PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL.

'Conversation chairs', model…
描述

PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL. 'Conversation chairs', model 710. Designed in 1972. Dark chrome-plated steel frame, loose cushions upholstered in black leather. Armrests with leather accents. Interior upholstery with logo. Made in Walter Knoll, with manufacturer's labels. Measurements: 78 x 72 x 78 cm. Seat height 42 cm. Small marks of use. Preben Juul Fabricius trained as a cabinetmaker with master carpenter Niels Vodder and also studied at the School of Interior Design with Finn Juhl in the mid-1950s. There he also met cabinetmaker Jørgen Kastholm, who would later become his long-time partner. The two shared a common vision of furniture design, based on minimalism and quality and inspired by the creations of Charles Eames and Mies van der Rohe. They were looking for an ideal that was timeless in its simplicity. In 1961 they set up a studio together in Gentofte, and four years later they presented their first designs at the Fredericia furniture fair, where they attracted the attention of the German furniture manufacturer Alfred Kill. The latter offered them a lucrative contract that allowed them to work freely, so Kastholm and Fabricius moved to Stuttgart with their first designs to start production in Kill's factory. Soon after, they made the international breakthrough at the 1966 Cologne fair, where they showed a complete series of home and office furniture developed from ten of their original designs. The two designers worked together between 1961 and 1968, a seven-year period in which they produced numerous designs that are now considered classics, such as the FK 6725 Tulip Chair, the FK 87 Grasshopper and the Scimitar. During this period, their furniture was also part of important international exhibitions, held at such prominent centers as the MOMA in New York (1967) and the Musée d'Art Moderne in Paris (1967). Today, Kastholm and Fabricius' designs can be seen at the MACBA in Barcelona, the MOMA in New York, the Musée d'Art Moderne in Paris, the Ringling Museum in Florida, the Art Museum in Brasilia, the Design Center in Stuttgart, the Haus Industriform in Essen, the Neue Sammlung in Munich, the Staatsgemäldesammlung Bayer in Munich, the Kunstindustrimuseum in Berlin, the Kunststofmuseum in Düsseldorf, the World Import Mart Museum and the History + Folkways Museum in Japan and the Museum für Angewandte Kunstgeschichte in Cologne.

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PREBEN FABRICIUS (Denmark, 1931 - 1984) for KNOLL.

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PREBEN FABRICIUS(丹麦,1931 - 1984 年)代表 KNOLL。 一对 710 型 "会客椅"。 设计于 1972 年。 深色镀铬钢框架,黑色皮革内饰。 Walter Knoll 制造,有制造商标签。 尺寸:78 x 72 x 78 厘米:78 x 72 x 78 厘米。座高 42 厘米。 有小的使用痕迹。 作为真正的经典之作,Fabricius 讲述着家具的故事。会客椅 "融合了斯堪的纳维亚设计传统、功能美学和休闲舒适座椅的魅力。精密的金属加工,上乘的表面质量:扶手和支撑结构为滑动座椅提供了框架。其结果是轻巧和简洁。无论是单独使用还是组合使用,它都是客厅、门厅和休息室的理想之选。 Preben Juul Fabricius 曾在木匠大师尼尔斯-福德(Niels Vodder)门下接受橱柜制作培训,并于 20 世纪 50 年代中期在芬恩-于尔(Finn Juhl)的室内设计学院学习。在那里,他还结识了橱柜制作师约根-卡斯托姆(Jørgen Kastholm),后者后来成为了他的长期合作伙伴。两人对家具设计有着共同的理念,那就是以极简主义和质量为基础,并从查尔斯-伊姆斯(Charles Eames)和密斯-凡德罗(Mies van der Rohe)的作品中汲取灵感。 他们一直在寻找一种简约永恒的理想。1961 年,他们在根托夫特成立了工作室,四年后,他们在弗雷德里西亚家具展上展示了自己的首批设计,引起了德国家具制造商阿尔弗雷德-基尔的注意。后者为他们提供了一份利润丰厚的合同,允许他们自由工作,于是卡斯托姆和法布里奇乌斯带着他们的首批设计搬到了斯图加特,在基尔的工厂里开始生产。不久后,他们在 1966 年的科隆博览会上取得了国际性突破,展出了由他们的十款原创设计改良而成的全套家居和办公家具系列。两位设计师在 1961 年至 1968 年的七年间共同合作,设计出了许多如今被奉为经典的作品,如 FK 6725 郁金香椅、FK 87 草蜢和弯刀。在此期间,他们的家具还参加了在纽约现代艺术博物馆(1967 年)和巴黎现代艺术博物馆(1967 年)等著名艺术中心举办的重要国际展览。如今,在巴塞罗那 MACBA、纽约 MOMA、巴黎现代艺术博物馆、佛罗里达 Ringling 博物馆、巴西利亚艺术博物馆、斯图加特设计中心、埃森 Haus Industriform、慕尼黑 Neue Sammlung、慕尼黑拜耳国家博物馆、柏林 Kunstindustrimuseum、杜塞尔多夫 Kunststofmuseum、日本 World Import Mart 博物馆和 History + Folkways 博物馆以及科隆 Angewandte Kunstgeschichte 博物馆,都可以看到卡索姆和法布里奇乌斯的设计作品。