Bronzes

EXCEPTIONAL LOVE CENTERPIECE EMPIRE PERIOD 3-piece centerpiece in matte and bright mercury gilt bronze, finely chased. It is composed of a pair of gilded bronze bowls and a central "amours" basket. The pair of round, openwork basket-shaped bowls, the lower part of which is supported by crouching, bow-wielding loves, resting on a pedestal decorated with garlands of flowers, fruit and palms on a base with Corinthian capital feet. Original mercury gilding. - Basket Height: 35.5 cm Diam: 28.5 cm - Cups Height: 35.5 cm Diam: 17 cm Sold by designation

Louis RICHÉ (1877-1949) Reclining lioness. Bronze with brown patina, signed. 13 x 29 x 11 cm

Miguel BERROCAL (1933-2006) Set of six SCULPTURES from the Mini-Multiples collection: Cristina, 1969-70. Nickel-plated metal signed and numbered 1337. 62 x 79 x 37 mm, Portrait de Michèle, 1969. Nickel-plated metal signed and numbered 5060. 66 x 74 x 51 mm, Mini Maria, 1968-69. Nickel-plated metal signed and numbered 4639. 43 x 80 x 38 mm (One center piece missing, presented on its high stand), La Mini Cariatide, 1968-69. Nickel-plated metal signed and numbered 3441. 130 x 63 x 33 mm, Mini Zoraida, 1969-1970. Nickel-plated metal, signed and numbered 3020. 78 x 33 x 45 mm, Mini David- Opus 107, 1969. Nickel-plated metal, signed and numbered 8208. 140 x 55 mm. All, except the Mini David, are sold with period assembly instructions.

ARMAN 1928-2005 - VIOLIN & CLOCKS Bronze violin and reassembled clock dials Signed on the base, stamped Bocquel and numbered 6/8 63 x 26 x 19 cm Bibliography: Number 4.973 from the Denyse Durand-Ruel Archives, a certificate will be given to the purchaser.

Bruno CATALANO: "Sac de voyage sur potence". Proof in blue patinated bronze, monogrammed, numbered 3/8, dated 2018 on the terrace, founder's stamp. 26 x 24.5 x 12 cm. A certificate of authenticity will be given to the buyer.

Paul DUBOIS (1829-1905). Saint John the Baptist. Bronze with brown patina (scratches), signed, located in Rome and dated 1861. Founder's mark F. Barbedienne and Collas mechanical reduction stamp. Height Height : 65 cm

Edouard Marcel SANDOZ 1881-1971 - VOL D'EPERLANS, model created in 1921 Bronze proof with shaded brown patina. Antique lost-wax casting by Robecchi (patina wear), signed and stamped by the founder. Height: 13.5 cm - Length: 17 cm - Depth: 10 cm Bibliography: Félix Marcilhac, Sandoz sculpteur figuriste et animalier 1881-1971, Catalogue Raisonné de l'œuvre sculptée, Éditions de l'Amateur, Paris, 1993, model referenced n°1384 and reproduced p. 484 Expert : Amélie Marcilhac

Pair of representative pedestals in Napoleon III-style wood, lacquered black and rich applications in gilt bronze. Cambered body on all sides, flanked by slender extended corner pilaster strips with female genii, merging into flared legs. Slightly protruding, profile-framed top plate of white marble. H. 124 cm. 40 cm x 40 cm. A pair of French black lacquered and gilt bronze Napoleon III pedestals. France. 2nd half 20th century.

Eugène-Antoine Aizelin (1821 Paris - 1902 ibid.) "Nymphe de Diane". Original title Bronze, brown patina. Signed and titled; foundry inscription "F. Barbedienne Fondeur" and round stamp "Réduction Mécanique A. Collas Brevete" (in capitals). Fully sculpted, finely executed depiction of the goddess of the hunt as a graceful half-nude with a shouldered bow and quiver of arrows, leading a dog on a lead with her right hand. Aizelin studied under Augustin-Alexandre Dumont and regularly attended the Paris Salon from 1852-1897, where he also exhibited the original model for the "Nymphe de Diane" in 1885 (no. 3276), in 1867 Aizelin became a Knight of the Legion of Honor, in 1889 he won a gold medal at the World Exhibition. H. 57 cm. Brown patinated bronze. Signed and titled. Cast by Barbedienne, Paris (inscribed "F. Barbedienne Fondeur"), circular mark "Réduction Mécanique A. Collas Brevete".

