Beschreibung
Thulden,T.van. Les travaux d'Ulisse desseignez par le Sieur de Saint Martin, de la facon qu'ils se voyent dans la maison royalle de Fontaine-bleau. Paris, F. L'Anglois (c. 1640). Gr.fol. With 58 copper plates. 2 pp. 19th century cloth (somewhat rubbed and worn, binding bands missing). Thieme/B. XXXIII, 110 - The French title with the imprint variant. Printed title with the imprint variant as in Hollstein VI, but without date (only "1640" added by old hand in ink), plate I without a publisher's address (Hollstein 39, IV [of IV]). - Later impression of the series first published in 1632: "After the lost frescoes by Primaticcio and Niccolo dell'Abate in Fontainebleau" (Hollstein III, 37). - The Flemish engraver Theodor van Thulden (1606-69) was a pupil of Rubens and became a freemaster of the Guild of St. Luke in 1626. - All sheets trimmed (advertissement) with loss of the typographic border; the plates mostly with a small margin of about half a centimeter first mounted on backing sheets and these then on large-format boards. Slightly browned and somewhat foxed in places. - With 58 copper plates. Cloth of the 19th century (somewhat rubbed and bumped, ties missing). All sheets trimmed, plates mounted, in places slightly browned and with somewhat foxing.
1126
Thulden,T.van. Les travaux d'Ulisse desseignez par le Sieur de Saint Martin, de la facon qu'ils se voyent dans la maison royalle de Fontaine-bleau. Paris, F. L'Anglois (c. 1640). Gr.fol. With 58 copper plates. 2 pp. 19th century cloth (somewhat rubbed and worn, binding bands missing). Thieme/B. XXXIII, 110 - The French title with the imprint variant. Printed title with the imprint variant as in Hollstein VI, but without date (only "1640" added by old hand in ink), plate I without a publisher's address (Hollstein 39, IV [of IV]). - Later impression of the series first published in 1632: "After the lost frescoes by Primaticcio and Niccolo dell'Abate in Fontainebleau" (Hollstein III, 37). - The Flemish engraver Theodor van Thulden (1606-69) was a pupil of Rubens and became a freemaster of the Guild of St. Luke in 1626. - All sheets trimmed (advertissement) with loss of the typographic border; the plates mostly with a small margin of about half a centimeter first mounted on backing sheets and these then on large-format boards. Slightly browned and somewhat foxed in places. - With 58 copper plates. Cloth of the 19th century (somewhat rubbed and bumped, ties missing). All sheets trimmed, plates mounted, in places slightly browned and with somewhat foxing.
Dies könnte Ihnen auch gefallen
