Null Gassendi, Pierre. Institutio astronomica juxta hypotheses tam veterum quam …
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Gassendi, Pierre. Institutio astronomica juxta hypotheses tam veterum quam Copernici et Tychonis. Amsterdam, Janssonius van Waesberge, 1680. In 4° (198 x 160 mm); [8], 309, [7] pages. Typographical mark to title page, numerous figures in text, also nearly full-page (large hole and missing text to first ten papers, stain to upper white margin). Coeval binding in hazel-colored leather (restorations, scuffed, missing). Important scientific work by Gassendi in whose honor an asteroid and lunar craterGassendi were named.

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Gassendi, Pierre. Institutio astronomica juxta hypotheses tam veterum quam Copernici et Tychonis. Amsterdam, Janssonius van Waesberge, 1680. In 4° (198 x 160 mm); [8], 309, [7] pages. Typographical mark to title page, numerous figures in text, also nearly full-page (large hole and missing text to first ten papers, stain to upper white margin). Coeval binding in hazel-colored leather (restorations, scuffed, missing). Important scientific work by Gassendi in whose honor an asteroid and lunar craterGassendi were named.

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MiTacq/Les aventures de Tam Tam. Original unpublished cover "Tam Tam fait la guerre". Gouache and India ink circa 1945. Extremely rare historical document. Signed Mitak. TBE. 22 X 28 cm Michel Tacq (1927-1994), known as MiTacq, spent his childhood between Farciennes, where his father had set up a foundry, and Brussels, where he studied at the Institut Sainte-Marie de Schaerbeek. After the Liberation, he attended Saint-Luc in Brussels for six months, but was soon forced to work with his father and two brothers in building decoration and painting to support the family. At the patronage in Farciennes, Michel, who signed his name MiTak, drew and exhibited a weekly plate of a sort of "Tintin" of his own: the young "Tam Tam". José Henin, one of the movement's leaders, published the first two adventures of this still naive character on his presses in 1944 and 1945: "Les Voyages de Tam Tam" and "Tam Tam fait la guerre". The planned third album ("Bataille d'Afrique") never appeared, but in 1946 the apprentice cartoonist discovered another printer - "De Beiaard" Haegeman-Cousy, in Sottegem - who enabled him to relaunch the hero in a pure science-fiction adventure ("Allô... étoile du matin?...") in 1946. In search of work during these lean years, MiTacq placed a few rare illustrations in SPIROU, L'HEBDOMADAIRE DES GRANDS RECITS, the scout publications PLEIN-JEU and CARREFOUR, until he pushed open the door of Georges Troisfontaines' World's Press in 1951. Until 1954, he drew some twenty "Uncle Paul" stories (signed Balou, his totemic name, in the early days, before definitively opting for MiTacq), as well as a variety of illustrations for LA LIBRE JUNIOR and didactic plates for the "Coin du petit curieux". At the same time, he illustrated a "Marabout-Junior" ("Seul maitre à bord", number 3 in the young collection) for his scouting colleague and friend Jean-Jacques Schellens, before planning to launch a comic strip with him, "La Patrouille des Castors". The World's agreed to the principle, but entrusted the script to Jean-Michel Charlier, who would recompose part of the planned small troop and write the first twenty-one episodes for the SPIROU newspaper, from 1955 to 1978. Thereafter, MiTacq continued the series on his own or with scriptwriter friends (Wasterlain, Stoquart) until his death. The complete works of this discreet creator have been compiled in fourteen large volumes entitled "Tout MiTacq", published by Dupuis. A generous crusader for friendship between men of all races, MiTacq belongs to the great classics of comics without frontiers.