Null FLÄMISCHE SCHULE, WAHRSCHEINLICH 17. JAHRHUNDERT. Jesus im Haus des Pharisä…

Description

FLÄMISCHE SCHULE, WAHRSCHEINLICH 17. JAHRHUNDERT. Jesus im Haus des Pharisäers. Öl auf Kupfer 49,5x75 cm. Defekte und Übermalung. Rahmen aus stuckiertem, bemaltem und vergoldetem Holz, mit Mängeln.

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FLÄMISCHE SCHULE, WAHRSCHEINLICH 17. JAHRHUNDERT. Jesus im Haus des Pharisäers. Öl auf Kupfer 49,5x75 cm. Defekte und Übermalung. Rahmen aus stuckiertem, bemaltem und vergoldetem Holz, mit Mängeln.

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Estim. 800 - 1 000 EUR

In the style of JOSEF HOFFMANN (Brtnice, Czech Republic, 1870 - Vienna, 1956). Pair of armchairs. Walnut wood. Fabric upholstery with floral decoration. With signs of wear and tear. With xylophages. The wood needs to be reworked. Measurements: 73 x 55 x 47 cm. Pair of armchairs of Central European style, framed within the Viennese Secession, with structure in walnut wood with structure of parallel bands, functional and of refined volumes. An architect and industrial designer, Josef Hoffmann studied at the Academy of Applied Arts in Vienna, where he was a disciple of Carl Freiherr von Hasenauer and Otto Wagner, whose theories of functional, modern architecture would profoundly influence his work. He won the Prix de Rome in 1895, and the following year he joined Wagner's office, collaborating with Olbrich on some projects for the Metropolitan. He established his own office in 1898, and taught at the School of Decorative Arts in Vienna between 1899 and 1936. He was also a founding member of the Viennese Secession. In 1900 he travelled to London, where he came into contact with the English school and discovered Mackintosh. On his return, he set up a workshop for the production of objects based on designs by Secession artists, and the Wiener Werkstätte was born, a workshop which had a great influence on 20th-century industrial design. By 1903, production began on an international scale. In the course of his life, Hoffmann produced a variety of projects for buildings and furnishings, and exhibited his creations all over the world. He is currently represented in the MAK and the Leopold Museum in Vienna, the Metropolitan and MoMA in New York, the Brohan in Berlin, the Courtauld Institute in London and the Victoria & Albert in London, among many others.

Estim. 2 000 - 2 200 EUR

PETER HVIDT (Denmark, 1916-1986) AND ORLA MØLGAARD-NIELSEN (Denmark, 1907-1993) for France & Daverkosen. Daybed with teak frame, upholstery in velour. Model FD-417. Produced by France & Daverkosen. Age-related trace of use. Measurements: 82 x 191 x 75 cm. Peter Hvidt was trained as an architect from the The Academy of Fine Arts' School of Architecture in Copenhagen in 1940. Orla Mølgaard-Nielsen had a background as a cabinetmaker and also in 1940 trained as an architect from the Academy of Fine Arts' School of Architecture. Peter Hvidt and Orla Mølgaard-Nielsen were pioneers of mid-century Danish design and in 1944 they founded the Copenhagen-based company Hvidt & Mølgaard, which they ran together until 1975 where both retired. Together they designed over 256 pieces of furniture together during their careers. The duo established a simple and precise aesthetic by designing countless pieces of furniture over the years, many of which became icons of the era. Today, their work is eexhibited at MoMA, the National Gallery of Melbourne and the Copenhagen Design Museum.

Mise à prix 10 EUR

[ART] LIEDTKE (Walter A). Flemish Paintings in the Metropolitan Museum of Art. 1984 bei Metropolitan Museum of Art erschienen. 2 Bände im Format in-4, feste Einbände in Umschlägen. Zahlreiche farbige / schwarze Abbildungen in / aus dem Text. Hervorragender Zustand.

Estim. 4 500 - 6 500 EUR

Dutch School of Rembrandt from the 17th century, attributed to Jourdeville, Isaac de (1612 in Leiden – 1645 in Amsterdam) 81 x 66 cm, no frame attached. Important and decorative portrait of a Turbaned Knight, possibly a wealthy Dutch merchant. Work markedly connected with the Dutch school of Rembrandt of the 17th century, specifically in the style of his best disciple, Isaac de Jourdeville, who, born an orphan, soon became Rembrandt's student in November 1629 and traveled with him to Amsterdam in 1631 There are still documents related to their learning written by their tutors. He returned to Leiden to marry Maria le Febure (1619-1653) in 1636 and moved to Deventer in 1641. He lived in Deventer for only a few years; In 1643 he was back in Amsterdam, where he died young in 1645. His widow Maria married the glassmaker Pieter de Melder in 1648 and his daughter Mariecke later married the painter Frederik de Moucheron. Following the death of Maria le Febure, her second husband declared himself unable to support her first husband's three children, along with her own two children, although she offered to raise Jacob Jouderville until the age of 18. By then De Melder He acted as an art dealer, and the liquidation of his wife's estate shows an interesting list of artists to whom his estate owed money or who owed money to his estate. Provenance: private collection, Barcelona.

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