Null ATTRIBUTED TO JOAN BUSQUETS I JANÉ (1874-1949). ARQUIMESA, 1920-1925.
橡木雕刻和…
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ATTRIBUTED TO JOAN BUSQUETS I JANÉ (1874-1949). ARQUIMESA, 1920-1925. 橡木雕刻和贴面,镶嵌大理石。金属把手、铰链和锁。有三个活动门、十一个带门隔层、八个开放式隔层和十七个抽屉。 略有使用痕迹。 174 x 109 x 46 厘米(闭合);176 x 139 x 70 厘米(打开)。 参考文献: -编号 1295-A。Arquimesa.Oberta - Museu del Disseny (n. d.). -编号 1295。阿尔基梅萨。Tancada - Museu del Disseny (n. d.). -编号 1061。Arquimesa per a Exposició de Mèxic - Museu del Disseny (n. d.).

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ATTRIBUTED TO JOAN BUSQUETS I JANÉ (1874-1949). ARQUIMESA, 1920-1925. 橡木雕刻和贴面,镶嵌大理石。金属把手、铰链和锁。有三个活动门、十一个带门隔层、八个开放式隔层和十七个抽屉。 略有使用痕迹。 174 x 109 x 46 厘米(闭合);176 x 139 x 70 厘米(打开)。 参考文献: -编号 1295-A。Arquimesa.Oberta - Museu del Disseny (n. d.). -编号 1295。阿尔基梅萨。Tancada - Museu del Disseny (n. d.). -编号 1061。Arquimesa per a Exposició de Mèxic - Museu del Disseny (n. d.).

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Pair of Art Deco cabinets attributed to PAOLO BUFFA (1903-1970). Italy, 1940s. Lacquered wood and parchment. Keys included. Measurements: 120 x 80 x 40 cm. Extraordinary pair of desks or secretaire, Art Deco style and period, attributed to the Italian designer Paolo Buffa. Refined and elegant, they follow the style of the splendid designer and are made of black lacquered wood and parchment. The design, with clean and simple lines, focuses attention on its long legs of decreasing diameter and on the contrast created by the materials. With a black and white exterior, it impresses when you open its door and discover the red and embossed leather, which creates an elegant and striking effect. Paolo Buffa's work stands out for the perfection of execution and the neoclassical influence on his style, which the designer acquired during his training at Gio Ponti's studio throughout the 1920s. The solid and elegant lines that characterize his furniture seem to emulate a continuity between the 19th and 20th centuries. Of this pair of design gems, the use of parchment stands out. This element of animal origin is obtained from the hairless and well stretched skin of the cow or lamb, although even squirrel skin has been used. Its origin dates back to a time before Christ, remains of papyrus have been found from the second century B.C. Its use has been varied, from writing and illuminations to the coating of other objects such as books or furniture for decorative purposes, conferring luxury and prestige to the piece. The design, although always evolving, does not lose the essence of good materials.

