in Düsseldorf, Germany, at the Beck & Eggeling gallery. Works by Mira are held in museums and private collections all over the world, including the Museum of Modern Art in New York, the Museo Nacional Centro de Arte Reina Sofía, the MACBA in Barcelona, the Fine Arts Museums of Vitoria and Zaragoza, the Beulas Foundation in Huesca, and the Museo Colecciones ICO in Madrid, among others.

Estim. 16 000 - 18 000 EUR

ESTEBAN VICENTE PÉREZ (Turégano, Segovia, 1903 - New York, 2001). Untitled, 1967. Ink on paper. Signed. Exhibitions: Madrid, Elvira González Gallery, "Esteban Vicente. Black and white", 17 March - 14 April 2000, page 33 (reprod.). Barcelona, Alejandro Sales Gallery, "Esteban Vicente", November 2006 (reprod.). Measurements: 48 x 70 cm; 70 x 90 cm (frame). Esteban Vicente enters, in 1921, in the School of Fine Arts of San Fernando, in Madrid, with the purpose of training as a sculptor, but soon decides to devote himself to painting. In 1928 he held his first exhibition, after which he went to Paris, where he remained until 1930. He returned to Spain and exhibited in Barcelona and Madrid, and after the outbreak of the Civil War he worked in hiding in the mountains surrounding the capital. However, the same year of 1936 he decides to go to New York, his wife's place of origin. There he exhibited for the first time at the Kleeman Gallery in 1937. Four years later he obtained the American nationality since, having been a supporter of the Republican side, he decided not to return to Spain. He carried out numerous commissions and exhibitions in the following years, and between 1947 and 1947 he was a professor of painting at the University of Puerto Rico. Upon his return to the United States he established a relationship with the nascent New York School, participating in his exhibitions at the Kootz Gallery (1950), the Ninth Street Art Exhibition (1951) and at the Sidney Janis and Egan Galleries. He was a founding member of the New York Studio School, where he taught for thirty-six years. From the eighties onwards his work began to be known in Spain, retrospectives were dedicated to him (Banco Exterior, 1987, and Museo Reina Sofía, 1997) and he was awarded mentions such as the Gold Medal for Merit in Fine Arts (1990) and the Great Cross of Alfonso X the Wise (1999). In 1998 the Esteban Vicente Museum of Contemporary Art was inaugurated in Segovia, where a large part of his work is preserved today. Vicente's works are kept in major contemporary art museums around the world, such as the Metropolitan, the Guggenheim and the MOMA in New York, the Museo Nacional Reina Sofia in Madrid, the Smithsonian in Washington D.C., the Withney Museum of American Art or the Indianapolis Museum of Art, among others.

I pagamenti online sono protetti da Ingenico e le transazioni sono criptate.

Ogni lotto è stato autentificato e sottoposto a perizia da una Casa d’aste.

Consulta l'aiuto o contattaci

Casa d'aste mitica, Drouot è la più grande casa d'aste in Francia. Aperta a tutti, l'istituzione è il luogo ideale per gli amanti dell'arte e della design. La piattaforma di aste online drouot.com vi permette di fare offerte a distanza, in qualsiasi luogo vi troviate, e di accedere al più grande catalogo di arte e oggetti decorativi dell'Europa continentale.

Il gruppo Drouot

CASE D'ASTA CERTIFICATE DROUOT

Contatti

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]

Visite e privatizzazioni