Null 维克托-佩德拉"花的声音(d) 布面油画
签名
54x65 厘米。保存状况良好。

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维克托-佩德拉"花的声音(d) 布面油画签名 54x65 厘米。保存状况良好。

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维克托-佩德拉"花的声音(d) 布面油画签名 54x65 厘米。保存状况良好。

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估价 1 000 - 1 200 EUR

源于 "LE CORBUSIER"（1887 年，瑞士 - 1965 年，法国），80-90 年代。 LC4 躺椅。金属结构和皮革装饰。连接结构和椅套的一个皮革挂钩破损。铁质底座上有锈迹。尺寸：90 x 55 x 160 厘米。 LC 4 chaise longue 是勒-柯布西耶最著名的家具，曾在 1929 年的 Automne du Design 沙龙上展出。它是一款纯粹、激进的设计，在当时赢得了一致好评，至今仍是 20 世纪设计的经典之作。这款现代版家具的软垫比原来的设计更多，因而更加舒适。勒-柯布西耶是建筑理论家、建筑师、设计师和画家，瑞士人，入籍法国，被认为是现代建筑运动最明确的代表人物之一，也是 20 世纪最具影响力的建筑师之一。他提出的新建筑理念基于五个要点，而这五个要点是这门学科日后发展的关键：自由平面、花园露台、"pilotis"、纵向窗户和自由立面。他最杰出的建筑项目包括巴黎大学城瑞士馆、马赛住宅区和龙尚圣母教堂。作为一名家具设计师，勒-柯布西耶与皮埃尔-让内雷（Pierre Jeanneret）和夏洛特-佩里扬（Charlotte Perriand）合作完成了他的第一批作品，并在 1925 年的巴黎装饰艺术展上获得了最终的推动力。勒-柯布西耶的第一把椅子和扶手椅就以舒适为出发点，并以人体测量学研究为基础，保证了对人体的完全适应性。勒-柯布西耶与让内雷（Jeanneret）和佩里安德（Perriand）共同设计的第一把椅子是 LC1，于 1928 年展出，其特点是靠背高度可调，使用者可以选择最舒适的姿势。在 1929 年的设计沙龙（Salon d'Automne du Design）上，他推出了 LC4 长椅，这是一款纯粹而激进的设计，如今已成为经典之作。同样著名的还有他的 LC2、LC3 和 LC5 设计，这些单座、双座和三座沙发的设计彻底改变了现代家具的批量生产。我们还必须强调凳子和餐椅的设计，如在 1929 年沙龙展上展出的 LC7 或 LC8。勒-柯布西耶、让纳雷和佩里安德希望为家中的所有房间设计家具，因此他们设计了像 LC9 这样的作品，这是一款用于浴室的凳子，非常简洁，带有织物座椅。勒-柯布西耶还设计了其他类型的家具，如桌子和架子。他的设计目前由意大利 Cassina 公司编辑，并被纽约现代艺术博物馆或伦敦维多利亚与艾伯特博物馆等重要机构收藏。

估价 1 200 - 1 500 EUR

RICHARD HUTTEN (Zwollerkerspel, Holland, 1967). Pair of Berlage chairs. Oak and black fabric strips. In good condition. Presents manufacturing stamp on the back crossbar (made in Rotterdam). Measurements: 85 x 42 x 57.5 cm. Richard Hutten was inspired by architect Berlage's throne chair, created for the Dutch Van Hengel family in 1911. Its main feature is that the back of the chair extends to the back legs. Combining industrial creation techniques for the structure and artisanal techniques for the weaving of the seat using hand-tied straps, the finish is unique and unrepeatable. This chair is in the collections of the Gemeentemuseum The Hague and the Boijmans van Beuningen Museum in Rotterdam. Richard Hutten opened his studio in Rotterdam after graduating from the Design Academy of Eindhoven in 1991. He is one of the leading exponents of Droog Design, in which he has been involved since its inception in 1993, making him one of the main founders of the famous Dutch design movement. He entered the international design scene with the conceptual pieces The Cross and S(h)it on it, positioning himself as a designer with his own discourse with the idea of 'no sign of design', functional pieces of a conceptual and humorous nature. Since 2008, Richard Hutten has been the artistic director of Gispen, the second largest and most famous furniture brand in the Netherlands, with almost 100 years of history. His work is part of the permanent collections of more than 40 museums worldwide, making him one of the most collected living designers. The list includes MoMa in New York, the Museum of Modern Art in San Francisco, the Stedelijk Museum of Modern Art in Amsterdam, the Central Museum in Utrecht and the Vitra Design Museum, among others.

估价 1 800 - 2 000 EUR

RODOLFO BONETTO (Milan, 1929-1991) for DRIADE. Pair of armchairs. Plastic material. With Driade label. Slight marks of use on the base. Measurements: 70 x 66 x 70 cm. Pair of armchairs of marked geometric design, based on rounded volumes, whose clean lines are enhanced by the neatness of the reddish-colored plastic material. It consists of a unitary and fluid volume in which the legs form the sides of the furniture and, in a continuous way, form the armrests, seats and backs of the same. The self-taught designer Rodolfo Bonetto began his career working for the Olivetti company in the late 1950s, where he contributed to the design of several products, including typewriters, household appliances, calculators and furniture such as the Boomerang armchair. Later he also worked for Kodak, Braun and Yamaha. His successful career led him to be awarded up to eight times with the Compasso d'Oro, the highest Italian design award. He is best known for his creations in the fields of technology and transportation (he worked for the Italian public transport company ATM), as well as for bicycles, motorcycles and automobiles. He has twice been president of ADI (Associazione Disegno Industriale) and president of ICSID (International Council of Societies of Industrial Design).

估价 100 - 200 EUR

梨子肥皂色版画原作，《东方之花》和《金鱼》描述两幅由 Pears Soap 出版的年度版画色版画，均取材于 William Stephen Coleman 的画作，名为《东方之花》和《金鱼》。类型：彩色石版画铬版画材料：纸纸张标记和铭文标记日期20 世纪伊利制作者梨肥皂，仿威廉-斯蒂芬-科尔曼尺寸：大号：27.5 英寸 x 18.25 英寸。较小： 28" x 13.5"。出处：宾夕法尼亚州兰斯代尔收藏来自宾夕法尼亚州兰斯代尔收藏。总体状况良好，表面和边缘有轻微磨损。

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