Null Ring mit zwei gegensätzlichen Armen mit pflanzlichem Muster und Diamanten i…

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Ring mit zwei gegensätzlichen Armen mit pflanzlichem Muster und Diamanten in einer Fassung aus 18 K Gelbgold und Weißgold.

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Ring mit zwei gegensätzlichen Armen mit pflanzlichem Muster und Diamanten in einer Fassung aus 18 K Gelbgold und Weißgold.

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Desk, mid 20th century design. Rosewood. Needs refinishing. Measurements: 76 x 152 x 85 cm. Desk made entirely of rosewood, with a design of refined shapes, regular straight lines and rounded volumes, which contrast expressively with the beautiful natural grain of the wood, with sinuous, organic lines. It consists of a rectangular, sharp-edged tabletop, raised on two side frames made up of two straight, rectangular legs, joined together by a lower footing of the same shape, and a half-height crossbar, which reinforces the construction. The back of the cabinet is closed with three doors, two simple side doors and a central one that acts as a hinged lid, each with an independent lock. Two drawer units are located at the front, on either side of the central leg compartment. Each side body has three drawers with smooth, moulded fronts and a recessed handle, made from the same wood.

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ALDO TURA (Italy, 1909 - 1963). Cabinet bar, 1960s. Rosewood, red lacquered goatskin and mirror lined interior. Measurements: 155 x 80 x 44 cm. This cabinet bar, designed by Aldo Tura around 1960, consists of a structure in macassar wood, with bronze hardware and upholstery in goatskin parchment. Raised on a pedestal of classical inspiration, formed by a prismatic base and a baluster, it consists of a prismatic body with two front doors of beautiful grain, with long hinges imitating those of the Gothic period and two arched handles also historicist. Inside it has a space entirely covered with mirror, divided by two glass shelves. Aldo Tura began his career in experimental furniture design in the 1930s. After the marked and angular forms of Art Deco, in these years wood began to be used in free forms, full of curves, and Tura saw in this new taste a new direction for furniture design. His work is a significant combination of free and uninhibited forms, sometimes exceptionally ironic. His designs are also examples of the highest craftsmanship, often being produced in limited edition series, and even just a prototype. In the 1950s, Tura discovered the evocative charm of furniture painted with Venetian architectural views, and also began to experiment with various materials, such as eggshell, parchment, goatskin or wood veneers.

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Small desk with Campus legs. France, 1960s. In oak wood. Measurements: 77 x 86 x 43 cm. Small desk made entirely of oak, including the legs, Campus model. It responds to a design imbued with personality, with handcrafted finishes that reveal a quality manufacture. Its structure is asymmetrical, raised on wedge-shaped legs, with two drawers lined up on the left side and a pencil holder with integrated sliding top at waist level. The latter simulates a third drawer in order to visually harmonize the whole.

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