Null Haunzwickl, Josef
(1896-1957). Still life with primroses, books and palm ca…

Descrizione

Haunzwickl, Josef (1896-1957). Still life with primroses, books and palm catkins. Oil on canvas, signed Haunzwickl. 44 x 32 cm. Framed, frame slightly damaged. D

3627

Haunzwickl, Josef (1896-1957). Still life with primroses, books and palm catkins. Oil on canvas, signed Haunzwickl. 44 x 32 cm. Framed, frame slightly damaged. D

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Stima 18 000 - 20 000 EUR

Flemish school, second half of the 17th century. "Orla de flores con Sagrada Familia". Oil on canvas. Relined. Presents restorations. Measurements: 135 x 166 cm; 143 x 176 cm (frame). In this magnificent canvas of baroque period and Flemish school, the typology of the border or floral garland framing a religious scene is taken to the highest pictorial summits. It responds to a genuine compositional type of the Netherlands, from which it was exported to Spain and other countries. The garland of flowers receives the same or even greater attention than the Holy Family housed inside. The still life receives an exquisite treatment, working petal by petal, tulip by tulip, each of the fragrant roses, lilies, carnations, etc.. They form a sensual tapestry that takes on volume thanks to the delicate chromatic handling. The vegetal frame reaches great sumptuousness, competing in prominence with the scene of the Virgin and Child accompanied by St. Joseph. It was common in the most important workshops of Flanders that paintings like this one were carried out under the direction of two masters: one specialized in the floral theme, the other in the religious theme. In the juicy manner of resolving the varied bouquets a dense brushstroke of brilliant pigment has been used. The painter has frozen the moment of maximum maturity of the flower, prior to its decay. The dark background highlights the thickness of the garland and the masterful work of the angelic foreshortenings that support it. The Holy Family represented in the center has a wooden frame that, in turn, is inscribed in the floral border. The double frame is also a genuine solution of the Baroque period, especially in Flanders, in accordance with the development of trompe l'oeil and visual games. In fact, the three biblical characters are endowed with volume, their garments are draped with naturalism, and there seems to be air between Joseph and the Child, so that the inner frame seems to be transformed into a window thanks to the tremendous plastic mastery. Given its quality, this canvas can be compared to the "Madonna with a garland of flowers" by Peter Paul Rubens, preserved in the Haute Pinakothek in Munich.

Base d'asta 200 EUR

Zwyssig, Franz JosefTractatio de theoria descensus et ascensus gravium obliqui eiusque multiplici applicatione proposita (...). Mit gefalt. gestoch. Frontispiz u. 3 gestoch. Tafeln. München, Franz Joseph Thuille, 1765. 5 Bll., 74 S., 11 Bll. 4°. Kt. d. Zt. mit Bronzefirnispapier-Bezug (etw. fleckig u. knickspurig, der Rücken etw. brüchig, teils leicht oxidiert). Zwyssig, Franz Josef Tractatio de theoria descensus et ascensus gravium obliqui eiusque multiplici applicatione proposita (...). Mit gefalt. gestoch. Frontispiz u. 3 gestoch. Tafeln. München, Franz Joseph Thuille, 1765. 5 Bll., 74 S., 11 Bll. 4°. Kt. d. Zt. mit Bronzefirnispapier-Bezug (etw. fleckig u. knickspurig, der Rücken etw. brüchig, teils leicht oxidiert). VD18 14949520. - Dissertationsschrift des Schweizers Franz Josef Zwyssig. Er lehrte an diversen Universitäten in Deutschland und der Schweiz und verfasste versch. philosophische und theologische Traktate. - Mit tls. lose eingelegten Bll. mit hs. Annotationen alter Hand. - Nur vereinzelt etw. knickspurig, insgesamt in sehr guter Erhaltung. With fold. engraved frontispiece and 3 engraved plates. Cont. cardboard binding with bronze varnish paper cover (somewhat stained and creased, the spine is somewhat brittle, partly a bit oxidized). - Dissertation by the Swiss Franz Josef Zwyssig. He taught at different universities in Germany and Switzerland and wrote various philosophical and theological tracts. - With partly loosely inserted ll. with handwritten annotations by old hand. - Only occasionally somewhat creased, altogether in very well preserved condition. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Base d'asta 400 EUR

