1 / 6

Descrizione

WORKER OF PEDRO DE MENA - Possibly Andrea (1654-1734) and Claudia de Mena (1655-?) - Important large size Immaculate Virgin in Glory Granada work from the 18th century. Total measurements: 98 x 45 x 40 cm. Baroque sculptor, daughter of the universally known precursor of Andalusian Rococo imagery Pedro de Mena. Trained in her father's workshop, she would later enter the Cistercian abbey of Recoletas Bernardas de Santa Ana in Malaga in 1672, where years later Juana Teresa, the youngest of her sisters, would also enter. There are very few works by this extraordinary female artist that are preserved today, in the convent of Santa Ana itself the candlestick images of Saint Benedict and Saint Bernard (circa 1680) are preserved, which can be assigned to the work of the two sisters. The Hispanic Society of New York owns two small busts of Ecce Homo and Mater Dolorosa (1675) signed by Andrea. The four sculptures mentioned follow the paternal models with a more precious treatment. REDER GADOW, Marion: “The religious mentality of Pedro de Mena through his wills”, in: Pedro de Mena and his time (national symposium, April 5-6-7, 1989, Granada-Málaga) . Málaga: Junta de Andalucía, 1990, pp. 179-193.

114 
Vai al lotto
<
>

WORKER OF PEDRO DE MENA - Possibly Andrea (1654-1734) and Claudia de Mena (1655-?) - Important large size Immaculate Virgin in Glory Granada work from the 18th century. Total measurements: 98 x 45 x 40 cm. Baroque sculptor, daughter of the universally known precursor of Andalusian Rococo imagery Pedro de Mena. Trained in her father's workshop, she would later enter the Cistercian abbey of Recoletas Bernardas de Santa Ana in Malaga in 1672, where years later Juana Teresa, the youngest of her sisters, would also enter. There are very few works by this extraordinary female artist that are preserved today, in the convent of Santa Ana itself the candlestick images of Saint Benedict and Saint Bernard (circa 1680) are preserved, which can be assigned to the work of the two sisters. The Hispanic Society of New York owns two small busts of Ecce Homo and Mater Dolorosa (1675) signed by Andrea. The four sculptures mentioned follow the paternal models with a more precious treatment. REDER GADOW, Marion: “The religious mentality of Pedro de Mena through his wills”, in: Pedro de Mena and his time (national symposium, April 5-6-7, 1989, Granada-Málaga) . Málaga: Junta de Andalucía, 1990, pp. 179-193.

Stima 45 000 - 50 000 EUR
Base d'asta 32 500 EUR

Escluse le commissioni di vendita.
Consulta le condizioni di vendita per calcolare l’importo delle spese.

Spese di vendita: 26.62 %
Fai un'offerta
Iscriversi all’asta

In vendita il 7月 25日 星期四 : 16:00 (CEST)
barcelona, Spagna
Templum Fine art Auction
+34935643445
Visualizza il catalogo Consulta le CGV Informazioni sull’asta

Consegna a
Modifica dell'indirizzo
Questa soluzione di spedizione è facoltativa..
Potete utilizzare un corriere di vostra scelta.
Il prezzo indicato non include il prezzo del lotto o le commissioni della casa d'aste.

Forse ti piacerebbe anche

格拉纳达学校;17 世纪下半叶。 木质雕刻和多色染色。 圣母鼻子上有重绘和修复痕迹。 尺寸:39 x 34 x 26.5 厘米39 x 34 x 26.5 厘米:47 x 33 x 30 厘米(底座)。 根据帕诺夫斯基的说法,《圣母像》的主题源自拜占庭的《Threnos》,即圣母对耶稣尸体的哀悼,以及《谦卑的圣母》。最早发现这一主题可能性的艺术家是德国雕塑家,第一件现存的作品是在科堡市发现的,约创作于 1320 年。随着时间的推移,这种圣像在整个欧洲传播开来,到 17 世纪反宗教改革之后,它已成为虔诚绘画中最重要的主题之一。这是一件圆木多色雕刻,表现了《圣母像》的主题:圣母坐着,膝上放着死去的基督,这是一个具有深刻戏剧性的主题,不仅因为主题本身,还因为它的构图让人联想到圣母膝上放着童耶稣的形象。从图像学的角度来看,《圣母像》是一个在艺术史上多次重复出现的主题,尤其是从文艺复兴时期开始。这是一个取自《受难记》的形象,主角是悲伤的圣母玛利亚抱着她儿子的尸体。事实上,它是圣母玛利亚面对儿子亡故真相时的痛苦的写照,事实上,只有圣母出现的 "悲哀"(Dolorosa)的表现形式也正是源于这一主题。 从风格上看,这件作品显然深受 17 世纪格拉纳达学派巴洛克风格的影响,这不仅体现在圣像的造型上,还体现在所选的模特、服装装饰、色彩、面部特征等方面。格拉纳达画派深受文艺复兴时期的影响,包括巴勃罗-德-罗哈斯(Pablo de Rojas)、胡安-马丁内斯-蒙塔涅斯(Juan Martínez Montañés,与前者一起在格拉纳达受训)、阿隆索-德-梅纳(Alonso de Mena)、阿隆索-卡诺(Alonso Cano)、佩德罗-德-梅纳(Pedro de Mena)、贝尔纳多-德-莫拉(Bernardo de Mora)、佩德罗-罗尔丹(Pedro Roldán)、托夸托-鲁伊斯-德尔-佩拉尔(Torcuato Ruiz del Peral)等伟大人物。总的来说,该画派并不忽视画面的美感,也遵循自然主义,这在当时是很常见的,但它总是在精致的画面中强调亲切感和隐蔽性,在另一系列细节上与安达卢西亚的其他画派有些相似,但通常没有塞维利亚画派的纪念性。具体来说,该作品可以归入莫拉工作室(何塞和迭戈)的风格圈。该作坊是 17 世纪格拉纳达最重要的作坊之一。从 17 世纪后三分之一到 18 世纪下半叶,这个图像制作世家的艺术遗产是格拉纳达画派的一个里程碑。受阿隆索-卡诺和佩德罗-德-梅纳作品的影响,他创造了极具个人特色的风格。