Null Rückgänge
Auction 133, available lots 791, 1028, 1067, 1131, 1162.

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Rückgänge Auction 133, available lots 791, 1028, 1067, 1131, 1162.

567

Rückgänge Auction 133, available lots 791, 1028, 1067, 1131, 1162.

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估价 12 000 EUR

Italian coins FLORENCE Cosimo I (1537-1574) Plate 1570 - MIR 166/1 (indicated R/4) AG (g 32.12) RRRR Cosimo I, son of Giovanni dalle Bande Nere, the most famous leader of the Italian Renaissance became Duke of Tuscany in 1537. Of very resolute character (niece of Caterina Sforza of Pesaro, considered one of the most energetic women in history) he developed political relationships to ensure prosperity for the city's fortunes, eliminating all possible resistance. Close to Charles V of Spain, she granted favors to the Spanish occupants of part of her lands. Intransigent as governor of the Duchy, he restricted many freedoms within the city walls, and was at the same time an architect of improvements in agriculture and commerce, ambitious in his urban program and a patron of the arts; the beauty of his coins is an example. In 1555 he created a great Medici State with the subjugation of Siena. Pius V recognized him as Grand Duke in 1570. Decisive was the role of the fleet he created in 1550 in the naval battle of Lepanto in 1571. The coinage on this coin is by Pietro Paolo Galeotti successor to Benvenuto Cellini. Of exceptional quality for this vintage of the greatest rarity. Undoubtedly the best known exemple of the very few that have appeared. To date , the best specimen, of the only 2 we found, turned out to be the one in the 2024 CNG Triton XXVII auction, lot 10 64, in "good BB" conservation. The date 1570 is extremely rare. Incidentally, this specimen presents a curious paeticular having the duke's neck longer than usual constituting a precise variant that, from our research, never appeared in public sale. This specimen is also of particular value for its preservation with a delicate patina on which intact reliefs stand out. The specimen illustrated in the MIR is of much lower quality. A plate from 1573, thus far less rare, and in similar conservation to this one in NAC auction 122, lot 133, realized as much as 19,000 euros plus fees - SPL+

估价 12 000 EUR

Savoy Victor Emmanuel III (1900-1946) Draft 20 Lire coin (1927) - Luppino PP 133 AG RRR Extremely rare coin, in an exceptional state of preservation enhanced by a wonderful patina. Top Pop , best NGC certified specimen, in slab MS65 no. 6635661-002. In Genevensis auction 10 of 2018, lot 321, a PCGS MS65 slab specimen, realized CHF 18,000 (€16,000 at that time) + fees - MS65

估价 20 000 - 25 000 EUR

FRANCIS BACON (Dublin, 1909- Madrid, 1992). "Three studies for a self-portrait". Lithograph on Arches paper, E.A. copy. Signed and justified by hand. Work acquired at the Coskun Gallery in London in 2008. Size: 52 x 94 cm; 79 x 121 cm (frame). Francis Bacon is the author of some of the most striking and unprecedented paintings in contemporary art. His style, obsessive, tormented and heartbreaking, is a clear document of the hardship experienced in Europe after the Second World War. His works are currently fetching stratospheric sums at international auctions, making him one of the most sought-after artists on the art market today. A reflection of this is the triptych "Three Studies by Lucian Freud (1969)", which in 2013 reached a record sale price of 142 million dollars at public auction, making it one of the three most expensive works in history. Some of his works can be seen in the world's most important art galleries, such as the Tate Britain in London (which has one of the artist's most extensive collections), the MET and the Moma in New York, the Museo Thyssen-Bornemisza and the Museo Reina Sofía. "Three Studies for a Self-Portrait" emphatically defines what Bacon's art was all about. Decomposed, isolated, disturbing and spiritual figures that, far from seeking a specific resemblance to the person depicted, delve into the spirituality of the sitter. Here we see the abstraction, fragmentation and distortion of the painter's face, a key aspect in Bacon's artistic development, a consequence of the life events that made his existence a fervent time bomb about to explode. Through his work he expresses his vital condition, which is also linked to his self-destructive side, thus managing to express loneliness, violence and degradation. Born in Dublin, although of English parents, Francis Bacon began painting as a self-taught artist. When he was only 17, in 1927, the Paul Rosemberg gallery opened its doors to the painter. There he became acquainted with the work of Pablo Picasso, an artist he would admire throughout his career. Like Picasso, other painters made an impression on Bacon's work: Velázquez (whose version of Pope Innocent X he painted, producing at least 40 "popes") and Nicolas Poussin, whose "The Massacre of the Innocents", now in the Musée Condé, aroused intense emotion in him. In 1945 he exhibited in London, together with the English artists Henry Moore and Graham Sutherland, his painting Three Studies for Figures at the Foot of a Crucifixion (c. 1944), a triptych which, according to Bacon himself, marked the starting point of his career. By 1945 Bacon had developed his own unmistakable style. In 1949 the Museum of Modern Art in New York (MOMA) bought an impressive work by Bacon entitled Painting 1946. In 1956 he was invited to represent Britain at the Venice Biennale alongside Ben Nicholson and Lucian Freud. With his work, Bacon decided that the subject of his paintings would be both life in death and death in life. He sought to express his vital condition, which was also linked to his self-destructive side. Michel Leiris suggested to him that masochism, sadism and similar manifestations were really just ways of feeling more human. Portraits and self-portraits constitute an important part of Bacon's paintings, among them George Dyer in a Mirror of 1968, a work in which the painter suggests the vulnerability and fragility of the self. Bacon made portraits without poses taken from life, developed from photographs. He portrayed his intimate companions and friends as well as famous people: Peter Lacy, George Dyer and John Edwards, Henrietta Moraes, Isabel Rawsthorne, Muriel Belcher, Lucian Freud, Peter Beard and Michel Leiris, as well as Hitler, Pius XII and Mick Jagger. Some of his works can be seen in the most important art galleries in the world, such as the Tate Britain in London (which has one of the artist's most extensive collections), the MET and the Moma in New York, the Museo Thyssen-Bornemisza and the Muse

估价 2 000 - 2 200 EUR

Josep Serrasanta (Buenos Aires, Argentina, 1916-Valldoreix, Barcelona, 1998) Rest. Oil on canvas. Signed. 88 x 133 cm. Presents restoration.

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