Null PERSIAN GRAMMAR. - IGNATUS. Grammatica linguae persicae. Rome, 1661. In-4, …

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PERSIAN GRAMMAR. - IGNATUS. Grammatica linguae persicae. Rome, 1661. In-4, paperback. VERY RARE ORIGINAL EDITION OF THIS PERSONAL GRAMMARY, ONE OF THE FIRST EVER PRINTED, from the presses of the Congregatio de Propaganda Fide, founded in Rome in 1622. Some browned leaves, inherent to the quality of the paper, blue paper cover.

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PERSIAN GRAMMAR. - IGNATUS. Grammatica linguae persicae. Rome, 1661. In-4, paperback. VERY RARE ORIGINAL EDITION OF THIS PERSONAL GRAMMARY, ONE OF THE FIRST EVER PRINTED, from the presses of the Congregatio de Propaganda Fide, founded in Rome in 1622. Some browned leaves, inherent to the quality of the paper, blue paper cover.

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KIRCHER (Athanasius): Athanasii Kircheri fuldensis Buchonii E soc. Iesu Prodromus coptus sive ægyptiacus. Rome, Sacred Congregation for the Propagation of the Faith, 1636. One volume. 16 by 24 cm. 340 pages. Contemporary full vellum with the arms of Cardinal Lorenzo Magalotti (Fasced Or and Sable on a chief Gules charged with the motto "LIBERTAS" in letters Or.), with double framing and spandrels, ornate spine. Small nibble at bottom of upper board (minor defect), missing laces. Two small traces of light marginal dampening. Very rare foxing. Several leaves browned. Otherwise a very fine copy, in a well-preserved quality binding. First edition of this work on the Coptic language by the German Jesuit Athanasius KIRCHER (1602-1680), with a vignette on the title page bearing the coat of arms of Cardinal Barberini (Bishop of Ferrara), to whom the book is dedicated. KIRCHER was a physicist, mathematician, orientalist, cabalist and philologist. The book is the first published grammar of the Coptic language. It is to Kircher, Champollion would say, that "learned Europe owes in some way the knowledge of the Coptic language." The volume includes numerous passages printed in Coptic, Hebrew, Syriac and Chinese characters. It is illustrated with woodcut figures in the text. Cardinal Lorenzo Magalotti, whose coat of arms adorns the binding, was related to Pope Urban VIII, maffeo Barberini, as his brother Carlo Barberini had married Lorenzo's very devout sister, Costanza. Magalotti was therefore a member of the Barberini family, to whom the book is dedicated. The word LIBERTAS on the chief is very rare in ecclesiastical heraldry, as mottoes are usually placed lower down, on a scroll and below the coat of arms. This exception stems from the Magalotti family's participation in Florence's resistance against Pope Gregory XI, in 1535-1536. As a result of this involvement, the Magalotti coat of arms was enriched with the motto LIBERTAS, which this glorious past later protected, despite what it says about their opposition to the papacy. The blazon on the binding is thus linked to KIRCHER's patron family, the Barberini... Thanks to scholar P. S. for his help with this heraldic research.

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Refutation of two works by Paolo Sarpi on the Pope's temporal power: 1 BELLARMINO (Roberto): Risposta del Card. Bellarmino a due libretti, uno de quali s'intitola Risposta di un Dottore in teologia, ad una lettera serittagli da un Rever. suo amico, sopra il Brevz si Censure dalla Santita di Paolo V publicate contra li Signori Venetiani. Et l'altro trattato, & revolutione sopra la validità delle Scommuniche di Gio. Gersone teologo, & Cancelliere Parisino ; tradotto dalla lingua latina nella volgare con ogni sedeltà, in opusculi due. Roma, Appresso Guglielmo Faciotto, 1606, et restampata in Ferrara, nella Stampa Camerale, 95 pp. followed by 2 BOVIO (Giovanni Antonio): Risposta del P. Maestro Gio. Antonio Bovio da Novara carmelitano alle considerationi del Padre Maestro Paolo da Venetia, sopra le Censure della Santità di Papa Paolo Quinto contra la Republica di Venetia. Roma, Appresso Guglielmo Facciotto, et in Bologna, 1606, 158 pages. 2 works in 1 volume, 10 by 15.3 cm. Muted 19th century covers. Small wetness in the lower margin of the first 10 ff. of the 1st work, otherwise very good condition. Interesting combination of two works refuting the positions of the Venetian Republic, which contested the Pope's temporal power. 1) Ferrara printing, published the same year as the original. Rare. IT \ICCU \UBOE\ 117769. The Republic of Venice commissioned Paolo Sarpi and various theologians, including Marsili, to defend its policies. They published two incendiaries, which Bellarmin refutes in this work, first published in Rome in 1606 and reprinted the same year in the main cities of the Papal States. This Ferrara edition is rare: the ICCU locates only 3 copies. 2) Edition published the same year as the original in-4. IT \ICCU \UBOE\021629. Sarpi also published his considerations on Paul V's censorship, denouncing it. Father Bovio, provincial of the Carmelite order, responded with this work, in which he justifies Venice's excommunication.

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WILLIAM KLEIN (New York, 1926- Paris, 2022) . "Model + Graffiti (photo décor)". Paris (Vogue), 1961. Gelatin silver print. Signed, titled, dated in pencil (on reverse). Provenance: Claudio Poleschi Arte Contemporanea Gallery, San Marino, Italy. Measurements: 39.5 x 30.8 cm (image). William Klein developed an innovative and experimental style in the field of fashion photography, as we see in this photograph he took in Paris in 1961 for Vogue magazine. The woman's dress partially mimics the graffiti wall through a play of light and texture. In contrast, the fine shoes and gold earrings create an interesting visual tension. Klein explores the contrast between the exclusivist glamour of fashion and the rawness of street graffiti using artistic techniques that expand the grammar of fashion photography. In the 1960s, fashion photography was dominated by polished, carefully composed images. Klein broke with these conventions by introducing a sense of spontaneity and realism. His photographic work was influenced by art, urban culture and the language of film (in whose field he also developed). Seeking the fleeting and the authentic, he took photography out of the studio and placed it in real, and often chaotic, settings. William Klein was an American photographer and film director. Although he was born in New York and educated at City College there, Klein's work was primarily in France. He had directed a number of feature films (including the 1966 film "Qui êtes-vous, Polly Maggoo" and the anti-American satire "Mr. Freedom"). In the photographic field, Klein won the Nadar Award in 1956. In 1947, while in the army, he traveled for the first time to Paris and since then lived and worked in this city, with which he fell in love. In 1948 he enrolled at the Sorbonne University, where he was a student of Fernand Léger, among others. His best known works revolve around fashion and street photography, of which he was considered one of the creators and masters. Awards: In 1988 he was awarded the culture prize of the German photography association. In 1990 he received the International Award of the Hasselblad Foundation. In 2005 he received the PhotoEspaña award. Photography books: 1956. Life Is Good & Good for You in New York: Trance witness revels, Éditions su Seul, Paris. 1959. Rome: the City and its People, Feltrinelli, Milan. 1964. Tokyo, Zokeisha Publications, Tokyo. 1964. Moscow, Zokeisha Publications, Tokyo. 1989. Close up, Thames and Hudson, London, New York and Paris. KLEIN, W. (1990). Torino '90, Federico Motta, Milan. 1994. In and Out of Fashion, Random House, New York and London.

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