Frémiet, Emmanuel - Frémiet, Emmanuel 1824 Paris - 1910 Paris Pan and satyr. Signed. Bronze. Foundry mark: F. Barbedienne Fondeur. H 26 cm, L 54 cm.

Albert-Ernest Carrier-Belleuse (1824 Anizy-le-Château/Aisne - 1887 Sèvres) after "La Melodie". Original title Bronze, dark brown patina. Artist's mark; Posthumous, contemporary cast, early 21st century; Allegory of music in the form of a youthful girl sitting on a pedestal in a graceful balancing pose, her right leg resting on the ground. She holds a lyre in her left hand, while her right arm is stretched out diagonally, her upper body bent forward with her head to listen to the sound of the melody. As her body is only partially clothed, the bronze sculpture also has an erotic touch. Carrier-Belleuse was one of the most important, creative and thematically versatile sculptors of the era of Emperor Napoleon III and the Belle Époque. He studied at the École des Beaux-Arts in Paris and made his debut at the Salon as early as 1851. Many of his works were purchased by Napoleon III, whom he portrayed as well as other personalities of his time. From 1864 to 1870, he worked in his studio as an assistant to his friend Auguste Rodin, with whom he also collaborated as director of the Sèvres manufactory from 1875. H. 118 cm After Albert-Ernest Carrier-Belleuse (1824 - 1887). Dark brown patinated bronze. Inscribed. Posthumous, contemporary cast, early 21st C.

BOUDDHA - Maravijaya seated in Vatrasana, hands in the position of witnessing the earth, dressed in monastic robes. Gilded lost-wax bronze sculpture Kingdom of Mandalay, Burma XIX° C Height: 58 cm

Riccardo SCARPA (1905-1999). Seated and reclining female nudes. Two small patinated bronzes, signed, numbered 47/250 and 149/250, and marked Fonderie Monnaie de Paris (slight impact). Height 2.5 and 12 cm

20th century Indochinese school Bust of a Laotian woman. Black patina bronze, lacquered wooden base, stamped on the back. Total height: 28 cm. The base is slightly missing.

EMILE GILIOLI (1911-1977) Birth 1958 Signed and numbered 2/3 under the base Brown patina and polished bronze Getekend en genummerd 2/3 onder de voet Brons met bruin patina en gepolijst Signed and numbered 2/3 under the base Bronze with brown patina and polished 26 x 26 x 14 cm Footnotes: Provenance / Herkomst Private collection / privécollectie, Bruxelles Exhibition / Tentoonstelling Gilioli, Galerie Dina Verny, Paris, 1962. Reproduced in the catalog under number 10 This lot is subject to the following lot symbols: AR AR An additional percentage will be charged to buyers for lots preceded by the symbol AR corresponding to artists' resale rights under the Copyright Regulations 2006. Please refer to the conditions of sale for further details. De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie. An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details. For further information on this lot please visit Bonhams.com

Decorative ensemble of three large figures in the style of the French Belle Epoque Bronze, dark patina, partly with gold-colored cold painting, one bronze inscribed "Milo" and with raised foundry mark; two statues with round pillar pedestal bases made of white-grey, slightly veined and black marble. Contemporary, modern casts after 2000, including an allegorical group of figures after Albert-Ernest Carrier-Belleuse (1824 Anizy-le-Château/Aisne - 1887 Sèvres) depicting a dancing bacchante flanked by two putti holding a tambourine and a horn as musical instruments; the other two almost life-size statues depicting young Oriental women in floor-length robes, each carrying an amphora on her shoulder with her arms raised. Bases of the plinths damaged; h. 137 cm-184 cm. A decorative ensemble of three large French Belle Epoque style sculptures. Bronze, dark patinated and cold-painted in gold. Modern, contemporary casts after 2000, one of them inscribed "Milo" and with foundry mark. Two statues with marble pedestal bases. One large group with dancing bacchante and two putti after Albert-Ernest Carrier-Belleuse (1824 - 1887). Chips to the marble bases.

