Null JAVIER MARISCAL。"巴塞罗那"。(d) 纸上粉彩和炭笔画
有签名和 1982 年的日期
49.5x63 厘米。保存状况良好。未从画框…

描述

JAVIER MARISCAL。"巴塞罗那"。(d) 纸上粉彩和炭笔画有签名和 1982 年的日期 49.5x63 厘米。保存状况良好。未从画框中取出检查。铝制画框。

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JAVIER MARISCAL。"巴塞罗那"。(d) 纸上粉彩和炭笔画有签名和 1982 年的日期 49.5x63 厘米。保存状况良好。未从画框中取出检查。铝制画框。

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估价 1 800 - 2 000 EUR

JAVIER MARISCAL (Almazora, Castellón, 1950) for Akaba. Garriris" chair, 1987. Chrome-plated square steel tube frame with aluminum, plywood seat and red leather upholstery. In very good condition. This model is in important collections and museums such as the Victoria & Albert Museum in London, and the Museu del Disseny in Barcelona. It was exhibited at the George Pompidou in Paris for the Nouvelles Tendances exhibition in 1987. Measurements: 97 x 44 x 60 cm. The Garriris chair assimilates the animated character Mickey Mouse with the iconic ears on the backrest and his characteristic shoes. Renowned industrial designer, cartoonist and comic artist, Javier Mariscal has lived and worked in Barcelona since 1970. He studied design at the Elisava School in Barcelona, but soon abandoned his studies to learn directly from his surroundings and follow his own creative impulses. He began his career in the world of underground comics in publications such as "El Rrollo Enmascarado" or "Star", along with Farry, Nazario and Pepichek. After making his first own comics in the mid-seventies, in 1979 he designed the Bar Cel Ona logo, a work for which he began to be known by the general public. The following year the Dúplex opened in Valencia, the first bar signed by Mariscal, together with Fernando Salas, for which he designed one of his most famous pieces, the Dúplex stool, a true icon of design in the eighties both inside and outside our borders. In 1981 his work as a furniture designer led him to participate in the exhibition of the Memphis Group in Milan. In 1987 he exhibited at the Georges Pompidou Center in Paris and participated in the Documenta in Kassel. Two years later his design Cobi is chosen as the mascot for the 1992 Barcelona Olympic Games, controversial at first but now recognized as the most profitable mascot in the history of the modern Games. In 1989 he created Estudio Mariscal and collaborated on various projects with designers and architects such as Arata Isozaki, Alfredo Arribas, Fernando Salas, Fernando Amat and Pepe Cortés. Among his most outstanding works are the visual identities for the Swedish Socialist Party, the Onda Cero radio station, the Barcelona Zoo, the University of Valencia, the Lighthouse design and architecture center in Glasgow, the GranShip cultural center in Japan, and the London post-production company Framestore. In 1999 he received the National Design Prize, awarded by the Spanish Ministry of Industry and the BCD Foundation in recognition of his entire professional career.

估价 6 000 - 7 000 EUR

LUDWIG MIES VAN DER ROHE (Germany, 1886 - USA, 1969) for KNOLL. "Barcelona" chair. Chromed steel frame, loose comfort cushions upholstered in black leather sewn with buttons. Lower upholstery with black leather straps. With certificate and Knoll stamp. Literature: C. & P. Fiell. 1000 chairs. Mentioned and photographed on p. 172. Apparently unused. With original packaging. Brand new. Measurements: 80 x 75 x 70 cm. Packaging dimensions: 84 x 89 x 84 cm. The Barcelona chair (model MR90) is a classic work of 20th century industrial design. Mies van der Rohe created it, together with the ottoman and the matching side table, for the German pavilion at the 1929 Barcelona International Exposition, a building that was also a milestone in the architecture of the last century. The chairs were so admired that they were used as thrones for the kings of Spain when they visited the Barcelona pavilion. They were seats with a structure made entirely of polished stainless steel, with the seat and backrest entirely covered with pigskin upholstery. Later, in 1950, some adjustments would be made to the design for mass production. Van der Rohe based his creation, in his personal line of modern classicism, on the "sella curulis", a type of seat used by Roman magistrates in antiquity. On the other hand, the visible joining of the stretcher frame and seat cushions as separate components, and the combined use of traditional and modern materials, appropriately matched to their function, eloquently reveal Mies' personal vision of international style. Today, both the Barcelona chair and the matching ottoman and side table are still in production by Knoll, the firm that purchased the license from the architect in 1953. Modern models are produced in two different steel configurations, and in various types of leather in different colors. Examples of the Barcelona chair are now held in important collections around the world, including the MoMA in New York. An architect and industrial designer, Mies van der Rohe trained with Bruno Paul and Peter Behrens, and opened his own studio in Berlin in 1912. Between 1930 and 1933 he directed the Bauhaus in Dessau, although the political situation in Germany soon after forced him to emigrate to the United States. There he continued his brilliant career, teaching at the Illinois Technology Institute in Chicago. During his career he designed emblematic buildings mainly in Germany and the United States, especially his skyscrapers in New York and Chicago, the German Pavilion for the 1929 Barcelona International Exposition, and the NeueNationalgalerie in Berlin.

