Null Ernst Erich Heidemannn (1887-?), German painter, large mid-mountain landsca…
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Ernst Erich Heidemannn (1887-?), German painter, large mid-mountain landscape on the edge of a village with a young mother placing a wreath of flowers on her child, oil on canvas, signed lower left, craquelure, 122 x 87 cm, framed 141 x 105 cm

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Ernst Erich Heidemannn (1887-?), German painter, large mid-mountain landscape on the edge of a village with a young mother placing a wreath of flowers on her child, oil on canvas, signed lower left, craquelure, 122 x 87 cm, framed 141 x 105 cm

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Ribemont-Dessaignes, GeorgesDie Ballade vom Soldaten. Mit 34 Farblithographien, davon 25 blattgroß, und zwei lithographierten Vignetten. Stuttgart, Manus Presse 1974. Lose Doppelblätter in illustriertem Originalumschlag und hellblauer -leinenchemise und -schuber (H. Wennberg, Leonberg). Ernst, Max Ribemont-Dessaignes, Georges Die Ballade vom Soldaten. Mit 34 Farblithographien, davon 25 blattgroß, und zwei lithographierten Vignetten. Stuttgart, Manus Presse 1974. Lose Doppelblätter in illustriertem Originalumschlag und hellblauer -leinenchemise und -schuber (H. Wennberg, Leonberg). Spindler 161.15. - Vgl. Spies/Leppien 218, Brusberg 176 und Lang, Surrealismus 45 (alle die französische Ausgabe) Erste deutsche Ausgabe mit den prachtvoll farbeigen Originallithographien von Max Ernst. - Eins von 199 Exemplaren der deutschen Ausgabe (Gesamtauflage je 217 in deutscher, englischer und französischer Sprache sowie einmalig 98 Suitenausgaben). - Im Druckvermerk von Verfasser und Künstler signiert. - Auf Velin d'Arches. - Druck der Lithographien auf den Pressen von Pierre Chave. - Eines der letzten von Max Ernst geschaffenen Malerbücher mit den eindrucksvollen Farblithographien. - Sauberes und gutes Exemplar. With 34 color lithographs, 25 of which are sheet-sized, and two lithographed vignettes. - First German edition with the splendidly colored original lithographs by Max Ernst. - One of 199 copies of the German edition (total edition of 217 each in German, English and French as well as 98 one-off suite editions). - Signed by author and artist in the printer's note. - On wove paper d'Arches. - Lithographs printed on the presses of Pierre Chave. - One of the last painter's books created by Max Ernst with the impressive color lithographs. - Clean and good copy.

Prof. Erich Heckel, "Der Spaziergang" Father in conversation with his son, in front of a landscape under a radiant sun, catalogue raisonné Dube 317, woodcut, signed and dated "Erich Heckel (19)20" in pencil below the image on the right, paper browned and slightly stained in the lower area, matted and framed behind glass, dimensions approx. 46 x 32 cm. Artist info: important German painter and graphic artist. Painter and graphic artist (1883 Döbeln - 1970 Radolfzell/Bodensee), studied architecture at the Technische Hochschule Dresden from 1904, discontinued his studies in early 1906, worked (until 1907) in a Dresden architectural office and turned to painting and graphic art as an autodidact, 1905 together with Karl Schmidt-Rottluff, Ernst Ludwig Kirchner and Fritz Bleyl founded the artists' group "Brücke" in Dresden, 1907-10 study visits with Schmidt-Rottluff in Dangast, 1909 trip to Italy and studio community with Kirchner in Dresden, 1909-11 summer stays of the Brücke artists at the Moritzburg ponds, 1911 move to Berlin, here 1912 friendship with Lyonel Feininger, Franz Marc and August Macke, 1913 Dissolution of Die Brücke and first solo exhibition with Fritz Gurlitt in Berlin, discovered the small village of Osterholz in the Flensburg Fjord for himself in 1913 and spent the summer and autumn months here until 1943, 1914 with Heinrich Nauen in Dilborn and took part in the Werkbund exhibition in Cologne, 1915-18 military service as a medic, 1918 member of the "Arbeitsrat für Kunst" and member of the Nationalgalerie's acquisition commission, from 1920 regular study trips through Germany, southern France, Italy, England and the Alps, 1931 retrospective at the Kunsthütte Chemnitz, from 1937 exhibition ban and ostracised as "degenerate", at the picture burning on 20.3.In 1939, 1004 paintings and 3825 watercolours and prints by Erich Heckel were destroyed in the courtyard of the Berlin fire station, 1941-43 stay in Carinthia, 1944 destruction of the studio in Berlin by bombing and relocation to Hemmenhofen on Lake Constance, 1949-55 professor at the Karlsruhe Academy, participated in numerous exhibitions, including documenta 1 in Kassel in 1955, member of the Reichsverband Bildender Künstler Deutschlands and the Deutscher Künstlerbund Weimar, source: Thieme-Becker, Vollmer, Dressler and Internet.

Erich Adolf Klauck, Abend am Meer Natural harbour with sailing boats behind rocks by the sea, in the glow of the setting sun, probably motif from the Curonian Spit, pastose expressive, black contouring painting with broad brushstrokes, oil on card, c. 1965, monogrammed "EK" lower right, framing label on the reverse "G. Krohne ... Celle" and more recent information on an exhibition by the artist at the Dümmer-Museum Lembruch, beautifully framed, folded dimensions approx. 69 x 55.5 cm. Artist information: usually only "Erich A. Klauck", known as "Picasso vom Dümmersee", German Expressionist painter (1897 Danzig to 1979 Freistatt), representative of the "Lost Generation", from 1913 pupil of the master class at the Danzig School of Arts and Crafts and student at the Technical University of Danzig, from 1914 war volunteer in the 1st World War with wartime service in, among other places, the Dümmer Museum Lembruch. The experience of this landscape with its powerful colourfulness shaped his artistic development, after the war until 1924 pupil of Fritz Pfuhle in Danzig, from 1925 several painting residencies in the artists' colony Nidden [Nida] on the Curonian Spit, here influenced by Ernst Mollenhauer, Karl Eulenstein and Otto Beyer, from 1941 military service in the 2nd World War in France and France. World War II in France and French captivity, after 1945 as a displaced person temporarily in Upper Bavaria or Vienna, from 1850 active in Hüde am Dümmersee, around 1970 dissolution of the studio and 1971 move to Affinghausen, 1973 move to Freistatt, source: Homepage on the artist, text by Simone Brauns-Bömermann on the 125th anniversary of Klauck's birth and Wikipedia.