Pair of resting lions with pedestals in dark patinated bronze and red-grey veined marble. Over a rectangular base, a fully sculpted depiction of a sleeping and a watching lion in the style of the famous large travertine originals created by Antonio Canova in 1783-1792 for the tomb of Pope Clement III in the Basilica of St. Peter in Rome. H. 15 cm. 32 cm x 12 cm. A pair of Italian patinated bronze and marble lions. Italy. 20th century.

Théo TOBIASSE 1927-2012 - WOMAN'S HEAD IN PROFILE Bronze with bronze patina Signed, Ed. HC 1/4, Guyot fondeur 18 x 9.5 x 8 cm

Belle Epoque garden fountain in patinated bronze. Naturalistically designed shaft over a profiled, leaf-relief round base with egg-and-dart frieze, accompanied by a fully sculpted depiction of Cupid and Venus as a support for a suitably elaborate fountain bowl. Above a multiple jointed, gadrooned baluster shaft with a flat fountain top. H. 132 cm. A French patinated bronze Belle Epoque fountain. France. After 1900.

A Micael LEVY (XIX-XXème) - Draped woman Bronze sculpture with brown patina and medallion. Signed "A Micael Lévy". H : 28 cm

Large figurative park fountain in patinated bronze. Three fully sculpted nude figures of young women standing on a round base richly decorated with ornamental acanthus and tongue friezes. Each standing on the tip of a foot, they support the large, shell-shaped fountain bowl together with a thick, vegetal central shaft. Crowned by two cupids in kneeling and standing poses, holding a shell and blowing a triton horn respectively. H. 220 cm. A large French patinated bronze garden fountain with three female nudes and two cupids. France. After 1900.

Jetons. - Large collection of over 4500 casino jetons. The collection of more than 4,500 casino chips from all over the world makes the hearts of passionate collectors who are always on the lookout for exceptional pieces beat faster. Most of the chips come from casinos in Europe, Africa, America, Asia and Australia. The size of the collection and the large number of complete sets of chips make it a unique collector's treasure that can no longer be found anywhere else. - ╔The oldest pieces╗ from Siam (Thailand), for example, date back to the early 19th century. They are made of porcelain and hand-painted with various patterns. Until around 1910, they were not only used for gambling, but also as a means of payment in opium houses. - The highlights of the collection also include the tokens from the ╔founding year of the Austrian casinos (Casino Austria, 1934).╗ The set is complete and consists of tokens with denominations of 50 ÖS, 100 ÖS, 500 ÖS, 1,000 ÖS and 5,000 ÖS. The Astro welcome tokens by the Austrian artist ╔Hundertwasser with the 12 signs of the zodiac are also exceptional pieces.╗ This set is also included in the collection in its entirety. - Very rare tokens also come from the German casino in Baden-Baden. They are made from mammoth horn. They date from the early 1830s with denominations of 5 guilders, 10 guilders, 300 guilders and 500 guilders. There is also another set of tokens made of mammoth horn, covered with leather and hand-painted with a floral pattern. The light red mother-of-pearl token (denomination: 1,000 Reichsmark) from 1924 and the ╔Baccara token (denomination: 200 Reichsmark) with an inlaid 1 ct diamond,╗ purity vs, River, Le Grande Cercle from 1940 are also particularly beautiful - There are also exceptional pieces from America. These are a large number of ╔antique "gambling chips",╗ some of which were used in illegal gambling halls. Antique chips also include the American Indian Lucky Swastika poker chips from around 1920, which were first used in New Orleans. A swastika (from svastika "lucky charm") is a cross symbol with bent or curved arms. Such symbols have been found in numerous forms for around 600 years in Europe and Asia, and more rarely in Africa and Central America. The tokens have no connection to the time of the Second World War. - The extensive collection of ╔Poker Chips╗ with almost 300 pieces is particularly impressive. - From the USA, for example, comes the series of 20 chips with various motifs featuring pin-up girls from 1951 or the 7-chip series from the Black Betty Tavern & Casino in Las Vegas. The collector's chips from the winners of the European Poker Stars in Las Vegas are also available in their entirety. - We have only been able to present a small selection of the particularly exceptional pieces here. You can view the complete collection online at ╔www.jeton-museum.de.╗ There you will find all the chips sorted by country of origin. Some of the tokens were exhibited in the special exhibition "The Game of Chance" at the MoneyMuseum Zurich from April 3, 2012 to February 2013. - Big collection of more than 4,500 chips. Mostly from European, African, American, Asian and Australian casinos. Please view the whole collection ╔www.jeton-museum.de╗. D

