* Plateau à décor d'animaux An epigraphic brass tray with ducks figures, possibl…
Description

* Plateau à décor d'animaux

An epigraphic brass tray with ducks figures, possibly Jazira, Iraq or Mamluk Syria, 14th century Probably Jazira, Mamluk Iraq or Syria, 14th century Circular and shallow, with a short, poly-lobed marli, the center formerly inlaid with silver, engraved with a central medallion animated with interlacing encircled by a frieze of ducks also repeated on the outer rim and between thuluth epigraphic cartouches. Condition: wear Diameter: 52 cm Provenance : Public sale, United Kingdom. This lot is sold as a temporary import. Inscriptions : al-'izz wa'l-iqbal dama wa'l-baqa laka ayyuha / al-mawla al-kabir al-sha'n wa'l-majd wa'l-nasr al-mujaddad / khalid al-'alaka ya dha'l-fadl wa'l-ihsan 'izz yadum May glory and prosperity be eternal and may life be long for you, Lord of authority and greatness, and may victory be renewed, may your superiority be eternal, O possessor of excellence and generosity. May glory be eternal. 'May glory and prosperity be eternal and long life for you, O Lord of great authority and grandeur and [may there be] renewed victory, [may] your superiority be everlasting, O possesseor of excellence and generosity. May glory be ever-lasting.' An epigraphic brass tray with ducks figures, possibly Jazira, Iraq or Mamluk Syria, 14th century

* Plateau à décor d'animaux

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Mamluk candlestick, Egypt or Syria, mid-14th century Candlestick with truncated-conical body, concave shoulder and cylindrical neck in hammered copper alloy with repoussé decoration, engraved and partly inlaid with silver and black paste. The body features a monumental Arabic inscription in Thuluth calligraphy, a series of praises to an unnamed owner or sponsor: "The great universal prince, the just, [al-ghânim / the winner], the fighter, the supporter [of Islam], the most high master". On the shoulder, several friezes of engraved leafy foliage and on the neck, several circular medallions alternating a decoration of a palmiped surmounted by a bird of prey with outstretched wings and a decoration of a lotus flower in full bloom. The neck is surmounted by a later truncated cone-shaped spout engraved with decorative friezes. Height: 20.5 cm; base diameter: 21.4 cm Subsequent replacement of the bobèche, numerous inlay breaks, accident at the top of the neck, stains and traces of oxidation. This candlestick, which retains many remnants of silver inlay, is a fine example of 14th-century Mamluk production. Its shape and technique of manufacture and decoration are characteristic of objects produced in the copper workshops of Cairo or Damascus during this brilliant sultanate. In addition to the graceful Thuluth calligraphy on its body, certain motifs in its decoration allow us to date it to the mid-14th century: such is the case of the lotus on the neck in medallions. This Asian flower made its appearance in Mamluk art during the 14th century, following a peace treaty signed in 1323 between Mamluks and Mongols. In addition, the treatment of scrolls garnished with bifid palmettes spread over the shoulder can be seen on several 14th-century pieces, such as the candlestick bearing the name of Emir Salar in the Musée du Louvre (AA 101) and basin OA 7433 in the same collection. Although the patron of this piece remains anonymous, the series of qualifiers running across the body of the candlestick betrays his high social standing. A Brass Mamluk candlestick, Egypt or Syria, mid-14th century