Null Schoff, Otto
GAUTIER, Théophile Das Hündchen der Marquise. Mit galanten Rad…

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Schoff, Otto GAUTIER, Théophile Das Hündchen der Marquise. Mit galanten Radierungen von Maler Scheibenberger [Otto Schoff]. [Berlin Fritz Gurlitt 1922] 8vo (occ. light and very marg. spotting). Contemp. three-quarter red shagreen Bradel, gilt title on spine, gilt top edge (some rubbing on head, tail and corners). In red cloth case. Very rare edition of the German translation by H. Eulenberg (1st 1922, in the 4th series "Neue Bilderbücher", ill. by P. Scheurich). Ill. with 19 etchings by Schoff, incl. 1 front. and 6 full-pages, all incl. in the pagination. Unjustified copy on "BSB" watermarked laid paper. Bookseller notice pasted on last endpaper. Ref. Englisch, Irrgarten der Erotik, 265-266.

796

Schoff, Otto GAUTIER, Théophile Das Hündchen der Marquise. Mit galanten Radierungen von Maler Scheibenberger [Otto Schoff]. [Berlin Fritz Gurlitt 1922] 8vo (occ. light and very marg. spotting). Contemp. three-quarter red shagreen Bradel, gilt title on spine, gilt top edge (some rubbing on head, tail and corners). In red cloth case. Very rare edition of the German translation by H. Eulenberg (1st 1922, in the 4th series "Neue Bilderbücher", ill. by P. Scheurich). Ill. with 19 etchings by Schoff, incl. 1 front. and 6 full-pages, all incl. in the pagination. Unjustified copy on "BSB" watermarked laid paper. Bookseller notice pasted on last endpaper. Ref. Englisch, Irrgarten der Erotik, 265-266.

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GAUTIER (Théophile) and LOPEZ (Bernard). Look but don't touch. Comédie de cape et d'épée en trois journées, by MM. Théophile Gautier and Bernard Lopez, first performed in Paris at the Second Théâtre français (Odéon) on October 20, 1847. Paris, Michel Lévy Frères, 1847. In-12, red half-chagrin with corners, double gilt fillets on covers, spine decorated with double gilt fillets, gilt head, cover preserved (period binding). 59 pp. Rare first edition. "This play was never reprinted. The version now performed could not be more different from the original." (Lovenjoul, no. 899). In his bibliography of Gautier's works, Charles de Lovenjoul recounts the vicissitudes after which this play by Lopez, written in collaboration with Gautier, was staged. Bound at the beginning of the book is a handwritten note reproducing passages from Gautier's article in the press of October 25, 1847, in which he recalls the first performance of his play (Lovenjoul, no. 900). A fine copy with the original cover preserved.

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Attributed to Félix TOURNACHON dit NADAR (Paris 1820-1910) Portrait-charge of Théophile Gautier Gouache and varnish watercolor over black pencil lines. Monogrammed lower right and annotated lower left on mount. Folds and stains. 31.6 x 22.8 cm

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