Giambologna (1529 Douai - 1608 Florence) after Mercury Bronze, dark brown patina; column plinth of dark green to anthracite-colored marble and patinated bronze. Artist's mark; Contemporary cast of the 21st century after the famous original by Giambologna in the Museo Nazionale del Bargello, Florence. Height 108 cm. After Giambologna (1529 - 1608). Dark brown patinated bronze figure on a marble and bronze base. Inscribed. Contemporary cast 21st C.

Wotruba, Fritz - Wotruba, Fritz 1907 Vienna - 1975 Vienna Head. Bronze. Signed. Foundry mark: Venturi Arte Bologna. Numbered: 153. H 14 cm.

Bach, Roman Iwanowitsch (Robert Heinrich) - (1819 Riga - St. Petersburg 1903). Desk set in 7 parts with forest motifs in landscape pieces with birds, branches, tree stumps etc. Bronze with brown and olive patina, ca. 1870s-80s. 5 pieces on marble bases. 6 pieces cyrillic sign. R.I.Bach. Contains: Ink cup (in tree stump, 33 x 26 x 16 cm.), candlestick (tree trunk, height 22 cm.). - 1 bird broken off. - Rare. D

BRAND BRONZE WITH PURE BLOOD BRASS SIGNED "Albert HINRICH HUSSMANN" (1874-1946) Winner of the Adbell-Toddington Derby, Hamburg Grand Prix and Milan Grand Prix. Antique sculpture circa 1920, maker's mark "Heinze Barth". The trainer's name "P.B Finn" appears around the edge. Height: 41.5 cm Length: 46 cm

BUGATTI REMBRANDT (1885 - 1916) - BUGATTI REMBRANDT (1885 - 1916) sculpture ("lost wax") in bronze n° 40/48 : "Walking Elephant (Eléphant en marche)" - height and width : 45 and 64 cm signed posthumous casting from the Spanish foundry Ebano with justification

INDISCRETE" SCULPTURE by Ernest Justin FERRAND (1846-1932) Bronze with medallic patina, showing a soubrette trying to read a letter that is not addressed to her. Signed on the terrace "FERRAND". Circular stamp "Société des bronzes de Paris au dos". Title label on front H : 67,5 cm

ROCHARD Irénée d'après, Couple de panthères, unsigned regule print, brown patina, on green and black marble base, Art Deco period, height 29.5 cm, length 66.5 cm (small chips to base)

Jean Gabriel CHAUVIN 1889-1976 - WITHOUT TITLE Black patina bronze, signed and numbered EA 1/2, E. Godard fondeur Height: 61.5 cm

Yves LOHE (1947). Woman with birds. Sculpture in patinated bronze, signed on the terrace. H. 34.5 cm.

Marioton, Eugène - Marioton, Eugène 1854 Paris - 1933 Paris Tambourine player. Bronze. Signed. Foundry mark: Siot-Decauville Fondeur Paris. H 44 cm.

"The Birth of Venus" by Christian CHARVET (b. 1951) French sculptor Bronze sculpture with brown patina. Signed, EA I/IV. Work accompanied by the artist's certificate. Contemporary period. Dimensions: H: 76; W: 43; D: 32 cm Christian Charvet was born in Saint-Etienne in 1951. His painter grandfather instilled in him a taste for drawing and painting, and for the arts in general. He entered the Ecole Polytechnique in 1971, and in addition to the scientific teaching which enabled him to develop his geometrical mind, he spent two years taking drawing and painting classes with Lucien Fontanarosa and Hervé Loillier. He has been practicing sculpture since his arrival in Brussels in 2003, perfecting his art and techniques in several workshops.

Françoise SALMON (1917-2014). Sleeping woman. Black patina bronze, signed and numbered 1/5. Foundry stamp Emile Godard. Length : 55 cm - Depth : 26 cm

CHIPARUS DEMETER Woman and children, regula print on onyx base, total dim. 35 x 48 with base (patina wear)

Wunderlich, Paul - Wunderlich, Paul 1927 Eberswalde - 2010 Saint-Pierre de Vassall Large Minotaur, 1989. Signed. Bronze. Foundry stamp. Specimen: 269/1000. H 183 cm.

