Null [Appiani]. Longhi. Joseph. Eulogy of the Milanese painter Andrea Appiani. M…

Description

[Appiani]. Longhi. Joseph. Eulogy of the Milanese painter Andrea Appiani. Milan, Bianchi, 19th century. In 2nd (430 x 280 mm). One large full-page engraving. Light blue floppy card binding. Ex libris Cavazzi della Somaglia.

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[Appiani]. Longhi. Joseph. Eulogy of the Milanese painter Andrea Appiani. Milan, Bianchi, 19th century. In 2nd (430 x 280 mm). One large full-page engraving. Light blue floppy card binding. Ex libris Cavazzi della Somaglia.

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Estim. 480 - 720 EUR

Richard Beno Adam, "Carasco" Depiction of a standing horse from the side, graphite and opaque white on slightly greenish cardboard, titled "Carasco/Botond-Cancan" in pencil lower left, signed "Richard B. Adam" and dated "...8. Dec. 1900", mounted on cardboard and stamped "Martin Häuslmair, Spezialgeschäft f. Bildereinrahmung München, Landwehrstr. 17", sheet dimensions approx. 18 x 24 cm. Artist info: German painter and draughtsman. Painter and draughtsman (1873 Munich - 1937 Munich), descended from a Munich family of painters, son of the painter Emil Franz Adam, grandson of the animal painter Benno Adam, initially a pupil of his father, 1887 pupil of Nicolas Gysis, 1888 at the Kunstgewerbeschule München under Sigmund Strähuber and Ludwig von Langenmantel, 1889-92 pupil at Heinrich Knirr's public school, 1892-94 studied under Hermann Baisch at the Karlsruhe Academy, then further training as a horse painter by his father Emil Adam, created numerous works for the European high aristocracy, 1915-18 as a war painter at the headquarters of the German Emperor Wilhelm II., worked in the USA between 1928 and 1931, later appointed professor, member of the Reichsverband bildender Künstler Deutschlands, the Münchner Künstlergenossenschaft, the Münchner Künstlerunterstützungsverein and the Hungarian artists' club Fészek, received numerous honours such as the Prince Regent Luitpold Medal in Silver, the Knight's Cross of the Order of Franz Josef and the Iron Cross 2nd Class, worked in Munich, Budapest and Hungary. Class, active in Munich, Budapest and Bratislava, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Müller-Singer, Bruckmann "Münchner Maler des 19./20. Jh.", AKL and Wikipedia.

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Karl Andrée, Holländisches Kaufmannsinterieur four men in a Dutch interior, engrossed in conversation, glazed genre painting, oil on canvas, around 1970, signed lower right "K. Anfrée", label to the reverse of the stretcher "Karl Andreé Interieur-Maler, geb.: 7. Juli 1929 in Neuenhaus Krs. Bentheim - Schüler von Prof. Rupprecht, Studienreisen in vielen Ländern Europas.", beautifully framed in a gilt stucco frame, dimensions approx. 70 x 60.5 cm. Artist information: also Andree or Andreé, German landscape, animal, still life and genre painter (born 1929 in Neuenhaus in the district of Bentheim), pupil of Prof. Rupprecht, undertook study trips through Europe, source: artist's label.

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BARTOLOMEO PASSANTE Joseph in prison interprets the dreams of Pharaoh's cupbearer and baker Oil on canvas, 95x132 cm The painting depicts Joseph interpreting the dreams of Pharaoh's cupbearer and baker (Genesis 40-42). The former dreamed that he had a vine in front of him from which bunches of grapes were growing, which he squeezed into a cup and then gave the juice to Pharaoh. The chief baker dreamed, on the other hand, that he had three baskets of bread and food for Pharaoh on his head but that birds ate the contents of one basket. It is very rare to find such precise and explicit iconography of this scene. Usually cupbearer and baker have no special attributes. The work, which is of considerable artistic interest, is to be placed in the area of the Brindisi painter - but who lived and died in Naples - Bartolomeo Passante, a pupil of Ribera and close to the mysterious personality of the "Master of the Announcement to the Shepherds" (see entry Passante, Bartolomeo di Stefano Causa, in Dizionario Biografico degli Italiani - Volume 81, Rome, 2014). The painting will have to be the subject of further study. We thank Professor Stefano Causa for the attributive suggestion.

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