估价 6 000 - 7 000 EUR

LUDWIG MIES VAN DER ROHE (Germany, 1886 - USA, 1969) for KNOLL. Chair "Barcelona". Chrome-plated steel frame, loose comfort cushions upholstered in black leather sewn with buttons. Lower upholstery with black leather straps. With certificate and Knoll stamp. Literature: C. & P. Fiell. 1000 chairs. Mentioned and photographed on p. 172. Apparently unused. With original packaging. Brand new. Measurements: 80 x 75 x 70 cm. Packaging dimensions: 84 x 89 x 84 cm. The Barcelona chair (model MR90) is a classic of 20th century industrial design. Mies van der Rohe created it, together with the ottoman and the matching side table, for the German pavilion at the 1929 Barcelona International Exposition, a building which was also a landmark in the architecture of the last century. The chairs were so admired that they were used as thrones for the King and Queen of Spain when they visited the Barcelona pavilion. They were seats with a structure made entirely of polished stainless steel, with the seat and backrest entirely covered in pigskin upholstery. Later, in 1950, some adjustments were made to the design for mass production. Van der Rohe based his creation, in his personal brand of modern classicism, on the "sella curulis", a type of seat used by Roman magistrates in antiquity. On the other hand, the visible joining of the frame and seat cushions as separate components, and the combined use of traditional and modern materials, appropriately matched to their function, eloquently reveal Mies' personal vision of international style. Today, both the Barcelona chair and the matching ottoman and side table are still produced by Knoll, the firm that bought the licence from the architect in 1953. The modern models are produced in two different steel configurations, and in various types of leather in different colours. Examples of the Barcelona chair can be found in important collections around the world, such as the MoMA in New York. An architect and industrial designer, Mies van der Rohe trained with Bruno Paul and Peter Behrens, and opened his own studio in Berlin in 1912. Between 1930 and 1933 he directed the Bauhaus in Dessau, although the political situation in Germany forced him to emigrate to the United States shortly afterwards. There he continued his brilliant career, while at the same time teaching at the Illinois Technology Institute in Chicago. During his career he designed emblematic buildings, mainly in Germany and the United States, particularly his skyscrapers in New York and Chicago, the German Pavilion for the 1929 Barcelona International Exposition, and the NeueNationalgalerie in Berlin.

估价 7 000 - 8 000 EUR

JAVIER MARISCAL（卡斯特利翁，阿尔马索拉，1950 年）。巴塞罗那，帕洛阿尔托。2006 年 5 月。布面油画。右边空白处有签名和年代；背面有签名、位置和年代。出处；私人收藏尺寸：180 x 160 厘米：180 x 160 厘米。哈维尔-马里斯卡尔（Javier Mariscal）在创作动画场景方面的造诣无人能及，人群在夜晚的魔力照耀下熠熠生辉。他以一种漫不经心的风格，看似随意地安排着画布上的人物，但在聚光灯、祝酒词、微笑、身体和桌子等看似混乱的场景下，却蕴含着真正天赋的严谨构图。马里斯卡尔从漫画中汲取养分，但又将漫画转化为社会学和造型学的入侵。我们可以从他笔下的每一个人物中辨认出他的签名，那些合成的面孔，其中一些还有点像狗，让人联想到过去几十年中最著名的吉祥物之一。哈维尔-马里斯卡尔是知名的工业设计师、漫画家和连环画家，自 1970 年以来一直在巴塞罗那生活和工作。他曾在巴塞罗那 Elisava 学校学习设计，但很快就放弃了学业，直接向周围环境学习，追随自己的创作冲动。他与法里、纳扎里奥和佩皮切克一起，在《El Rrollo Enmascarado》或《Star》等刊物上开始了自己的地下漫画生涯。在 70 年代中期创作了自己的第一部漫画作品后，1979 年，他设计了 Bar Cel Ona 的标志，并因此开始为公众所熟知。次年，Dúplex 酒吧在巴伦西亚开业，这是马里斯卡尔与费尔南多-萨拉斯（Fernando Salas）合作的第一家酒吧，他为这家酒吧设计了他最著名的作品之一--Dúplex 凳子，这是八十年代国内外设计界的一个真正标志。1981 年，他作为家具设计师参加了在米兰举办的孟菲斯集团展览。1987 年，他的作品在巴黎蓬皮杜艺术中心展出，并参加了卡塞尔文献展。两年后，他设计的 Cobi 被选为 1992 年巴塞罗那奥运会的吉祥物，起初引起争议，但现在已被公认为现代奥运会历史上最赚钱的吉祥物。1989 年，他创建了 Estudio Mariscal，并与 Arata Isozaki、Alfredo Arribas、Fernando Salas、Fernando Amat 和 Pepe Cortés 等设计师和建筑师合作开展了多个项目。他最杰出的作品包括瑞典社会党、Onda Cero 广播电台、巴塞罗那动物园、巴伦西亚大学、格拉斯哥灯塔设计和建筑中心、日本 GranShip 文化中心以及伦敦后期制作公司 Framestore 的视觉形象。1999 年，他获得了由西班牙工业部和 BCD 基金会颁发的国家设计奖，以表彰他的整个职业生涯。

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