MAX DEARLY IN JOCKEY OUTFIT WITH RIDING CROP IN HAND (PE.GOUREAU) Brown patina bronze sculpture, signed on the terrace "Max Dearly PE.Goureau) H : 32 cm

Clovis Masson (1838-1913), after Bronze group depicting deer fighting, the deer resting on a base "au naturel". Signed "C. Masson", stamped "Vrai bronze" and marked "Salon des Beaux-Arts". Early edition cast iron. H : 45 - L : 58 cm.

LARGE BRONZE OF A ROOSTER AND WEASEL SIGNED JULES MOIGNIEZ (1835-1894) Bronze with brown patina, signed on the terrace, circa 1880 Size: 74 x 51 x 32 cm

Anne-Marie PAUL (1949-2005). Couple. Subject in patinated bronze, signed and numbered 03/80. H. 23.5 cm.

BRONZE SCULPTURE "DISCOBOLE" IN THE TASTE OF Claire Jeanne Roberte COLINET Green patina bronze on a green marble base Height: 76 cm

Gerlinde Beck (1930 Stuttgart-Cannstatt - 2006 Mühlacker-Großglattbach) Stele Steel, curved and blackened; granite base. Abstract, tall stele, probably created between 1963 and 1965, characteristic of Beck's oeuvre, with a conglomerate of different cuboid and rectangular bar shapes. The sculptor, known for her numerous works in public spaces, studied at the Academy in Stuttgart from 1949-1956 under Karl Hils, Peter Otto Heim, Gerhard Gollwitzer and Willi Baumeister. She also completed an apprenticeship as a sheet metal worker in 1955, which helped her to master metal for her sculptures. In 1955/56, Beck traveled to Paris and exhibited at the Salon "Les Surindépendants", which earned her critical acclaim, but also expulsion from the academy. In 1962 she had her first solo exhibition at the Galerie Parnass in Wuppertal-Elberfeld, in the same year she won second prize at the 3rd Grand Prix International de Sculpture in Monaco, followed by the Böttcherstraße Art Prize in Bremen in 1967 and the title of professor in 1989. Overall height 170 cm. Blackened steel sculpture on granite base.

Emile ANDRESY (active 1880-1920). Marsouin à Dixmude en 1914-1915 piétant l'aigle prussien, bronze subject with brown patina, signed on the terrace. H: 36 cm.

Jean TARRIT (1865-1950). "Moroccan water carrier". Bronze with brown and gilded patina. Signed and titled on the terrace. Height : 54.5 cm - Width : 30 cm - Depth : 20 cm

Pierre Jules Mène (1810 Paris - 1879 ibid.) after Mare and playing foal Bronze, dark patina; black stone plinth. Artist's mark; cast 20th century; Fully sculpted group of horses inspired by the important French animal sculptor with the lively depiction of a rising foal, observed by the mare turning around. Overall dimensions 59.8 cm x 27.5 cm x 17 cm. After Pierre Jules Mène (1810-1879). Patinated bronze sculpture group of a mare and foal on black stone base. Inscribed. Cast 20th C.

Alexandre OULINE: "Man at the helm". Terracotta subject with bronze imitation patina, signed on the terrace. Engraved stamp marked FRANCE. 40 x 59 x 18 cm. Minor patina wear, chips and restorations.

LARGE BRONZE "CHIEN DE CHASSE EN ARRÊT" BY E.DELABRIERRE Bronze with brown patina, signed on the terrace "E.DELABRIERRE". H : 40 cm Length : 57 cm

Jean JUSTUM (born 1946). Royal Lion Statuette in plaster with bronze patina. Height : 40 cm - Length : 45 cm - Depth : 20 cm.

Charles ANFRIE (1833-1905). "Officer holding a rifle". Bronze with brown patina, signed on the terrace. Height: 24.5 cm.

LAMBEAUX JEF (1852 - 1908) - LAMBEAUX JEF (1852 - 1908) antique sculpture in bronze : "Bust of a young woman" - height : 64 cm signed and with foundry mark