Florian, Josef12. archy k Velikonocim leta Pane 1929. Mit mehreren Textabbildungen, 1 ganzs. und 5 ill. Tafeln von versch. Künstlern, darunter Karl Schmidt-Rottluff. Textbll. u. Tafeln lose eingelegt in rot bedruckte OVerlagsmape (16 x 12,5 cm) etw. knickspurig, mit kl. Einrissen). Avantgarde - Tschechien - Schmidt-Rotluff, Karl u.a. Florian, Josef 12. archy k Velikonocim leta Pane 1929. Mit mehreren Textabbildungen, 1 ganzs. und 5 ill. Tafeln von versch. Künstlern, darunter Karl Schmidt-Rottluff. Textbll. u. Tafeln lose eingelegt in rot bedruckte OVerlagsmape (16 x 12,5 cm) etw. knickspurig, mit kl. Einrissen). Seltene Mappe mit gesammelten Kurzgeschichten und Gedichten, mit fünf Holzschnittillustrationen von u.a. Karl Schmidt-Rottluff. - Archy war eine von dem tschechischen Schriftsteller, Übersetzer und Verleger Josef Florian herausgegebene Reihe, die zwischen 1926 und 1948 erschien. Die vorliegende, 12. Ausgabe enthält Schriften von Louis Massignon, Miguel de Unamuno y Jugo und W. B. Yeats. - Unaufgeschnittenes Exemplar, papierbedingt etw. gebräunt. Insgesamt wohlerhaltenes Exemplar dieser äußerst seltenen Mappe. With several text illustrations, 1 full-page and 5 ill. plates by various artists, among them Karl Schmidt-Rottluff. Textsheets and plates loosely inserted in original red printed publisher's folder (somewhat creased, with small tears). - Rare portfolio of collected short stories and poems, with five woodcut illustrations by Karl Schmidt-Rottluff and others. - Archy was a series edited by the Czech writer, translator and publisher Josef Florian, published between 1926 and 1948. The present, 12th edition contains writings by Louis Massignon, Miguel de Unamuno y Jugo and W. B. Yeats. - Uncut copy, paper somewhat browned. Overall well preserved copy of this exceptionally rare portfolio. Dieses Werk ist regelbesteuert. Auf den Zuschlagspreis fallen 23,95% Aufgeld sowie auf den Rechnungsendbetrag 7% (Bücher) bzw. 19% Mehrwertsteuer in der Europäischen Union an. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Base d'asta 800 EUR

Holstayn, JosefBlumenstillleben auf Marmortisch. Um 1977. Öl auf Holzplatte. 40,3 x 30,3 cm. Signiert. Gerahmt. - Entlang der Kanten punktuell mit leichtem Farbabrieb. Partiell sehr feines, Craquelé und leichte Oberflächenanschmutzungen. Gefirnisst. Unter UV keine Retuschen erkennbar. Ingesamt gut. Sehr prachtvolles, üppiges Blumenbouquet in leuchtenden Farben, in der Manier der niederländischen Stillleben des 17. Jhds. Blumen Holstayn, Josef Blumenstillleben auf Marmortisch. Um 1977. Öl auf Holzplatte. 40,3 x 30,3 cm. Signiert. Gerahmt. - Entlang der Kanten punktuell mit leichtem Farbabrieb. Partiell sehr feines, Craquelé und leichte Oberflächenanschmutzungen. Gefirnisst. Unter UV keine Retuschen erkennbar. Ingesamt gut. Sehr prachtvolles, üppiges Blumenbouquet in leuchtenden Farben, in der Manier der niederländischen Stillleben des 17. Jhds. Dass Josef Holstayns Gemälde erst in der zweiten Hälfte des 20. Jhds. entstand, vermag zu Bewunderung führen. In der Manier der Neuen Meister der Niederlande, gelingt es Holstayn wie seinen Kollegen im 17. Jhd. nicht nur hyperrealistische Abbildungen von Blumenarrangements zu schaffen, sondern die Blumen in ihrer Vielfalt und Pracht zu konservieren im Moment der Blüte. Holstayn zeigt sein Können in der Varianz der verschiedenen Blumen, bei denen unter anderem rosafarbene Rosen, blaue Hyazynthen und rot und weiß gefiederte Tulpen zu erkennen sind. Ebenfalls der Bildtradition der Niederländer verhaftet, fokussiert sich Holstayn ausschließlich auf die Blumen, hält den Bildhintergrund betont schlicht und deutet lediglich die Vase - hier mit der sehr reizvollen Spiegelung - und den Marmortisch an. In Eleganz entfaltet sich der Charme der Blumen. Oil on wood panel. Signed. Framed. - Light colour abrasion in places along the edges. Partially very fine craquelure and slight surface soiling. Varnished. No retouching visible under UV light. Good overall. Very splendid, opulent bouquet of flowers in bright colours, in the manner of 17th century Dutch still lifes. - The fact that Josef Holstayn's paintings were only created in the second half of the 20th century is cause for admiration. In the manner of the New Masters of the Netherlands, Holstayn, like his colleagues in the 17th century, succeeds not only in creating hyper-realistic depictions of floral arrangements, but also in preserving the flowers in their diversity and splendour, capturing the moment of blossoming. Holstayn shows his skill in the variety of the different flowers, which include pink roses, blue hyacinths and red and white feathered tulips. Also rooted in the pictorial tradition of the Dutch, Holstayn focusses exclusively on the flowers, keeping the background of the picture emphatically simple and only hinting at the vase - here with the very attractive reflection - and the marble table. The charm of the flowers unfolds in elegance.

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