Ein Paar modernistischer Veilchenhalter aus geblasenem, emailliertem und vergoldetem Glas. Raue Oberfläche mit floralem Dekor in Grün- und Kastanienbrauntönen. Einer von ihnen mit einem Haar auf der Spitze. Um 1900. 16,5 cm hoch.

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NICOLAS MORIN (1959). Blown glass vase, 1997. Signed and dated on the base. Measurements: 14 x 16 x 16 cm. Nicolas Morin began working with glass in the family workshop in 1973. He traveled to Holland and Scandinavia in 1980, 81 and 82, where he had numerous contacts with glass artists (Wilhem Heessen, Sybren Valkema, Asa Brandt, Ulla Forsell, Ann Wolf, Wilke Adolfson, Monika Guggisberg and Philipp Baldwin, etc). He participated in the first International Symposium of Glass in France, in Sars Poteries, in 1982. He graduated from the School of Architecture of Marseille Luminy in 1984. He participated in the symposium "Art Verre Vin" in Saint Emilion 1984. He traveled to the United States in 1986. Exhibited at the "West Springfield Craft Fair". Collaborated with William Morris and Dale Chihuly in 1986. Held his first solo exhibition in Paris in 1987. He traveled to Scandinavia in 1992, where he visited in particular Finn Lingaard and Mikko Merikallio and Estonia to meet Vivii Ann Kerdo and Kaï Koppel, the first independent workshop in Eastern Europe. Participated in the International Symposium of blown glass in L'viv (UKR-1992) discovery of the Slavic part of the world of glass with the help of Catherine Sintès - Creation of a new line of sculptures with Catherine Sintès. Participated in the International Glassblowing Symposium of L'viv (UKR-1995). Participated in the Glass Symposium in Haapsalu (EST) in 2003, meetings with glass artists from the Baltic countries and the International Symposium of blown glass in L'viv (UKR-2004). He traveled to Japan with the presentation of Yoko Kuramoto and Makoto Ito in February 2005. He participated in the International Festival of Glass Stourbridge (UK, summer 2008).

Lote 51

Valorac. 800 - 1 000 EUR

Pair of mid 20th century industrial design stools. Gilded metal structure and skay seats. Height adjustable. Swivel seat. With marks of use. Measurements: 88 x 36 x 36 cm. Pair of high stools raised on four tubular metal legs. They have a seat upholstered in white skay, adjustable in height and swivel. It is a sober and functional design, with a mid-century industrial aesthetic.

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WILLY VAN DER MEEREN (Belgium, 1923-2002) for Tubax, Belgium. Pair of chairs, 1950s. Chromed metal and yellow upholstery. Measurements: 70 x 60 x 53 cm; 41 cm (seat height). This pair of Belgian chairs features elements characteristic of midcentury forms with Nordic influence. For example, the backrest has a curvature for ergonomic back support. The metal frame and flowing forms make it a pair of exquisitely crafted and highly sophisticated chairs. Willy Van der Meeren studied architecture at the Royal Academy of Fine Arts in Ghent and began his career working for a furniture company. He founded his own company in the 1950s, Tubax, which produced furniture for schools, offices and hospitals. He is most famous for his "301" chair, a metal folding chair that was mass-produced and used in many public buildings in Belgium. He was a member of the design group De Coene in Kortrijk and taught industrial design at the Royal Academy of Fine Arts in Ghent. His work has been exhibited in numerous museums and design exhibitions, including MoMA in New York.

Ein Paar modernistischer Veilchenhalter aus geblasenem, emailliertem und vergoldetem Glas. Raue Oberfläche mit floralem Dekor in Grün- und Kastanienbrauntönen. Einer von ihnen mit einem Haar auf der Spitze. Um 1900. 16,5 cm hoch.

Ein Paar modernistischer Veilchenhalter aus geblasenem, emailliertem und vergoldetem Glas. Raue Oberfläche mit floralem Dekor in Grün- und Kastanienbrauntönen. Einer von ihnen mit einem Haar auf der Spitze. Um 1900. 16,5 cm hoch.

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