Null 马尼拉黑丝刺绣披肩，20 世纪上半叶。有轻微使用痕迹。

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马尼拉黑丝刺绣披肩，20 世纪上半叶。有轻微使用痕迹。

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马尼拉黑丝刺绣披肩，20 世纪上半叶。有轻微使用痕迹。

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估价 300 - 400 EUR

NICOLAS MORIN (1959). Blown glass vase, 1997. Signed and dated on the base. Measurements: 14 x 16 x 16 cm. Nicolas Morin began working with glass in the family workshop in 1973. He traveled to Holland and Scandinavia in 1980, 81 and 82, where he had numerous contacts with glass artists (Wilhem Heessen, Sybren Valkema, Asa Brandt, Ulla Forsell, Ann Wolf, Wilke Adolfson, Monika Guggisberg and Philipp Baldwin, etc). He participated in the first International Symposium of Glass in France, in Sars Poteries, in 1982. He graduated from the School of Architecture of Marseille Luminy in 1984. He participated in the symposium "Art Verre Vin" in Saint Emilion 1984. He traveled to the United States in 1986. Exhibited at the "West Springfield Craft Fair". Collaborated with William Morris and Dale Chihuly in 1986. Held his first solo exhibition in Paris in 1987. He traveled to Scandinavia in 1992, where he visited in particular Finn Lingaard and Mikko Merikallio and Estonia to meet Vivii Ann Kerdo and Kaï Koppel, the first independent workshop in Eastern Europe. Participated in the International Symposium of blown glass in L'viv (UKR-1992) discovery of the Slavic part of the world of glass with the help of Catherine Sintès - Creation of a new line of sculptures with Catherine Sintès. Participated in the International Glassblowing Symposium of L'viv (UKR-1995). Participated in the Glass Symposium in Haapsalu (EST) in 2003, meetings with glass artists from the Baltic countries and the International Symposium of blown glass in L'viv (UKR-2004). He traveled to Japan with the presentation of Yoko Kuramoto and Makoto Ito in February 2005. He participated in the International Festival of Glass Stourbridge (UK, summer 2008).

估价 1 000 - 1 200 EUR

ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930's. Writing desk. White painted metal. Black glass. Shows signs of use and wear. Needs restoration. Measurements: 80 x 115 x 60 cm. Desk designed by the Czech artist Robert Slezak in the thirties, following the precepts of the German Bauhaus. The tubular structure and the small spherical feet give lightness and boldness to a design in accordance with the aesthetic and conceptual interests of the modern movement. The cabinet has three drawers with ball handles, and the top is covered with black glass. Robert Slezak founded Slezak Factories in 1908, a Czech furniture brand specializing in chrome-plated and bent metal furniture, which initially operated as a locksmith's shop and building fittings. The workshop developed rapidly, production was first extended to the popular brass fittings and new galvanic plating technology was introduced in the new facility. In 1911, it was one of the first manufacturers to offer galvanic plating of copper, nickel and chromium on the surface of products. From 1913, it began production of metal chairs and brass furniture, including beds, tables and chairs with its own designs in a combination of metal and wood. The original Slezák factories became part of the Kovona company after 1948, and since 1992 it has been called Kovonax. It presents marks of use and wear. Needs restoration.

估价 3 000 - 3 500 EUR

CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for VITRA Editor. “Segmented table”. A large circular dining table with chromed and black lacquered steel and aluminium frame, on four-star base, solid dark stained oak top with black vinyl edge. In good vintage condition with minor retouches on top. Measurements: H. 72 cm. Diam. 170 cm. The design story of the Eames Tables goes back to the 1940s, when Charles and Ray Eames developed the first versions of what later became the table base. Suited for a variety of chairs and tables, these early designs already reflect the couple's characteristic method of thinking in systems. The bases used today for the Eames Tables were created in the 1960s in conjunction with the development of the Soft Pad Chairs. Charles and Ray Eames, a married couple and artistic couple, worked in the fields of industrial and graphic design, fine art and film, and are responsible for numerous designs that have become classics of the 20th century. Charles Eames studied architecture for two years at the University of Washington, then began his career working in a studio on residential housing projects. In 1938 he moved to Cranbrook, Michigan, to continue studying architecture and design at the city's Academy of Art. He eventually became a teacher there, heading the industrial design department. Together with Eero Saarinen, the son of his teacher Eliel Saarinen, he designed the trophy for the Organic Design Prize, awarded by the Museum of Modern Art in New York. In 1941, after divorcing his first wife, he married his colleague at Cranbrook, Ray Kaiser. Together they settled in Los Angeles, where they remained for the rest of their lives. In the late 1940s, Ray and Charles designed their home together, known as the "Eames House", now considered a masterpiece of modern architecture. In the 1950s the couple continued to work in architecture and furniture design, pioneering the use of new techniques and materials such as fibreglass and plastic resin in the manufacture of chairs. They are currently represented in the Design Museum in London and the MoMA in New York, among many others.

估价 900 - 1 200 EUR

RENATO TOSO (Murano, 1940) for Leucos. Pendant lamp "Melania", 1968. Glass, black outside, white inside. Measurements: 20 cm. x 65 cm. x 65 cm. x 65 cm. This Melaina ceiling lamp was designed by Renato Toso and produced by Leucos in 1968. It has a thick conical glass shade, with a glossy black exterior, white interior and a transparent border around the end. This combination of colors gives a special, screened illumination. It is possible to adjust the angle of the lamp with the steel rod. Italian designer and architect Renato Toso is known for his mid-century modern Murano glass pendant lights and sconces. His designs have a retro chic appeal characterized by soft curves and a natural elegance. He founded the design firm Toso, Massari & Associates, with his wife, designer Giovanna Noti Massari. He was born in 1940 in Murano, Italy. Murano is a Venetian island with a long glassmaking tradition. Both Toso and Massari studied architecture in Venice and founded Toso, Massari & Associati in 1966. The studio has designed collections for the historic lighting manufacturer Vistosi, one of Murano's most prominent glassmakers. The studio has won first place in several design competitions and exhibitions, including the Venice Biennale, the XII Milan Triennale and the Trieste National Design Competition. Its work has been exhibited at the Louvre in Paris, the Museum of Modern Art in New York and the Palazzo Grassi in Venice.

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