Null LATE QING DYNASTY, CIRCA 1880. PAIR OF PORTRAITS OF QIANLONG EMPEROR AND EM…

Description

LATE QING DYNASTY, CIRCA 1880. PAIR OF PORTRAITS OF QIANLONG EMPEROR AND EMPRESS. Blaues und weißes Porzellan. Gerahmt in lackiertem Holz. Mit Inschrift und Stempel. 31 x 23 cm; 34,5 x 26 cm (Rahmen).

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LATE QING DYNASTY, CIRCA 1880. PAIR OF PORTRAITS OF QIANLONG EMPEROR AND EMPRESS. Blaues und weißes Porzellan. Gerahmt in lackiertem Holz. Mit Inschrift und Stempel. 31 x 23 cm; 34,5 x 26 cm (Rahmen).

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Estim. 800 - 1 000 EUR

Pair of mid 20th century industrial design stools. Gilded metal structure and skay seats. Height adjustable. Swivel seat. With marks of use. Measurements: 88 x 36 x 36 cm. Pair of high stools raised on four tubular metal legs. They have a seat upholstered in white skay, adjustable in height and swivel. It is a sober and functional design, with a mid-century industrial aesthetic.

Estim. 400 - 500 EUR

Pair of armchairs; Spain, 1950s. Wood. They show wear in the upholstery. Measurements: 77 x 55 x 70 cm (x2). Pair of armchairs with wooden structure and upholstery in white fabric. The exposed wood traces a right angle in the armrests, describing a same line with the front legs, so that the soft and enveloping leather seat is balanced with this modern structure. However, the clean lines are softened by the warmth of a wood that shows off its qualities and grain. They show wear on the upholstery.

Estim. 700 - 750 EUR

WILLY VAN DER MEEREN (Belgium, 1923-2002) for Tubax, Belgium. Pair of chairs, 1950s. Chromed metal and yellow upholstery. Measurements: 70 x 60 x 53 cm; 41 cm (seat height). This pair of Belgian chairs features elements characteristic of midcentury forms with Nordic influence. For example, the backrest has a curvature for ergonomic back support. The metal frame and flowing forms make it a pair of exquisitely crafted and highly sophisticated chairs. Willy Van der Meeren studied architecture at the Royal Academy of Fine Arts in Ghent and began his career working for a furniture company. He founded his own company in the 1950s, Tubax, which produced furniture for schools, offices and hospitals. He is most famous for his "301" chair, a metal folding chair that was mass-produced and used in many public buildings in Belgium. He was a member of the design group De Coene in Kortrijk and taught industrial design at the Royal Academy of Fine Arts in Ghent. His work has been exhibited in numerous museums and design exhibitions, including MoMA in New York.

Estim. 1 800 - 2 000 EUR

RODOLFO BONETTO (Milan, 1929-1991) for DRIADE. Pair of armchairs. Plastic material. With Driade label. Slight marks of use on the base. Measurements: 70 x 66 x 70 cm. Pair of armchairs of marked geometric design, based on rounded volumes, whose clean lines are enhanced by the neatness of the reddish-colored plastic material. It consists of a unitary and fluid volume in which the legs form the sides of the furniture and, in a continuous way, form the armrests, seats and backs of the same. The self-taught designer Rodolfo Bonetto began his career working for the Olivetti company in the late 1950s, where he contributed to the design of several products, including typewriters, household appliances, calculators and furniture such as the Boomerang armchair. Later he also worked for Kodak, Braun and Yamaha. His successful career led him to be awarded up to eight times with the Compasso d'Oro, the highest Italian design award. He is best known for his creations in the fields of technology and transportation (he worked for the Italian public transport company ATM), as well as for bicycles, motorcycles and automobiles. He has twice been president of ADI (Associazione Disegno Industriale) and president of ICSID (International Council of Societies of Industrial Design).

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