Null Dexel,Walter
(1890 Munich - 1973 Brunswick) White cross. Color silkscreen. …

Description

Dexel,Walter (1890 Munich - 1973 Brunswick) White cross. Color silkscreen. 37.5 x 35 cm. Signed - Ex. 128 of 130 - Color losses and minor pressure marks. ╔Including:╗ Poster for the exhib. Walter Dexel. Kunstverein Braunschweig e.V. Haus Salve Hospes, 1970. approx. 86 x 61.5 cm. Slight creases upper left, small marginal tears. D

3377

Dexel,Walter (1890 Munich - 1973 Brunswick) White cross. Color silkscreen. 37.5 x 35 cm. Signed - Ex. 128 of 130 - Color losses and minor pressure marks. ╔Including:╗ Poster for the exhib. Walter Dexel. Kunstverein Braunschweig e.V. Haus Salve Hospes, 1970. approx. 86 x 61.5 cm. Slight creases upper left, small marginal tears. D

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Der Sturm. An Walter Dexel adressierte Postkarte mit lithographierter Illustration. 1921. 10 x 15 cm. Expressionismus Der Sturm. An Walter Dexel adressierte Postkarte mit lithographierter Illustration. 1921. 10 x 15 cm. Adressiert an den Künstler Walter Dexel in Jena. Verso mit gedruckter Ankündigung des Programms von Juni/Juli 1921. - Gelaufen. Poststempel verso leicht durchschlagend. Kurzer Einriss im rechten Rand. Etwas gebräunt, minimal knickspurig. Insgesamt sehr gut. Überaus selten. Expressionism - Postcard addressed to the artist Walter Dexel with lithographed illustration. - With printed announcement of the programme from June/July 1921 on verso. - Mailed. Mail stamps slightly visible on verso. Short tear in right margin. Somewhat browned, minimally creased. Overall very good. Extremely rare. 600

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Richard GUINO (1890-1973) Sleeping Baby, 11.1922 Sanguine signed and dated lower right. 26 x 20 cm

Estim. 20 - 30 EUR

Collection Literature Brunswick consisting of 1) Home Chronicle of the City of Brunswick, 2) Map of the Free State of Brunswick, 3) The Picture Guide of Brunswick from a Bird's Eye View, 4) Brunswick Picture Folder Art Prints 1945, 5) Ravenstein's Transport, Cycle and Automobile Map of Greater Hamburg and Schleswig-Holstein, format max. 4°, various signs of age and study.

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Kunz Meyer-Waldeck, Mystisches Seeufer summer scene by a clear forest pond in a rocky landscape, in front of a cave on the shore a boyish faun gazes at the play of two mermaids in the deep emerald green lake, glazed, partly slightly impasto myth painting with very beautiful light and finely tuned colours, oil on canvas, c. 1900, signed and inscribed "Kunz Meyer München" at lower left, fragmentary label on the reverse of the stretcher with mostly illegible handwritten additions "... Establishment and dispatch centre for works of art ... Name of the artist Kunz Meyer ..." as well as the brand stamp "Gallerie [sic.] Arthur v. Franquet (mit Krone und steigendem Braunschweiger Löwen)", provenance: from the estate of the Brunswick manufacturer, art collector and patron Paul Friedrich Arthur von Franquet (1854 Brunswick to 1931 Brunswick), who was a friend of Edvard Munch, among others, and supported him with numerous purchases, minor craquelure, restored, framed in Art Nouveau gilt stucco moulding, folded dimensions approx. 88.5 x 61 cm. Artist information: actually Conradin Karl Ferdinand Meyer, called Kunz Meyer and signed as "Meyer-Waldeck" from 1914, Baltic German painter, illustrator, sculptor and pedagogue (1859 Mitau/Kurland until 1953 at Schloss Neuburg/Inn), childhood in St. Petersburg, 1874 moved to St. Petersburg, 1874 moved to Neuburg/Inn. Petersburg, moved to Heidelberg in 1874, later a pupil at Gotha grammar school until 1879, studied at the Munich Academy under Alexander Strähuber and Johann Leonhard Raab from 1879-87 and was a master student of Wilhelm von Lindenschmit the Younger, travelled through Italy in 1885-86, freelance in Munich from 1888, worked in Bremen from 1891-92, spent time in Portugal in the 1890s, director of the Texas Art League's art school in Dallas from 1908-10, returned to Germany in 1910 and was appointed royal professor, exhibited at the world exhibitions in Amsterdam and St. Louis as well as the 1888-1931 exhibitions in Amsterdam and St. Louis. Louis as well as the exhibitions in the Munich Glaspalast from 1888 to 1931 and the Great German Art Exhibition in the House of German Art in Munich in 1937, received various honours, such as the Munich Gold Medal in 1895, the bronze medal at the World Exhibition in St. Louis in 1904, the Bavarian Order of St. Michael 4th Class, the Bavarian Order of St. Michael 4th Class and the Bavarian Order of St. Michael 4th Class. Michaelsorden 4th class, the Knight's Cross 1st class of the Saxon Albrecht Order, the Knight's Cross of the Order of Orange-Nassau and in 1917 the Great Golden State Medal Salzburg, member of the Luitpold Group and the Munich Artists' Co-operative, active in Munich, sources: Thieme-Becker, Vollmer, Dressler, Boetticher, register of the Munich Academy, Bruckmann "Münchner Maler des 19./20. Jh.", Saur and Internet.

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