Null second matilla.沼泽。纸上炭笔画
签名
20x27.5 厘米。褪色。镀金木框。无镜框，未经检查。

Beschreibung

second matilla.沼泽。纸上炭笔画签名 20x27.5 厘米。褪色。镀金木框。无镜框，未经检查。

632

second matilla.沼泽。纸上炭笔画签名 20x27.5 厘米。褪色。镀金木框。无镜框，未经检查。

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Schätzw. 100 - 180 EUR

[新教] [茹里叶（皮埃尔）]：Préjugez légitimes contre le papisme, ouvrage où l'on considère l'Eglise Romaine dans tous ses dehors, & où l'on fait voir par l'histoire de sa conduite qu'elle ne peut être la vraie Eglise, à l'exclusion de toutes les autres communions du christianisme, comme elle prétend.分为两部分。阿姆斯特丹，亨利-德斯博德斯，1685 年。 (34)-445-(3); (2)-372-(4) 页。当代全牛皮纸，书脊上有手写标题，1 处合页开裂超过 10 厘米，书脊上有事故，第二块木板上有小块墨迹。尽管如此，该书的装订质量很高。纸张褐变严重，影响了正文内容。第一版。 Kappler, Bibliographie [...] de Pierre Jurieu, n° 52。卡普勒引用了莱顿 B.U.副本中 Prosper Marchand 的手写注释："Ces Préjugés ......是于利厄著作中最好的，因为他不像他的对手[尼科尔]那样，通过对教义的细枝末节和争论来自娱自乐，而是直奔主题，用历史证据证明了教皇制度的弊端和腐败。正因如此，他受到了无私奉献者的欢迎，并成为罕见的人物"。 "在《Préjugés》一书中，有一篇著名的《对欧洲新教徒的意见书》，茹里厄以罕见的洞察力谴责了路易十四的政策，路易十四变得过于虔诚，并希望通过武力确保天主教在欧洲的霸权"。(F. Puaux，B.S.H.P.F.，第 3/1918 期，第 184-208 页。

Schätzw. 1 300 - 1 500 EUR

ROGER CAPRON (France, 1922 - 2006). Vase, ca.1970's. Ceramic. Signed on the base. Measurements: 29 cm x 14 cm x 14 cm. Vase made by the French ceramist Roger Capron. Of rectangular structure, chiseled with a synthetic sunflower on one of its sides, it presents an attractive aesthetic of archaic inspiration. Interested in drawing since he was a child, the ceramist Roger Capron studied Applied Arts in Paris between 1939 and 1943, and from 1945 he combined his artistic activity with teaching. In 1946 he settled in Vallauris, where he created a workshop known as Atelier Callis, fundamental in the renaissance of the art of ceramics in this locality. A few years later, in 1952, Capron acquired an abandoned ceramics factory in Vallauris and reopened it with fifteen workers; by 1957 his factory was already enjoying considerable international prestige. In 1980, one hundred and twenty workers were working there, and at this time he began to produce unique pieces that were exhibited in different countries, although the economic crisis led to the closure of the factory in 1982. In 1982 Capron created a new workshop under his own name. Throughout his career, this artist was awarded a gold medal at the Milan Triennale (1954), a silver medal at Cannes (1955), a gold medal again at the Brussels Architectural Ceramics Exhibition on two occasions (1957 and 1958), the French Ministry of Culture prize (1970) and the Prix Spécial de l'Architecture (1980).

Schätzw. 1 200 - 1 500 EUR

JOE COLOMBO (Milan, 1930-1971) for ZANOTTA. Pair of "Birillo" stools, 1970s. Chromed metal and plastic. White vinyl seat. Designer's and manufacturer's stamp on base. In good condition. Measurements: 105 x 43 x 44 cm. The Birillo stool was designed by Joe Colombo and chosen by the acclaimed film director Ridley Scott as a space-age inspired stool on the set of Blade Runner. The combination of modern materials for the time (plastic and steel derivatives) made it a completely new model. Architect and designer Cesare Colombo, nicknamed "Joe" Colombo, was an artist, architect, furniture, product and interior designer who was central to Italian design in the 1960s. Trained at the Academy of Fine Arts and Architecture of the Polytechnic University of Milan, where he devoted himself, among other things, to painting, sculpture and drawing, skills that would serve him to develop his career as a designer by setting up his own studio in 1962. Throughout the 1960s he collaborated with major publishers such as Kartell, O-Luce and Zanotta. Many of his works are still exhibited in museums around the world and the artist is the subject of regular retrospectives, studies and exhibitions. During the 1960s, the designer worked mainly on the creation of furniture that stood out for being easily modular, flexible and practical, as is the case with these chairs, which can be transported and adapted to the needs of their user. He focused on a global design, where the elements of the furniture transcend space and architecture. In this way, Colombo moves towards a form of design that helps the user to save space and time. Some of the Italian designer's most famous works are the "Elda" armchair (1963), the "Continental Library" (1965), the "Universal" (1967) and "Tube" chairs (1969) and the "Chariot Boby" (1969). His career and achievements led him to take part in the 14th Milan Triennale, exhibiting some of his interior design proposals. In 1964 he won the gold medal at the Milan Triennale with the acrylic table lamp, which is now part of the permanent collection of the Museum of Modern Art in Philadelphia. In 1972, shortly after his death, his overall furniture project was shown in the exhibition "Italia: The New Domestic Landscape" held at MOMA in New York, realised by ELCO - FIARM, Boffi, Ideal - Standard, with the help of Sormani. In 1984, a retrospective of his work was held at the Villeneuve Museum of Modern Art. Subsequently, in 2005, the Milan Triennale hosted the retrospective Joe Colombo Inventing the Future.

Schätzw. 1 300 - 1 600 EUR

HARRY BERTOIA (Italy, 1915 - USA, 1978). Set of four "Side Bertoia" chairs, ca. 1960. Steel rods. Measurements: 74 x 46 x 56 cm. Drawing on his experience as head of the Experimental Department at the Eames Studio, Harry Bertoia designed the Side chair for Knoll International in 1952. A single piece of steel rod forms the seat and back, joined to a lightweight steel frame that forms the base. The visible structure of the Side model suggests that the chairs were objects in space, and as Bertoia said, "space passes through them". A painter, graphic artist, sculptor, university professor and furniture designer, Harry Bertoia emigrated to the United States at the age of fifteen, and it was there that he developed his training and career. He studied at the Detroit Society of Arts and Crafts and later at the Cranbrook Academy of Art in Bloomfield, Michigan, where he later became a teacher and created the department of metalwork. During these years he began to experiment with the forms of jewelry, and to explore ideas that would later emerge in his sculpture and designs. In 1943 he began his collaboration with designer Charles Eames, with whom he worked until 1946. After a period working for Point Loma Navel Electronics as a creator of equipment manuals, in 1949 he joined Hans Knoll at Knoll Associates. His first sculpture exhibition took place at the Knoll Showroom in New York in 1951, and the following year Knoll would patent his most famous furniture design, the welded rod "Diamond" chair. Bertoia's designs are now in the collections of major design and contemporary art museums, including MoMA in New York and many others.

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