Null Neapel.
Warlike contrafact of the mountain Vesuvius, and of the same fire t…

Description

Neapel. Warlike contrafact of the mountain Vesuvius, and of the same fire together with the surrounding occasion. Vesuvius mons Neapoleos. Copperplate engraving by M. Merian n. J. Sandrart, 1633, from: Theatrum Europaeum. 4°.

2993

Neapel. Warlike contrafact of the mountain Vesuvius, and of the same fire together with the surrounding occasion. Vesuvius mons Neapoleos. Copperplate engraving by M. Merian n. J. Sandrart, 1633, from: Theatrum Europaeum. 4°.

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Starting price 2600 EUR

I. DUVIVIER (1758-1832), Temple of Venus near Baiae, Watercolor Ignace Duvivier (1758 Rians (Var) / Marseille - 1832 Paris): Ruin of the Temple of Venus at Baiae in the Bay of Naples, 19th century, Watercolor Technique: Watercolor and Pen drawing on Paper, mounted on Paper Inscription: At the lower part inscribed by the artist's hand: "Vue du temple de Serpis près de Naples“ und „Temple de Diana". numbered: "6.", "68)" und "105". Date: 19th century Description: View showing the part of the Roman thermal complex of Baiae known as the "Temple" with the cliffs on the left and the sea and mountains on the right in the background. Provenance: Sammlung Ritter von Pfeiffer, Wien; Boerner, Leipzig, 1914 Keywords: Italy, Naples, Baia, Baiae, Therme, Temple, Venus, Roman, Watercolour, Ruin, Drawing, France, 19th century, Romanticism, Landscape, Italy, Size: Paper: 25,7 cm x 41,6 cm (10,1 x 16,4 in)

Starting price 250 EUR

V. ALOJA (19th) after FERGOLA (*1768), Grabmal auf Scodillo Hill, 1806, Etching Vincenzo Aloja (19th century) after Luigi Fergola (1768 - 1834 ): View of an ancient tomb on the Collina dello Scodillo near Naples, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Luigi Fergola dis. dal vero / Vincenzo Aloja incise". At the lower part inscribed in the printing plate: "Veduta di un Sepolcro antico sopra la Collina dello Scodillo a Napoli [...] In Napoli presso Nicola Gervasi al Gigante di Palazzo No. 23". Date: 1806 Description: This engraving shows an ancient burial site in an idyllic landscape near Naples. Individual figures and a dog enliven the scene, while mountain contours and a tree-lined ruin can be recognised in the background. Source: Raccolta di [...] Vedute dell'Citta e Regno di Napoli dipinte da Filippo Hackert, Carlo Grasso, Luigi Fergola etc. incise da Vincenzo Aloja, 1806 | print suite, Landscape, Architecture Keywords: Campania; Naples; Vesuvius; engraving; antique; tomb; landscape; figures; dog; mountains; trees; ruin; idyll, 19th century, Romanticism, Architecture, Italy, Size: Paper: 31,1 cm x 41,9 cm (12,2 x 16,5 in), Plate: 21,9 cm x 29,8 cm (8,6 x 11,7 in), Depiction: 17,2 cm x 26,0 cm (6,8 x 10,2 in)

Starting price 400 EUR

G. DURA (1805-1878), Ascent to Vesuvius, around 1857, Lithography Gaetano Dura (1805 Cassano Jonio (Cosenza) - 1878 Naples): Ascent to Vesuvius, c. 1857, Lithography Technique: Hand colored Lithography on Paper Inscription: Middle right signed in the printing plate: "Gae Dura". At the lower part inscribed in the printing plate: "Lit. Gatti e Dura / Salita al Vesuvio". Unknown collection stamp on verso Date: c. 1857 Description: After Gaetano Dura and the lithographer Federico Gatti published the album Tarantella. Ballo napoletano, in which the exact sequence of the famous dance is depicted, the collaboration between the two intensified in 1835 with the founding of a joint lithography studio, which was soon to become one of the most important graphic institutions in Naples. Dura had made a name for himself particularly with portrait and landscape lithographs, but was also not averse to humour, as the theatre texts and comedies he wrote prove. Our caricature shows that he also knew how to give form to pictorial humour. At the same time, the sheet is a fine cultural-historical document, as it clearly shows how much Vesuvius had become an everyday tourist destination. Little has remained of the majestic grandeur of the 'mountain of fire'. The ascent has become a business. The ascent is still arduous, but the 'weight' of the effort has shifted. Keywords: Italy, satire, caricature, mountaineering, mountains, fashion, costume, Italian, volcano, Naples, 19th century, Romanticism, Caricature, Italy, Size: Paper: 18,2 cm x 23,1 cm (7,2 x 9,1 in), additional specification: 18.2 x 23.1 cm

Starting price 450 EUR

Unknown (19th), Eruption of Mount Vesuvius, 26 April 1872, 1872, albumen paper print Unknown (19th century): Eruption of Mount Vesuvius, 26 April 1872 with spectacular ash clouds in the sky, 1872, albumen paper print Technique: albumen paper print Inscription: Lower right inscribed in the printing plate: "Napoli, Eruzione 26 Aprile 1872 Ore b 1/2[?]". lower left numbered in the printing plate: "83.". Date: 1872 Description: The sepia-coloured image documents spectacular volcanic activity viewed from the opposite shore in Naples. Extensive clouds of ash rise above a calm stretch of water. Keywords: Volcano; Volcanic eruption; Eruption; Ash cloud; Mountain; Historical; Waters; Natural spectacle; Documentation; Observation point; Smoke; Sky; Atmosphere; Cultural archive; Eruption of Vesuvius 1872, 19th century, Realism, Landscape, Italy, Size: Albumen paper: 19,5 cm x 26,0 cm (7,7 x 10,2 in)

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