Null Ein Paar dänische Mahagoni-Sessel, um 1960. Polsterung aus Lederimitat
76x6…

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Ein Paar dänische Mahagoni-Sessel, um 1960. Polsterung aus Lederimitat 76x64x76 cm. In gutem Zustand.

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Ein Paar dänische Mahagoni-Sessel, um 1960. Polsterung aus Lederimitat 76x64x76 cm. In gutem Zustand.

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Valorac. 400 - 500 EUR

Pair of armchairs; Spain, 1950s. Wood. They show wear in the upholstery. Measurements: 77 x 55 x 70 cm (x2). Pair of armchairs with wooden structure and upholstery in white fabric. The exposed wood traces a right angle in the armrests, describing a same line with the front legs, so that the soft and enveloping leather seat is balanced with this modern structure. However, the clean lines are softened by the warmth of a wood that shows off its qualities and grain. They show wear on the upholstery.

Valorac. 1 800 - 2 000 EUR

OLE WANSCHER (Denmark, 1903-1985) for FRANCE & SON. A pair of “Senator” armchairs. Solid teak frame. Original loose brown leather cushions. Made in France & Son, with label from here. In good vintage condition. Measurements: 79 x 68 x 74 cm. Seat height 43 cm. Considered integral to the core aesthetics and functionality of Danish design, Ole Wanscher studied alongside Kaare Klint at the Royal Danish Academy of Fine Arts. He subsequently worked at Klint's design studio before becoming an independent furniture designer. In 1958, the Danish newspaper Politiken wrote: “Owning a Wanscher chair is an adventure every day, and it will continue to be so, even if hundreds of years pass, for this is how long it lasts.” Today, his modern classics are still revered. for its details and deep respect for materials. While traveling through Egypt and Europe, Wanscher studied furniture design, finding inspiration in various visual expressions that he incorporated into his own unique design aesthetic. He saw furniture design as a branch of architecture and emphasized slender dimensions and sturdy forms, a pursuit exemplified in many of his works, particularly the Colonial Chair and the Colonial Sofa. Wanscher created his best-known designs primarily between the late 1940s and early 1960s, in the post-war era, when the philosophy of "design for all" emerged. In Denmark, some of the biggest names in design created functional and affordable furniture for Danes and the small spaces in which they lived. Wanscher was very interested in industrially produced but high-quality furniture, designing several successful pieces. Wanscher's design earned him numerous accolades, including the Annual Prize of the Copenhagen Carpenters' Guild and the gold medal at the Milan Triennale in 1960, honors that underlined Wanscher's esteemed reputation both in Denmark and internationally. France & Søn - and its predecessor, France & Daverkosen - are among the most sought-after names on the vintage market today. Many of the pieces that still circulate retain their original labels. Its productions were designed by the most important Danish designers of the mid-century, such as Hvidt & Mølgaard, Grete Jalk, Finn Juhl, Arne Vodder and Ole Wanscher.

Valorac. 2 200 - 2 400 EUR

POUL KJÆRHOLM (Denmark, 1929 - 1980) for FRITZ HANSEN. PK-22 lounge chair, designed 1955. Steel frame. Upholstered in black leather. Made at Fritz Hansen in 1991, with label from here. Shows minor signs of wear and patina due to age. Measurements: 72 x 63 x 62 cm. Seat height 33 cm. The PK22 series of chairs are excellent examples of Poul Kjaerholm's ability to work with exquisite, minimalist materials. In the search for the ideal form they were created in a combination of elegant luxury and comfort. Poul Kjærholm was a Danish designer trained at the Danish School of Arts and Crafts in Copenhagen, where he entered in 1952 after having started his apprenticeship with the cabinetmaker Gronbech in 1948. From the mid-1950s he worked for his friend EjvindKoldChristiansen, a businessman who always gave him total creative freedom. His earliest creations, such as his plywood furniture series PKO, already reveal his strong personality. In 1958 he attracted international attention with his contribution to the "Formes Scandinaves" exhibition in Paris, and in the same year he won the Lunning Prize for his PK 22 chair. In 1957 and 1960 he was awarded the Grand Prix at the Milan Triennale, and in 1959 he was admitted to the Royal Danish Academy of Fine Arts. In 1973 he was appointed director of the Danish Design Institute, where he taught from 1976. His designs are now held in leading design collections, including those of the Victoria & Albert Museum in London and the MOMA in New York.

Valorac. 1 800 - 2 000 EUR

RODOLFO BONETTO (Milan, 1929-1991) for DRIADE. Pair of armchairs. Plastic material. With Driade label. Slight marks of use on the base. Measurements: 70 x 66 x 70 cm. Pair of armchairs of marked geometric design, based on rounded volumes, whose clean lines are enhanced by the neatness of the reddish-colored plastic material. It consists of a unitary and fluid volume in which the legs form the sides of the furniture and, in a continuous way, form the armrests, seats and backs of the same. The self-taught designer Rodolfo Bonetto began his career working for the Olivetti company in the late 1950s, where he contributed to the design of several products, including typewriters, household appliances, calculators and furniture such as the Boomerang armchair. Later he also worked for Kodak, Braun and Yamaha. His successful career led him to be awarded up to eight times with the Compasso d'Oro, the highest Italian design award. He is best known for his creations in the fields of technology and transportation (he worked for the Italian public transport company ATM), as well as for bicycles, motorcycles and automobiles. He has twice been president of ADI (Associazione Disegno Industriale) and president of ICSID (International Council of Societies of Industrial Design).

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