JOAN ANTONI BLANC (Tortosa, 1940) for Tramo. Table lamp "Seta/Tulip", 1968. Double plastic lampshade in yellow and white inside that produces a spectacular light. Very good overall condition with some signs of age. Selection adi fad. Measurements: 56 cm (height) x 36 cm (lampshade diameter). The lamp "Seta/Tulip" is distinguished by its semi-oval lampshade that resembles the cap of a mushroom, as well as by the circular foot that rises slightly in its central area to join with the cylindrical shaft. It was published by Tramo (Trabajos molestos), a company founded by the iconic Catalan designer Miguel Milá. Joan Antoni Blanc was one of the founders of the Eina school and one of the main advocates of the need to incorporate technological knowledge and to orient design in industrial applications. He specialized in the field of design, specializing in furniture and lighting applied to the domestic, urban and office environment, although he has also developed several designs related to nautical, motoring and motorcycling. In 1972 he created "Estudi de Disseny Blanc", incorporating as assistant Pau Joan Vidal, an industrial designer trained at the Massana and Elisava schools, who later became his partner. He was also president of the Association of Professional Designers between 1986 and 1989 and participated in the creation of BCD. Among the products developed by Blanc, the "Cónica" lamp (Delta de Oro ADI-FAD in 1965), the "Cubiform" system of cabinets and drawers, the "semi-spherical" lamp (Delta de Oro ADI-FAD in 1966), the "Torre de Babel" set of expandable elements, the "globe" lamp (Delta de Oro ADI-FAD in 1966), and the "Torre de Babel" set of expandable elements (Delta de Oro ADI-FAD in 1966), the "Globe" lamp (Delta de plata ADI-FAD in 1968), the "Perfils" shelving and container system, the "Sinclina" lamp (Delta de plata ADI-FAD and prize for the best Spanish design at the Madrid fair in 1991), the "Prima 1000" shelving system and the "Escala" lamp. The Barcelona Design Museum is the repository of part of its documentary collections and three pieces designed by Joan Antoni Blanc: the "Cubiform" cabinet and the "Escala" and "Sinclina" floor lamps. The "Seta/Tulip" lamp is distinguished by its semi-oval lampshade that resembles the cap of a mushroom, as well as by the circular foot that rises slightly in its central area to join the cylindrical shaft. It was published by Tramo (Trabajos molestos), a company founded by the iconic Catalan designer Miguel Milá. Joan Antoni Blanc was one of the founders of the Eina school and one of the main advocates of the need to incorporate technological knowledge and to orient design in industrial applications. He specialized in the field of design, specializing in furniture and lighting applied to the domestic, urban and office environment, although he has also developed several designs related to nautical, motoring and motorcycling. In 1972 he created "Estudi de Disseny Blanc", incorporating as assistant Pau Joan Vidal, an industrial designer trained at the Massana and Elisava schools, who later became his partner. He was also president of the Association of Professional Designers between 1986 and 1989 and participated in the creation of BCD. Among the products developed by Blanc, the "Cónica" lamp (Delta de Oro ADI-FAD in 1965), the "Cubiform" system of cabinets and drawers, the "semi-spherical" lamp (Delta de Oro ADI-FAD in 1966), the "Torre de Babel" set of expandable elements, the "globe" lamp (Delta de Oro ADI-FAD in 1966), and the "Torre de Babel" set of expandable elements (Delta de Oro ADI-FAD in 1966), the "Globe" lamp (Delta de plata ADI-FAD in 1968), the "Perfils" shelving and container system, the "Sinclina" lamp (Delta de plata ADI-FAD and prize for the best Spanish design at the Madrid fair in 1991), the "Prima 1000" shelving system and the "Escala" lamp. The Barcelona Design Museum is the repository of part of its documentary collections and three pieces designed by Joan Antoni Blanc: the "Cubiform" cabinet and the "Escala" and "Sinclina" floor lamps.

琼-米罗-伊-费拉(JOAN MIRÓ I FERRÀ,1893 年生于巴塞罗那,1983 年卒于马略卡岛帕尔马)。 "向高迪致敬 附有琼-米罗在《向高迪致敬》中创作的 21 幅版画的研究报告和艺术书籍,并附有 Pere Gimferrer 创作的文字。限量版,第 981/998 册。 独一无二的 Planeta 编辑版。 木盒包装。 尺寸:50 x 70 厘米(艺术书);27 x 37.5 厘米(学习书);56 x 76 x 8 厘米(箱子)86 x 69 x 16 厘米(盒子)。 复制品是原作的 80%,取材于巴塞罗那 Joan Miró 基金会的藏品。复制品使用 220 克的 Fedrigoni Stucco Tintoretto 纸张印刷,并手工粘贴在 200 克的 Tintoretto 锡兰黑胡椒黑卡纸上。根据公证契约,限量发行 998 册,前 10 册的编号为 I 至 X,其余的编号为 1 至 988。1920 年,他移居巴黎,结识了毕加索、雷纳尔、马克斯-雅各布、扎拉和达达主义者。在那里,受超现实主义诗人和画家的影响,他的风格日趋成熟;他试图将超现实主义诗歌移植到视觉中,以记忆、幻想和非理性为基础。他于 1928 年在巴黎举办的第三次展览是他的首次重大胜利:纽约现代艺术博物馆收藏了他的两幅作品。1941 年,他回到西班牙,同年,博物馆为他举办了一次回顾展,这是他在国际上的最后一次献礼。他一生获奖无数,如威尼斯双年展和古根海姆基金会大奖、卡内基绘画奖、加泰罗尼亚自治区和美术金奖,并被哈佛大学和巴塞罗那大学授予荣誉博士称号。他的作品目前在巴塞罗那 Joan Miró 基金会、蒂森-博内米萨博物馆、纽约现代艺术博物馆、马德里索菲亚王妃博物馆、华盛顿国家美术馆、巴黎 MNAM 美术馆和布法罗 Albright-Knox 美术馆展出。