ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930's. 

Writing desk.

…
描述

ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930's. Writing desk. White painted metal. Black glass. Shows signs of use and wear. Needs restoration. Measurements: 80 x 115 x 60 cm. Desk designed by the Czech artist Robert Slezak in the thirties, following the precepts of the German Bauhaus. The tubular structure and the small spherical feet give lightness and boldness to a design in accordance with the aesthetic and conceptual interests of the modern movement. The cabinet has three drawers with ball handles, and the top is covered with black glass. Robert Slezak founded Slezak Factories in 1908, a Czech furniture brand specializing in chrome-plated and bent metal furniture, which initially operated as a locksmith's shop and building fittings. The workshop developed rapidly, production was first extended to the popular brass fittings and new galvanic plating technology was introduced in the new facility. In 1911, it was one of the first manufacturers to offer galvanic plating of copper, nickel and chromium on the surface of products. From 1913, it began production of metal chairs and brass furniture, including beds, tables and chairs with its own designs in a combination of metal and wood. The original Slezák factories became part of the Kovona company after 1948, and since 1992 it has been called Kovonax. It presents marks of use and wear. Needs restoration.

89 

ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930'

该拍品的拍卖已经结束 查看结果

您可能同样喜欢

驳斥保罗-萨尔皮关于教皇世俗权力的两部作品: 1 贝拉米诺(罗伯托):Risposta del Card.Bellarmino a due libretti, uno de quali s'intitola Risposta di un Dottore in teologia, ad una lettera serittagli da un Rever. suo amico, sopra il Brevz si Censure dalla Santita di Paolo V publicate contra li Signori Venetiani.关于 Gio.Gersone teologo, & Cancelliere Parisino ; tradotto dalla lingua latina nella volgare con ogni sedeltà, in opusculi due.Roma, Appresso Guglielmo Faciotto, 1606, et restampata in Ferrara, nella Stampa Camerale, 95 pp. 随后是 2 BOVIO (Giovanni Antonio):Risposta del P. Maestro Gio.Antonio Bovio da Novara carmelitano alle considerationi del Padre Maestro Paolo da Venetia, sopra le Censure della Santità di Papa Paolo Quinto contra la Republica di Venetia.罗马,Appresso Guglielmo Facciotto,以及博洛尼亚,1606 年,158 页。 两部作品合为一卷,10 x 15.3 厘米。19 世纪哑光封面。第 1 部作品前 10 页的下边缘有细小的湿痕,其他状况良好。 这两本作品集很有意思,反驳了威尼斯共和国的立场,对教皇的世俗权力提出了质疑。 1) 与原作同年在费拉拉印刷。罕见。 It \iccu \uboe\ 117769。 威尼斯共和国委托保罗-萨尔皮(Paolo Sarpi)和包括马西里(Marsili)在内的多位神学家为其政策辩护。他们发表了两篇煽动性文章,贝拉明在这部作品中对其进行了驳斥,该书于 1606 年在罗马首次出版,同年在教皇国的主要城市重印。这个费拉拉版本非常罕见:ICCU 仅列出了 3 本。 2) 与原版 in-4 同年出版的版本。 It \iccu \uboe\021629. 萨尔皮还发表了他对保罗五世审查制度的看法,以谴责保罗五世的审查制度。加尔默罗会的主教博维奥神父以这本著作作为回应,他在其中为威尼斯被逐出教会辩护。

神龟一栩栩如生的鬼怪木雕壁画 神龟一威武有趣的鬼怪木雕浮雕 原/樋口将月(签名:Shugetsu 舟月 日本,江户(东京),18 世纪晚期,江户时代(1615-1868 年) 大鬼的脸上带着腼腆的笑容,双腿分开与肩同宽,膝盖微微弯曲,手持大黑的木槌(槌口)和草帽。颇为有趣的是,他似乎偷了这两件吉祥物(takaramono)。脸部雕刻富有表现力,眼睛睁得大大的,瞳孔呈深色角状。背面的 "绯 "字非常大,开凿得也很大。一条腿上有 SHUGETSU 的签名。 高 6.4 厘米 保存状况:保存状况良好,有轻微磨损。一个镶嵌的瞳孔已更换。 出处:布鲁塞尔莫尚画廊,1945 年 1 月 31 日:布鲁塞尔莫雄画廊,1945 年 1 月 31 日。罗伯特-德-斯特里克(Robert de Strycker)和伊莎贝尔-德-斯特里克(Isabelle de Strycker)夫妇收藏,从上述夫妇处购得,后由同一家族传承。罗伯特-德-斯特里克(1903-1968 年)是一位法国工程师,专攻冶金学。他毕业于斯坦福大学,曾任鲁汶大学教授、鲁汶天主教大学冶金研究所所长、应用科学学院最有影响力的成员之一。二战结束后,他为法国的战后复兴做出了巨大贡献。罗伯特和妻子伊莎贝尔(1915-2010 年)于 20 世纪 30 年代在伦敦逗留期间,在大英博物馆首次邂逅了亚洲艺术。他们对亚洲艺术的风格和美感深深着迷,并决定研究和收藏日本和中国艺术品。1938 年,他们开始从比利时、巴黎和英国的艺术品经销商处购买艺术品,最终建立了自己的收藏体系。他们与英国著名收藏家哈里-加纳爵士(Harry Garner,1891-1977 年)和捷克著名收藏家和专家弗里茨-洛-比尔(Fritz Low-Beer,1906-1976 年)保持着密切联系。 拍卖对比: 比较一件相关的木雕鬼兽坐像,其面部特征相似,署名 "Shugetsu",年代为十八世纪。 1995年6月21日在伦敦苏富比拍卖行举行的 "Carlo Monzino Collection of Netsuke, Inro, and Lacquer "拍卖会上,拍得编号156。 (以 2,990 英镑成交)。