Null Odilon REDON (1840-1916)
Portrait of Émile Bernard, 1901
Sanguine on paper
…

Description

Odilon REDON (1840-1916) Portrait of Émile Bernard, 1901 Sanguine on paper Signed, dated and located lower right: "1901, à Émile Bernard en souvenir affectueux Odilon Redon". 37 x 31 cm PROVENANCE : - Former Émile Bernard collection - Clément Altarriba Collection - Private collection, Paris EXHIBITIONS : - Musée du Prieuré, Saint Germain en Laye, Odilon Redon: L'éclatement de l'Impressionnisme, October 1982 - January 1983, catalog no. 76 (label on back) - Städtische Kunsthalle, Mannheim and Van Gogh Museum, Amsterdam, Emile Bernard: A pioneer of Modern art, May-November 1990, catalog no. 33, p.103 - Musée Balore, Nîmes, Émile Bernard, April - September 1993, p.31 - Musée de l'Orangerie, Paris, Émile Bernard, September 2014 - January 2015, catalog no.1, p.48 (label on back) - Städtische Kunsthalle, Mannheim, May 12 - August 5, 1990, Émile Bernard 1848-1941: a pioneer of Modern art, catalog no.33, reproduced p.103 ; - Van Gogh Museum, Amsterdam, August 24 - November 4, 1990, Émile Bernard 1848-1941: a pionner of Modern art, catalog no.33, reproduced p.103 BIBLIOGRAPHY : - LEEMAN Fred, Wildenstein Institute, Émile Bernard, Wildenstein publications / Citadelles-Mazenod, Paris, 2013, p. 323, fig.71

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Odilon REDON (1840-1916) Portrait of Émile Bernard, 1901 Sanguine on paper Signed, dated and located lower right: "1901, à Émile Bernard en souvenir affectueux Odilon Redon". 37 x 31 cm PROVENANCE : - Former Émile Bernard collection - Clément Altarriba Collection - Private collection, Paris EXHIBITIONS : - Musée du Prieuré, Saint Germain en Laye, Odilon Redon: L'éclatement de l'Impressionnisme, October 1982 - January 1983, catalog no. 76 (label on back) - Städtische Kunsthalle, Mannheim and Van Gogh Museum, Amsterdam, Emile Bernard: A pioneer of Modern art, May-November 1990, catalog no. 33, p.103 - Musée Balore, Nîmes, Émile Bernard, April - September 1993, p.31 - Musée de l'Orangerie, Paris, Émile Bernard, September 2014 - January 2015, catalog no.1, p.48 (label on back) - Städtische Kunsthalle, Mannheim, May 12 - August 5, 1990, Émile Bernard 1848-1941: a pioneer of Modern art, catalog no.33, reproduced p.103 ; - Van Gogh Museum, Amsterdam, August 24 - November 4, 1990, Émile Bernard 1848-1941: a pionner of Modern art, catalog no.33, reproduced p.103 BIBLIOGRAPHY : - LEEMAN Fred, Wildenstein Institute, Émile Bernard, Wildenstein publications / Citadelles-Mazenod, Paris, 2013, p. 323, fig.71

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PICARD (Edmond) - REDON (Odilon). Le Juré. Monodrama in five acts. Bruxelles: des presses de Mme Ve Monnom, 1887. - In-4, 283 x 225: frontispiece, (4 ff.), XLVII, 133 pp., (4 ff.), 2 portraits, 6 plates. White overlaid parchment, boards decorated with a double frame of 3 gilt fillets, gilt iron with symbols of justice at corners, gilt plate in center, smooth spine decorated, untrimmed (Claessens). Mellerio 75-81. Rare and highly sought-after first edition, printed in an edition of only 100 copies on special vat Hollande Van Gelder paper. The work opens with two introductory texts printed in black, namely a Lettre sur le Monodrame - in which the author defines Monodrama as a play intended to be read aloud to an audience - and a study entitled Le Fantastique réel. The Monodrama, first read by the author at the Brussels Young Bar Association conference on November 10, 1888, is printed in bistre and gothic type. This edition is sought-after because of its illustrations, made especially for the work, including 7 original lithographic interpretations by Odilon REDON (1840-1916). In addition, there is a self-portrait of the artist, reproduced using the Evely process, and a portrait of the author writing at his desk, reproduced in heliogravure after a composition by Théo Van Rysselberghe. Each plate is printed on japon and includes a captioned serpente. Copy numbered 38, specially printed for Eugène Robert. Preserved in its publisher's binding signed by Claessens. Soiling to binding, 7.5-centimeter split at first board hinge. Ink stains in the margins of pages 58-59. Non-missing tears to some serpents. Transfer of the plates despite the serpents. Provenance: Eugène Robert.

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